Good as I Been to You

( 1 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Given the acclaim of The Bootleg Series and the perceived disappointment of Under the Red Sky, it seemed like it was time for Dylan to bounce back with a convincing album of original material. Instead, he delivered a record of folk songs, his first straight covers album ever, not to mention his first guitar, harmonica, and voice record since the early '60s. That alone would make it an anomaly, but Good as I Been to You is more than that, because it's a really good traditional folk album, having just enough familiar tunes -- "Frankie and Albert," "Blackjack Davey," "Sitting on Top of the World," "Froggie Went A-Courtin'" -- to provide an entryway to the less ...
See more details below
CD
$4.99
BN.com price
(Save 37%)$7.99 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (CD)
  • All (6) from $1.99   
  • New (4) from $3.76   
  • Used (2) from $1.99   

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Given the acclaim of The Bootleg Series and the perceived disappointment of Under the Red Sky, it seemed like it was time for Dylan to bounce back with a convincing album of original material. Instead, he delivered a record of folk songs, his first straight covers album ever, not to mention his first guitar, harmonica, and voice record since the early '60s. That alone would make it an anomaly, but Good as I Been to You is more than that, because it's a really good traditional folk album, having just enough familiar tunes -- "Frankie and Albert," "Blackjack Davey," "Sitting on Top of the World," "Froggie Went A-Courtin'" -- to provide an entryway to the less familiar numbers, which are delivered equally well. Yes, this could be seen as a rather unassuming record, but that's what's special about it. In 1992, not even folksingers were working with this material, but Dylan did, reviving folk's and rock's ties to the past at an unexpected time and with unexpectedly strong results. A minor high point in his catalog.
Read More Show Less

Product Details

  • Release Date: 2/1/2008
  • Label: Sbme Special Mkts.
  • UPC: 886972398327
  • Catalog Number: 723983
  • Sales rank: 8,928

Album Credits

Performance Credits
Bob Dylan Primary Artist, Guitar, Harmonica, Vocals
Technical Credits
Mississippi John Hurt Composer
Bob Dylan Arranger, Composer
Dawn Patrol Art Direction
Walter Vinson Composer
Lonnie Chatmon Composer
Stephen Marcussen Mastering
Micajah Ryan Engineer
Traditional Composer
Debbie Gold Producer
Read More Show Less

Customer Reviews

Average Rating 3
( 1 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(1)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing 1 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    Living in the far past

    There is nothing particularly wrong with this album but then again there is nothing particularly right about it either. Clearly Dylan was exploring the distant past and the album's main interest is how that exploration helped create Dylan albums like Time Out of Mind and Modern Times, but this album is one you can ignore unless your fanatically interested in Dylan's process of musical exploration

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews