Gone Primitive: Savage Intellects, Modern Lives

Overview

In this acclaimed book, Torgovnick explores the obsessions,
fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields
(anthropology, psychology, literature, art, and popular culture), Gone Primitive will engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask.

"A superb book; and—in a way that goes ...

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Overview

In this acclaimed book, Torgovnick explores the obsessions,
fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields
(anthropology, psychology, literature, art, and popular culture), Gone Primitive will engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask.

"A superb book; and—in a way that goes beyond what being good as a book usually implies—it is a kind of gift to its own culture, a guide to the perplexed. It is lucid,
usually fair, laced with a certain feminist mockery and animated by some surprising sympathies."—Arthur C. Danto,
New York Times Book Review

"An impassioned exploration of the deep waters beneath Western primitivism. . . . Torgovnick's readings are deliberately, rewardingly provocative."—Scott L. Malcomson, Voice Literary Supplement

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Editorial Reviews

Booknews
The unfinished frescoes by Antonio Pisanello in the Ducal Palace in Mantua have intrigued and puzzled art historians since their rediscovery in the 1960s. In this extensive discussion, Woods-Marsden (art history, UCLA) identifies the frescoes as a coherent cycle depicting an episode from the prose Lancelot, the 13th century French Arthurian romance. Dating the cycle c. 1447-48, she argues for Lodovico Gonzaga, ruler of Mantua, as commissioner, and suggests that the work documents this outstanding patron's early intentions and ambitions. Examining and crossing a range of fields (anthropology, psychology, literature, and art) and texts (photography, travel literature, television programs, and museum exhibitions), Torgovnick (English, Duke U.) shows how Western ideas of the primitive have served as a vehicle to control societies outside the West and to suppress women and minorities within it. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780226808314
  • Publisher: University of Chicago Press
  • Publication date: 6/15/1990
  • Pages: 335

Table of Contents

Acknowledgments
1. Going Primitive
1. Defining the Primitive/Reimagining Modernity
2. Taking Tarzan Seriously
2. Making Primitive Objects High Art
3. "But Is It Art?"
4. The Politics of Roger Fry's Vision and Design
5. The Many Obsessions of Michael Leiris
6. William Rubin and the Dynamics of Primitivism
3. Engendering the Primitive
7. Traveling with Conrad
8. "Oh, Mexico!": D.H. Lawrence's The Plumed Serpent
4. Mapping the Site of Transcendental Homelessness
9. Adventures
10. Entering Freud's Study
11. Remembering With Lévi-Strauss
5. Gone Primitive
12. Physicality Epilogue: Past, Present, and Future Notes Reference List Index

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