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Published in the spring of 1936, Margaret Mitchell's Gone With the Wind was an immediate and overwhelming success; millions of copies were sold in its first year alone. By the time the film opened on December 15, 1939, the anticipation and excitement were so great that the city of Atlanta declared the day an official holiday. Since then, more than 300 million people have seen the film and ...
Published in the spring of 1936, Margaret Mitchell's Gone With the Wind was an immediate and overwhelming success; millions of copies were sold in its first year alone. By the time the film opened on December 15, 1939, the anticipation and excitement were so great that the city of Atlanta declared the day an official holiday. Since then, more than 300 million people have seen the film and every year hundreds of thousands of copies of the novel are sold in dozens of languages.
This lavishly illustrated book is the ultimate behind-the-scenes history of the novel, the film, and the phenomenon of Gone With the Wind. It includes wonderful anecdotes, original quotes from the stars and the directors souvenir programs from the original premiere, many rare never-before published photographs, and more, from the smell of the smoke and the heat of the flames during the filming of the "burning of Atlanta" sequence to the soft touch of the red dust at the location Tara; from the fangue on the faces of cast and crew after grueling months of shooting to the thrill of premiere night, you will experience the unfolding drama as if you were there.
Here is the ultimate behind-the-scenes history of an American classic--the lavishly illustrated official tie-in book to Turner Entertainment's spectacular Gone with the Wind 50th anniversary celebration. 300 black-and-white and 4-color photos throughout.
In the spring of 1936, a new novel blew onto the American scene with the force of a hurricane -- Gone With the Wind. Essentially the story of a willful girl and the people around her during and after the Civil War, the book was an overnight sensation, selling a million copies and commanding thirty-one printings in its first year of publication.
People were crazy about GWTW, as it soon became known. The first printing sold out almost as fast as it rolled off the presses. Eager fans thronged around its author each time she set foot on a city street, as if she were a movie star, while the press beat a path to her door and never left it. GWTW had arrived.
Now, more than fifty years later, it is still popular. Readers are just as apt now, as then, to discover it sold out in bookstores and already checked out in libraries.
What was the mind behind Gone With the Wind? How was a work of such enduring popularity created? To know that, one must know its author, Margaret Mitchell. And to know her, one must slip back in time.
Atlanta, Georgia, 1900. The War Between the States had been waged and lost only thirty-five years earlier and was still a fresh and vivid memory. In the gracious homes that lined Peachtree Street and the shanties along Decatur Street still lived the survivors of a conflict that had already taken permanent root in the collective consciousness of the South and flourished.
Margaret Munnerlyn Mitchell was born on November 8 of that year, the fifth generation of her family to proudly call themselves Atlantans, steeped in the legends of the city and the South.
As a child she spent long, lazySunday afternoons "sitting on the bony knees of Confederate veterans and the fat, slick laps of old ladies who had survived the war," listening to tales of relatives who walked fifty miles with their skulls cracked by Yankee bullets, stuffed wrapping paper beneath their corsets to keep warm during the blockade, and sat down to supper with Rebel leaders. And all these tales were told not as epic drama but as ordinary family happenings that could have occurred just yesterday.
When she was six, Margaret herself became a rebel, against going to school. On a blazing hot September day her mother drove her out along the road to Jonesboro, pointing out the ruins of great houses that had fallen during or because of the war, chimneys standing ghostly among the scattered leaves and creeping foliage of the encroaching woods. She also pointed out the proud homes that still stood, testimony to their owners' steely spirit.
She explained that all the people who had once lived in all the houses had believed they had wealth and beauty and good times that would never end. But their world did end. And it would happen again, Margaret's mother warned. And when it did, she had better be prepared. "...All that would be left after a world ended would be what you could do with your hands and what you had in your head," not the least of which was an education. Margaret went to school.
Margaret grew up with the twentieth century, a Jazz Age baby, sufficiently enlightened in the New Era of women's equality to set off for college with aspirations of becoming a neurologist or psychiatrist. During her first year, however, her mother died in the influenza epidemic of 1919, and she came home to keep house for her father and brother.
A freethinking flapper, "one of those short-haired, short-skirted, hard-boiled young women who preachers said would go to hell or be hanged before they were thirty," as she described herself, Margaret talked her way into, and succeeded admirably at, a position as a reporter for the Atlanta Journal Sunday Magazine, no mean feat in an age where the only newspapermen were men.
