Good Fortune

( 7 )

Overview

Ayanna Bahati lives in a small African village when she is brutally kidnapped, along with her brother, and forced onto a slave ship to America. As Ayanna, renamed Anna, rises from the cotton fields to the master’s house, she finds the familial love she’s been yearning for in elderly Mary and Mary’s son Daniel—but she is also faced with more threats to her survival. Risking everything to escape the plantation, Anna manages to make it north and to freedom, eventually settling in the free black community of Hudson, ...

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Good Fortune

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Overview

Ayanna Bahati lives in a small African village when she is brutally kidnapped, along with her brother, and forced onto a slave ship to America. As Ayanna, renamed Anna, rises from the cotton fields to the master’s house, she finds the familial love she’s been yearning for in elderly Mary and Mary’s son Daniel—but she is also faced with more threats to her survival. Risking everything to escape the plantation, Anna manages to make it north and to freedom, eventually settling in the free black community of Hudson, Ohio, and educating herself to become a teacher.

In the tradition of Copper Sun and Chains, this is the stirring tale of a girl’s journey from Africa to freedom and from youth to womanhood, as recounted in this dazzling debut novel.

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Editorial Reviews

From the Publisher
"Noni Carter was only a child when she first conceived of this story of a young girl's journey from freedom to slavery and back to ultimate freedom—but her debut novel is written with wisdom and heart far beyond her years. Well researched and delightfully well-written, Good Fortune is an empowering testament to history that will move readers both young and old." — Tananarive Due, American Book Award-winning author of The Black Rose and Joplin's Ghost

"Noni Carter is an old wise soul in the body of a beautiful young woman. She has listened to the elders and the ancestors and brought us a story from the past that gives hope to our present and future. " — Bertice Berry, author of Redemption Song and The Ties That Bind

"Few young novelists have the gift, range, and courage to tackle the sin of Slavery. Noni Carter does just that. And she does it well. Read Good Fortune and know that she has that rare quality of a natural storyteller—simple, poetic, and intensely emotional. This is extraordinary writing, rich in history, full of triumph." — Kwame Alexander, author of Crush: Love Poems, and founder of Book-in-a-Day, Inc.

"Noni Carter is an important new voice in black literature. Get on board now because we'll be hearing from her for a long, long time." — Reginald Hudlin, producer/director of House Party and Boomerang and author of The Black Panther Series

School Library Journal
Gr 9 Up—Sarah, Anna, and Ayanna are the names used by one person over the course of her life. First she is Sarah, a slave on a plantation in Tennessee. Her days are full of endless labor, humiliation, and the threat of rape. She struggles to understand the meaning of freedom and to educate herself despite the danger. After witnessing a brutal whipping, she flees north to freedom. Barely surviving the harrowing journey, Sarah and her adopted brother arrive in Ohio, only to find that freedom is not as sweet as she had hoped. She changes her name to Anna and begins a new life, but she worries about loved ones left behind and is embittered by the severe restrictions and discrimination faced by free blacks. One of the more effective literary devices is how Anna's narration gradually shifts from slave patois to more refined speech as her education progresses. Ayanna was her name as a child in Africa, remembered in nightmares, where the memories of the murder of her mother, the horrifying ocean passage in the belly of a slave ship, and being separated from her brother on the auction block haunt her. The transitions between the dreams and waking life are occasionally jarring, but on the whole the narrative flows smoothly and is well paced. An author's note about fact and fiction in the book adds weight to the historical information included.—Caroline Tesauro, Radford Public Library, VA
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Product Details

  • ISBN-13: 9781416984801
  • Publisher: Simon & Schuster Books For Young Readers
  • Publication date: 1/5/2010
  • Pages: 489
  • Sales rank: 1,391,215
  • Age range: 12 years
  • Lexile: 760L (what's this?)
  • Product dimensions: 5.60 (w) x 8.20 (h) x 1.80 (d)

Meet the Author

Noni Carter

NONI CARTER is a 19-year-old honors student who enjoys writing, music and tennis. She is a sophmore at Harvard University. Noni lives in Fairburn, Georgia with her parents, two younger sisters, and an older brother. Good Fortune is her first novel.

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Read an Excerpt

CHAPTER
1

HIS HAND CAME DOWN UPON MY CHEEK HARD AND FAST. Stunned, I staggered backward.

“Look at all dis cotton you left behind, gal!” I looked up to see the overseer’s hand nearing my face again. I flinched as he smacked me once more, sending me to my knees. I stared at the ground, seven years’ worth of hard labor in the fields burning under my veil of obedience.

“Next time I find you skippin’ ova cotton like it don’t matta nothin’ in the world to you, you gonna find yo’self beaten, gal, you understand me?”

“Yessuh,” I answered.

“Now get up and pay attention, understand?”

“Yessuh,” I said slowly, lifting my body from the ground.

Doing cotton for Masta was a lot of work. On his plantation in the western part of Tennessee there was the land preparation, the spring planting, the weeding and the plowing, and the harvesting near the end of August. Then, after it was picked, some folks would remove the small green seeds from the cotton in the ginnin’ house. When we weren’t working on the cotton, we tended to a small cornfield Masta also owned.

The year had come back around to the harvesting of the cotton. Picking was tough, especially when the frost would start biting the bolls. I preferred the hoeing or the planting, but for now, it was time to pick.

When I first started fieldwork, I admired the folks who could pull that cotton out of the bolls with a single hand, a single swipe, their eyes set somewhere else. Then they’d take that cotton and easily slip it into their sacks. Not a single branch would break in the process. The breaking of a cotton branch or the destroying of an entire plant in whatever manner was cause for punishment. The overseer would ride by and strike any slave who committed this crime with the whip that hung by his side.

The work didn’t seem so bad during my first days out in the field; that is, until the days started stretching out longer and the work sent aches throughout my body. My young hands would clumsily snap a branch and struggle to pull the picked cotton out of the brown bolls and get it into my sack. At the end of the day, my hands would be bloody and calloused.

Even before the sun rose in the mornings, we were awakened to begin our workdays, sometimes having to line up in rows for a slave count before heading to the fields to pick. Our bodies were so accustomed to this work that sometimes I felt as if we were merely walking flesh, our minds still lost in sleep. The overseers would come by nearly every day to check our progress, warning us with a slap if we were too far behind. There were two of them, and they’d always find an excuse to drop three or four extra bags near our feet to fill up. They’d never forget if we happened to pick more one day than we did the last, and they’d be sure we picked a little more the next. We couldn’t leave until the last bag strapped to our backs was filled with that cotton. Then, at the close of the day, we’d watch, grateful almost, as the sun set, giving us relief from its hot rays. I don’t know why the sun chose to glare at us like it did, hours on end, bringing glistening sweat to our bodies as if we’d done something against it. Only long after sunset would we be granted leave.

On that day, with the overseer’s hand imprint still burning in my flesh, I continued with my work. There was nothing else I could’ve done. I hated the fields that stretched as far as my mind would allow. It took me a long time to figure out how I could daydream, like I did when I was young, and work at the same time. The overseers thought they had snatched that mental freedom. But Aunt Mary, the mother figure that cared for me on that plantation, used to tell me that you could always find the greatest joy and freedom in your mind. Even so, it felt like a slap in the face to stand there, sometimes, staring at the never-ending rows of white cotton. With a quick reminder from a slave hand yanking at my dress, telling me to “bend down an’ pick so I wouldn’t get lashed,” I would return my attention to the row of cotton that surrounded me. With anger spinning in my mind, I would think of how we were engulfed in the white man’s world—nothing but a world of whiteness. If only we could get rid of all that cotton!

Later on, when the sun had set and the moon was high in the sky, I finally trudged home. My legs were heavy; my feet dragged behind me.

