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1. Having given Joe Stratford the role of narrator, Smiley gives her readers a great deal of access to Joe’s thoughts. What difference does it make that the novel is narrated in first person rather than third? Why does Smiley give us the story from Joe’s perspective?
2. What kind of a person is Joe? What does he think about himself, his marriage to Sherry [pp. 15–16], and his life? How accurate are his judgments about himself and other people?
3. Look closely at a couple of scenes in which Felicity and Joe are alone together. What specific details of Smiley’s writing style affect the reader’s experience of their love affair? Does Felicity love Joe? Does he love her? If he does, why does he not pursue her more actively?
4. Discuss the main elements of Felicity’s character. What is admirable about her? To what degree is she a typical dissatisfied homemaker motivated by boredom and restlessness? Is she playing a game with Joe for her own amusement? How important is the conversation between Felicity and Joe in which she tells him, “You do tempt me to find the limits of your kindness” [see pp. 141– 43]?
5. What do secondary yet vibrant characters like the Davids, Gottfried Nuelle, and George Sloan contribute to the novel’s world? Do they create a sense of realism? Are they there for comic relief? How important is humor in Smiley’s writing?
6. In what sense is Jane Smiley interested in exposing certain truths about small-town, middle-class America? What points does Good Faith raise about how ordinary people respond when they seem to see a chance to increase their wealth and raise their social status? What social concerns might have motivated Smiley to take on a novel about the 1980s? How is the present social climate different, and how is it similar, to those greedy years?
7. Is Joe a man who is looking for others to tell him what to do? Consider the descriptions of his relationship with Sally Baldwin and with his ex-wife Sherry. Consider his relationship with Marcus, and with Felicity. Is passivity a major flaw in Joe? Might it be considered a part of his charm?
8. What effect has Joe’s upbringing had on his character? Discuss his relationship with his parents and his rejection of their religious life. How strong a sense of ethics does Joe have? At what point, if any, does he begin to act and think more like Marcus?
9. How does Smiley present Marcus Burns, and how does she develop his character? What are his attractive qualities? Does Smiley imply that Marcus had talents that were somehow misdirected? What propels him into criminality?
10. What is Marcus’s appeal to Joe? On what is their friendship based? On page 413 Joe describes the after-effects of Marcus’s betrayal and wonders why, since Marcus had already received the money from the loan, he also took Joe’s savings. What might have been Marcus’s reason for delivering this deeply personal blow to Joe’s self-esteem?
11. Is this novel concerned more with character or with plot? To what degree is the element of surprise important to the story? Is there a sense of inevitability about what is going to happen to Joe, and to Joe’s money? If so, how does this affect the reading experience? What, if anything, is surprising about the final chapters?
12. The novel raises interesting questions about real estate development, the value of the countryside, and one’s sense of place. Can you infer Smiley’s feelings about the widespread transformation of the American landscape during such periods as the 80s? What human emotions drive the forces of change?
13. Is it surprising that central characters like Joe, Gordon, and Felicity escape prosecution? What conclusions can the reader draw from Felicity’s involvement with Marcus and Jane?
14. Is it surprising that central characters like Joe, Gordon, and Felicity escape prosecution? What conclusions can the reader draw from Felicity’s involvement with Marcus and Jane?
Anonymous
Posted May 13, 2012
Really enjoyed this book. Good for the beach.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Jane Smiley tells an interesting story in Good Faith, moving solidly from start to finish. Her character development is strong, and I bonded with not only the main characters, but also the secondary personalities. This was a book I looked forward to getting back to when other things demanded my attenion. I've read other works by Smiley, and I will be looking for more to enjoy.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted May 24, 2007
I couldn't get through it. I read 4-5 books a month...I couldn't suffer through this one. I'm glad 'Good Faith' wasn't required reading. This is the only book I can recall giving up on.
0 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted May 29, 2004
I liked the book, Good Faith,and I love the author called Jane Smiley. This tale is quite simply a fortunate tale of real estate, and I being so profounldy deepened to the subject of real estate, established this book is the very best book of 2004. I call Jane Smiley the 'Best Author in the World.' Claps and Snaps if you agree! Email me so we may have the fortunate way of discussing this god given author. Thanks and Be Merry!
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted January 28, 2004
Jane Smiley is a wonderful author. I have thoroughly enjoyed all the previous books, but this was a real disappointment. Perhaps it was simply that I do not have much interest in the real estate business. However, I could not find much to enjoy in these characters either. I will, however, look forward to her next book, and will no doubt still be a fan of her writing.
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Posted November 6, 2003
Interesting subject, charming character studies, and very readable. Having lived through the period this book describes, its outcome is predictable and given the pace of the book, quite abrupt. The out-of-control S&L in the background of this story could have been better developed but would have been beyond the narrator's depth. As a case of people caught up in events that drive them to actions that are out of character, it is well-done.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted August 17, 2003
I consider Jane Smiley a great writer, which made Good Faith all the more disappointing. It's not that the author doesn't have a decent story going, or a solid look at the strange morality of the Reagan era. She does. What she doesn't have here is a good choice of narration style. Joe Stratford, a New Jersey real estate agent with one year of college narrates this story in the vocabulary of a boring Ivy League (and female)English professor. He uses the word 'ebulient' twice (just as one example) and lacks any form of male motivation or style. Though the other characters are often well-drawn, the unbelievability of the main character sunk this book for me.
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Posted July 27, 2003
Although I first thought the subject matter held little chance for interesting fiction, Ms. Smiley quickly proved my first impression wrong. The characters in this book are fresh and as real as can be, which easily pull the reader into their schemes and plans. A very good book that makes me want to go back and read previous books by the author.
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Posted August 2, 2003
Great to see Jane Smiley back. An enjoyable read. It felt like life. Likable characters. Funny. Witty. Haven't read her since Thousand Acres. Couldn't get thru Moo. Decided to give her another go and was delighted.
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Posted August 3, 2011
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Overview
Greed. Envy. Sex. Property. In her subversively funny and genuinely moving new novel, Jane Smiley nails down several American obsessions with the expertise of a master carpenter.Forthright, likable Joe Stratford is the kind of local businessman everybody trusts, for good reason. But it’s 1982, and even in Joe’s small town, values are in upheaval: not just property values, either. Enter Marcus Burns, a would-be master of the universe whose years with the IRS have taught him which rules are meant to be broken. Before long he and Joe are new best friends—and partners in an investment venture so complex that no one may ever understand it. Add to this Joe’s...