Margaret -- Peggy, her friends called her -- moved about in a modern world of moving pictures, speedy automobiles, electric iceboxes airplanes, and radios, but to her the Civil War was just as recent and probably more real.
She found herself in 1926, at the height of the Jazz Age, housebound with a broken ankle that developed into arthritis she began to write a novel about the Civil War.
She was first of all a voracious reader. Her husband, John Marsh, brought home armloads of library books every night to entertain her until one evening he announced that he had exhausted the supply; she had read every book in the library except the exact sciences. Dropping a sheaf of copy paper in her lap, he told her she now had no choice but to write her own book.
She didn't know why she chose the Civil War as her subject, she would later say; it was just always there in her background.
The first chapter she wrote was the final one, in which Rhett leaves Scarlett alone to think about him "tomorrow," and from there she wrote a chapter here and a chapter there, apparently in no particular sequence, but as the spirit moved her. As each chapter was completed, it was sealed into a manila envelope and stacked next to the typewriter. When the stack became two and the two became towers, the envelopes were squirreled away in varying spots in the three-room apartment -- some under the bed, some under the sofa, others in the pots-and-pans cupboard.
When friends visited, the typewriter and the current chapter were covered over with a large bath towel. Peggy didn't like people to know she was working on a book. And, anyway, she never planned to sell it; it was only for her own amusement.
Sometime in 1929, the novel was finished, all except for the opening chapter and two others. The stock market crashed, a black and ominous Depression fell over the world, and Margaret Mitchell went on about the business of being Mrs. Peggy Marsh.
She had written the book mostly during the three years she had spent laid up, sometimes bedridden, with her bad ankle, having been told by doctors that she might never walk again. She finished the book, her ankle thankfully healed, and as she put it, "When my foot got well, I stopped writing because walking seemed far more interesting."
Peggy had been engaged once, to a young man who was shortly thereafter killed in World War I, and married once before -- for a period of only months -- to a fellow emotionally unequipped for life with the headstrong Margaret. But now her ship had come in.
Being Mrs. Marsh was fun. Peggy and John lived in a small, dark apartment they affectionately called "The Dump" and used as a base for lively, intellectually stimulating dinner parties and evening entertainments. Life flowed on like Southern molasses, sometimes thick and grainy, crystallized with illnesses or the woes of friends, but always sweet.
Then, in the spring of 1935, life abruptly changed.
Lois Cole, one of the few intimates who knew Peggy had been writing a book, was working for the Macmillan Company, publishers, in New York. The firm had reasoned that Southern books by new authors were frequent sellers and decided to send senior editor Harold Latham on a tour of the South. Lois suggested that he stop and talk with Peggy Marsh. Mr. Latham followed through, calling on her at her home.
Mrs. Marsh, however, insisted that she was not an author, was not writing, had never written a book, and wasn't the least bit interested in being reviewed by any publisher. Mr. Latham packed his bags and prepared to leave Atlanta.
But first he attended a tea where Peggy introduced him to a young girl who did hope to make it big as an author. As she drove the girl and her friends home from the tea, another young lady in the car spilled the beans about Peggy writing a book. The first girl was amazed. She couldn't believe that Mrs. Marsh could write. She didn't seem the type. She took life much too lightly, the girl said, and was wasting her time trying to be a serious novelist. As Peggy put it later, the girl had said, "And you've never even been refused by a publisher? I've been refused by the very best...."
That was it. Peggy rushed home, gathered up all the manila envelopes from all their hiding places -- except the ones under the bed and in the pots-and-pans closet, which she forgot -- rushed down to the hotel with them, and thrust them at the unsuspecting Mr. Latham. "My idea," she said, "was that at least I could brag that I had been refused by the very best publisher."
The envelopes were so unwieldy and so voluminous that Mr. Latham, who had been half out the door to catch the next train, was forced first to go into town and buy a new suitcase to carry his newly acquired manuscript.
At the moment that Harold Latham safely left Atlanta, Peggy came to her senses. She realized what she had let out of her grasp and was "appalled." Desperately she wired ahead to Mr. Latham's next hotel, requesting that he send back the offending, "sloppy" manuscript. But Harold Latham had already begun reading the book and had fallen under its spell. Instead of sending it back, he offered to buy it.
Back in New York, Peggy's untitled novel wove its magic around the entire Macmillan Company, and the firm set a publication date for May 1936. That left the author only six months to complete the still unwritten opening chapter, two other bridging chapters, perform the numerous revisions she felt necessary, and fact-check the entire manuscript -- a bow to historical accuracy she insisted on.
Peggy Marsh was now Margaret Mitchell again -- at least as far as the novel was concerned -- and it seemed to consume her entire life. Working up to twenty hours a day in a feverish rush to meet the publisher's deadline, always terrified that some historical fact would escape her strict attention, she devoted all her waking and sleeping hours to the book.
Her husband, John, who had been a copy editor when they met, proofed every page. Her father, Eugene Mitchell, an expert on the history of the period, acted as consultant. With their assistance the book was finally completed in January 1936.
It still had no title. Macmillan was sending it to press with a working title, Tomorrow Is Another Day, when Margaret sent them a list of dozens of possible alternatives, including her favorite, Gone with the Wind.
She had found the phrase in "Cynara," a poem by Ernest Dowson. She chose the line because, she said, "it had the far away, faintly sad sound I wanted." The Macmillan people agreed, and the book sailed off to press, named at last.
Gone with the Wind (yes, the word with started out with a lowercase w) rolled off the presses in May 1936 as planned. The official publication date, however -- meaning the date advertising and reviews would commence -- was postponed a month until June, because the Book of the Month Club had chosen it as its July featured selection.
But advance word on GWTW spread like wildfire, and by June 30, the official release date, bookstores were already placing frantic reorders. Libraries tried futilely to fill requests for the book. Friends fervently urged dog-eared copies on friends. In fact, by June 30, the first printing of ten thousand copies had been swept away on a tide of excitement and almost one hundred thousand copies were being shipped around the country.
Margaret Mitchell was miserable. She had adored the quiet, unassuming life of Peggy Marsh. Now, as a famous authoress, her phone never stopped ringing, her doorbell never stopped shrilling; she could scarcely walk down a city street without being accosted by well-wishers, autograph hounds, reporters anxious for an interview. Strangers demanded to know if Scarlett ever got Rhett back and insisted she write a sequel so they could find out. Ladies' club members requested that she speak at their meetings, and on and on....
Margaret fled to the mountains, someplace quiet without telephones or telegrams, someplace where she could at least sit down in peace and read her reviews.
These thrilled her. She had never considered herself more than a passable writer ("lousy" is the way she once put it) and she was delighted at how favorable the reviews were.
She was also too much of a lady not to thank each of her reviewers and as many of the well-wishers who wrote her as possible. Before, during, and after her week-long sojourn in the hills, Margaret personally wrote each of these people charming, witty, lengthy letters and only increased the exhaustion she had brought upon herself racing to meet her manuscript deadline. Finally her eyes rebelled with an attack of severe strain, forcing the rest of her diminutive body to follow them into a darkened room to lie quietly beneath black bandages and only dictate thank-you letters for months.
People still frequently asked, was there a real Tara? A real Twelve Oaks? A real Rhett? Or Scarlett? Or Ashley? Did she plan for her novel to mirror the Great Depression?
Margaret insisted that her characters were real, not as specific individuals -- she strove mightily to avoid that -- but as types; people she had known all her life. They were different than those romantic-novel "lavender-and-lace-moonlight-on-the-magnolias people," she said. They were "remarkably tough...they had to be...or they'd never have survived."
She had researched for years the way people lived during the war, how they dressed, what they looked like -- again, for her own amusement. For example, she described Rhett Butler as looking the way he did because he was "typical of his times....I went through hundreds of old ambrotypes and daguerreotypes looking at faces, and that type of face leaped out at you." Not to mention the fact that Rhett's was the type that seemed to have lingered the longest in the minds and hearts of the elderly ladies she slyly interviewed about their old beaux.
Margaret steadfastly maintained that there was no real Tara, though people frequently refused to believe her. She had invented it and Twelve Oaks out of whole cloth. But, like everything and everyone else in the book, she had so meticulously researched both landscape and architecture that only a slight wave of the hand of fate must have prevented their actual existence.