I walked past several silent houses in the slave quarters and only picked up my pace when I spotted a woman standing and waiting for me in the doorway of a small cabin. Mary’s posture looked anxious, and I quickly embraced her as I reached the door, my cheek brushing up against her chin.

Mary spent most of her time as a house servant but helped out when needed in the spinning house, making clothing and other materials. I was very small when I first came to the plantation at the age of four, and Mary was the one who took me into her arms without a word. Mary said as soon as she saw me, she knew I was a child of hers, just not blood-related. From then on it went without saying that she would be the mother I had lost and that her son would be the brother who’d been sold—and so, lost to me—when I first came across the seas to this land. Daniel was two years older than I was and was born a year or so after Mary’s first child, which she had lost. He had never been afraid of much, and that worried me a little bit. It didn’t take much so-called wrongdoing around these parts for a defiant slave to end up limp and lifeless.

Mary ran a hand slowly across my short, black hair, which rounded my head and sat two or three inches high on my scalp. Then she pulled back and looked me over, her eyes running past my large, dark ones, past my eyelids batting with fatigue, past my shoulders slouched with a long day’s worth of work, and on down to my dirt-caked feet.

“Look at you—got holes in them pants I just done sewn you, from workin’ hard out there in them fields. And looka here, you growin’ out of ’em already.” She shook her head back and forth, but that gesture and the heaviness lurking behind her voice were negated by the kindness in her eyes.

“Seem you even darker today than you was jus’ yestaday,” Mary said quietly.

“That sun ain’t got no mercy.”

My skin was very dark: When I was younger, the children told me I looked like the nighttime. I preferred to remember images from my homeland, from the black land way across the seas, images of me rolling in the dark soil and rubbing its similar color into my skin. It was something that made me a bit different from others around the plantation. It was clear to Mary, and to many others, my native origins weren’t from close by, and Mary said there weren’t too many folks like me who came straight from their ancestral lands. It had changed she said, from the days of her youth.

It was early in the year 1821. I was young, just about fourteen years old, according to Mary, who had helped me keep track of my age. Like most other slaves, she didn’t know hers. She told me once that when I first came here, it had taken quite a while to break past the resistance I had layered myself with. I wouldn’t talk, I wouldn’t look at anyone straight, and I could never sleep through a full night. Then one day, after a few weeks of the same, Mary found me crouched in the corner of the cabin, holding up four fingers and touching each one with a finger from my other hand. I repeated this over and over again. She figured that wherever I had come from, someone had taught me how to count the years I had been on this earth, and she decided to continue with that cycle. Mary knew children well, and I seemed to be around that age. She had walked over to me, silently, and touched her own fingers as she had seen me do. She then brought one of her fingers to the four I was holding up and then repeated the same. After a while, she had taken my hands in hers and brought my fingers to her lips, kissing each one by one. It was the first time we had bonded, and she kept that moment close to her heart by helping me keep up with my age.

It was nearing the end of September and, if we’d kept track right, I’d be turning fourteen when the first flower bloomed, signifying the beginning of springtime. Mary told me I was growing up slowly; she said I’d be as pretty as they get, and that made me smile a bit.

I wiped away the sweat on Mary’s forehead that glistened in the moonlight, and gazed past her drained face into her eyes. She shook her head back and forth again.

“You sho’ had a bad one last night, Sarah.” I nodded solemnly, remembering Mary waking me that morning, silencing my muffled screams from distorted dreams. She’d wiped away the sweat I was drenched in and dried my streaming tears, which seemed to flow from a place deep inside that connected those broken dreams with a reality I couldn’t remember well at all.

“You rememba it this time?”

I shook my head and sighed. “Only bits’ve it, Mary. Ain’t no dif’rent from befo’.”