As for mirroring the Depression, Margaret insisted she never had any intention of doing so, and pointed out that when she began GWTW, the carefree, richly lived Jazz Age was at its peak. She had had no idea the Depression was on the horizon. She wrote about hard times, she said, because they were the stuff that was described to her throughout her childhood. They were the canvas on which her family's colorful heritage was painted.
People asked, and still ask, what gave the book its universal appeal. Perhaps this is the answer: She wrote about real people in real situations and made them live. She gave readers characters they could care about as much as they did themselves and their loved ones. And more than any other, there was the character of Scarlett, who determined that no matter what tragedies befell her -- death or war or poverty -- she would triumph, and not the situation. Scarlett was a survivor and a winner, to whom people of all ages, eras, and walks of life seemed able to relate.
All the events that occurred in the book had their basis in fact. They didn't all happen to the same people, or in the same time or place, but they all happened within the context of the war and Reconstruction. The only real difference between the events on paper and in history, Margaret said, was that she had had to water the more horrible ones down. They were too strong to be swallowed whole.
Horrible or not, Margaret's characters went on loving, living, and, in some cases, dying, and people everywhere followed along just as passionately as if they were bound up within the pages themselves.
Then David O. Selznick bought the movie rights for fifty thousand dollars. Margaret warned him that it would do him no good. She argued that the book was un-filmable and would cause him no end of headaches trying to make it a movie. But if he wanted the headache, he could have it.
He wanted it.
Margaret Mitchell stayed in Atlanta, trying hard to slip back into the simple life of Peggy Marsh, while David O. Selznick movie mogul, laid the plans to put GWTW on the silver screen.
Copyright © 1989 by Herb Bridges
Posted October 15, 2008
This book is a real page turner. I read it b/c of the book the Outsiders. This book is historic, romantic, comedic, and tragic. It gives you an understanding of what went on in the south b/f and after the civil war.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 23, 2008
'Gone with the Wind' is a wonderful tale of Scarlett O'Hara's struggles during the Civil War. I highly reccommend it, because I believe it is a realistic glimpse of that time period. Scarlett and Rhett will forever beloved characters, preserved in the pages of time.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 25, 2008
Posted December 27, 2007
I read this book last year for a book report and I loved it. I loved it so much I read it in just a week and a half, reading whenever I had the chance. Don't be scared away by the length of this book, it goes by very quickly and I ended up wishing there was more when I reached the end. This is definitely one of my favorite books and I wish Margaret Mitchell had written more books.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 3, 2008
I'm reading all of the 5-star reviews posted and I just had to be the first to rate this literature below 3-stars. Perhaps I have a different perspective as I am younger than most of you, but I have to say this was not a fun book at all.We had to read this book for Pre-AP language arts class. I can confidentely say that no one in our class liked it. Although the description was great and the story was realistic, the overall book was not good in my opinion. First of all, the 959 pages was too much. There was plenty of words that could've been taken out of the book while still making it enjoyable, perhaps even better for the reader. The actual events in the book were somewhat intriguing, but then again there was chapters and chapters of material, not neccessary, between them. For the month it took me to read this book, it was a true waste of time. I read through 250 pages, hoping it would get better, but after that I lost hope and read it just because I had to for school. For anyone looking for a book to read for PLEASURE, I would highly reccomend *NOT* to choose this one!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 23, 2007
Okay, so this is a book that shows history...but it shows it through a woman's eyes that has nothing but disregard for everyone around her. I hated Scarlet and I felt that she was so self centered that I wanted to shake her...then I realized it's a story! It did show me a lot about what the southerners went through and what the consequences were. As a Northener I had no idea of what they went through. They don't teach that here. I would never have read this book on my own if it wasn't on my book club list. But I wouldn't recommend it either.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted April 11, 2007
Gone With the Wind follows the life of Scarlett O¿Hara from her youth into adulthood during the tumultuous years of the Civil War. With a little for everyone to learn from, she starts off as a stubborn, spoiled southern debutante, and by the end of the novel she is changed, not only from a girl to a woman, but also to a strong, driven individual. In the middle of the book she decides for herself that she will never go hungry, and this promise she lives by the rest of her life, giving the reader hope themselves. The book pulls you in very quickly, because you become so invested in the character of Scarlett it¿s almost as if you are part of her story yourself. The trials and tribulations in which Scarlett faces, she faces gallantly, and she never takes time to wallow in her own misery. Although she gains determined and stubborn tendencies in place of her earlier girlish and silly ones, inside she remains the same foolish girl. Not until the end of the novel does she learn her most important lesson, a lesson everyone can learn by, that even with hard work you can¿t get everything you want. Although the novel seems like a strictly feminine read, inside there is a little something for everyone. Often the first few pages of the chapter begin with an update of the Confederate troops, giving those who are interested in history a perspective in which to view the surrounding storyline. Also, everyone can learn important lessons from reading this book. Quickly you realize how foolish Scarlett acts at the beginning for worrying so much about her appearance and reputation when brave men are dying in battle, and this helps to remind the reader that there larger things happening in the world beyond their own selfish lives. There are surprises behind every corner in this book, and continually characters begin to surprise you. One key theme in this novel is war, and throughout the novel we view important events in history starting with the Civil War and traveling through reconstruction. Southerners at the outbreak of Civil War show great emotional support for the Confederate troops, or what they refer to as ¿the cause¿. When someone speaks badly of these beloved troops it is scandalous. Rhett Butler, already the black sheep of his family, states his doubts about the Confederates, thus creating public scandal. One of the many twists and turns the book possess is when the shy, bookish Ashley Wilkes fighting in combat for ¿the cause¿ has similar thoughts to Rhetts about the state of the army. Whenever you think the book is slowing down, something surprising happens that changes your prior perspective of what you were reaing. Having attempted to read this book cover to cover twice before, now finally completed it I feel satisfied. Gone With the Wind, I learned quickly, was not a book I could just race through as I usually do. I found that all 833 pages of it need to be read carefully and appreciatively. Having dedicated much time to the reading of this classic novel, I feel that that time was rewarding and well worth the effort. I recommend this book to anyone with a little spare time on their hands and a love of classic literature.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 20, 2005
I cannot describe the utter joy,desperation and inner struggles that went on within' myself while i was reading this book. At first i picked it up as sort of a joke because i hate books that are supposed to be 'classic' which i feel will never appeal to me. But this book brought to light so many feelings in me that it was scary. When i did finish it, i felt so empty yet so full of life at the same time. It's like i just couldn't believe the impact that it had on me. I cried myself to sleep really feeling as if though it was me that had lost my loved one's , i felt as if i had a piece of Scarlett O'Hara within' me. And i'm a 19 yr old dominican female, far from the breeding that Scarlett had, but eventhough i felt as if it was me that went through all the hardships and the joys of her life. I recommend this book to all people of all ages and creeds. I will never in my life forget this book.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 5, 2004
It was a great book that transports you to that infamous time in American History. It is not only a novel of romance,but its most outstanding trait is its perfect depiction and portrayal of the strengths and flaws of the human character and the harsh realities of the world we live in. It is a great classic because it is not historical alone but universal truths for all times. I recommend this book because I can assure you it is worth your while. When you finish reading it, you'll be surprised that you want to ask for more.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 4, 2002
This is a fantastic book that covers the making of the 1939 classic film "Gone With the Wind". It covers the film from pre-production, through production, post-production all the way to its premiere. It talks about how the book came about, the casting process for the film and why the book and film are so popular to this day and important to America's heritage. There are numerous production stills as well as photographs of its stars: Vivien Leigh, Clark Gable, Olivia de Havilland and Leslie Howard, plus pictures of the movie posters and photos of its premiere. This is a fantastic book that will be a nice addition to any library, especially those that are big GWTW fans! HIGHLY RECOMMENDED!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 28, 2002
Posted February 16, 2001
If you love Gone with the Wind, read this book. I recieved it for Christmas one year, and with the movie, it puts a whole new light on the things that go on and around a set of the movie. It tells you to look for thing that you might see in the film.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 5, 2001
This is a great book! My dad gave it to me and I read through the book in one sitting. I learned things about the author, actors, and movie that I never knew. This book has great pictures! It is filled with pictures from behind the scenes and pictures from the movie. I would recommend this book to anyone who loves Gone with the Wind.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted March 3, 2000
gone with the wind is THE best book i have ever read in my life! i advise EVERYONE out there that hasn't read it already...to....GET WITH THE PROGRAM! it's out there! and it's GREAT!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted November 16, 2008
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Posted November 12, 2008
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Posted October 29, 2008
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Posted October 25, 2008
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Posted October 28, 2008
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Posted October 27, 2008
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