“What ’bout them parts that got you cryin’ like that?” Again, I shook my head, but with less assurance. My nightmares didn’t come often, but when they did, I’d wake up, baffled, wondering why I couldn’t remember the images that had flitted so quickly and disjointedly across my mind’s eye. Most of them remained buried in a place inside of me, perhaps for the best. And yet in all the years I had been having those dreams after arriving on the plantation, some of the same images had returned to me again and again: a smiling face, a warm hand, large and staring eyes, the smile wiped away, empty, lifeless, and that word, that name, Bahati. …

“Well, it sho’ didn’t last long this time round. Maybe … maybe you ain’t gonna have ’em anymore.”

“Mary, you say that every time.”

She sighed heavily and shook her head. “I knows I do, but …” She looked down at my hands and ran a soft finger over the dried-up blood.

“Well, anyhow, ’nough of that. I do got somethin’ to say ’bout you workin’ in them fields, tho’. Hate to see you out there durin’ pickin’ season. They should have you carin’ fo’ the livestock, or in the orchard or somethin’. I’ma pick up my nerve and ask Missus if’n you can work in the house like I do—fo’ good.” I smiled warmly as Mary rambled on as she always did. She led me through the doors and placed a bowl of cornmeal on my pallet.

I rinsed off my face, hands, and legs in the cold-water bin on the floor before filling my hungry mouth with the little food that lay before me. To finish off my nightly rituals, I dived thankfully into bed—a small, itchy pallet large enough only for part of my body. My feet and ankles no longer fit.

“You know, Anna, I’m s’prised you wake up in the mornins high-spirited, countin’ on the day bein’ different, an’ come back at night, sleep the minute you hit that pallet, just to wake up the next day with the same high spirits as every mornin’,” Mary said as she gathered the half bucket of water to dump outside and then refill for Daniel.

“Ain’t nothin’ else I can do, Mary. I look fo’ward to the mornin’ breeze, anyway,” I said with a grin, my cheek pressed hard into my pallet. She shook her head, washed out my bowl, and blew out the lamp.

If I had fought to keep my eyes open for another five minutes or so, I would’ve seen Daniel drearily saunter in. Instead, I fell heavily into sleep.

© 2010 Noni Carter

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Customer Reviews

Average Rating 4.5
( 7 )
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Sort by: Showing all of 7 Customer Reviews
  • Posted April 29, 2010

    more from this reviewer

    I Also Recommend:

    DETERMINATION EQUALS FREEDOM

    I DON'T KNOW WHAT THE PREVIOUS READER IS TALKING ABOUT, I LOVED THIS BOOK. I TOO, HAVE ALWAYS BEEN INTRIGUED BY SLAVERY STORIES. I AM ALWAYS EAGER TO HEAR AND LEARN ABOUT MY ANCESTORS AND WHAT THEY WENT THROUGH IN ORDER FOR ME TO SIT HEAR TODAY. I FOUND THE STORY OF SARAH/ANNA VERY INTERESTING AND INSPIRING. TO READ ABOUT ALL THAT ANNA WENT THROUGH TO GET FREEDOM, AND THEN TO WANT TO GIVE SOMETHING BACK IS JUST ENCOURAGING. WE TODAY HAVE STRUGGLES, BUT IT IS NOTHING LIKE WHAT OUR ANCESTORS WENT THROUGH. WE NEED TO LEARN FROM THE PAST, SO THAT WE CAN IMPROVE OUR FUTURE. IT'S FUNNY HOW WE LOVE TO USE EXCUSES, BUT WHY CAN'T WE DRAW FROM THE STRENGTH OF OUR ANCESTORS AND KEEP PUSHING ON. THE RACE IS NOT GIVEN TO THE SWIFT OR STRONG, BUT TO THE ONE THAT ENDURES TO THE END. KEEP MOVING FORWARD.

    1 out of 2 people found this review helpful.

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  • Posted February 28, 2010

    more from this reviewer

    I Also Recommend:

    Misfortune

    This book was offered to me free online, and it looked interesting. I've always found slave stories intriguing, if not frightening.

    This one follows 14 yr old Ayanna, or Sarah, or Anna (whatever her name is), who has been enslaved since the age of four, on her quest for freedom. So she runs away and settles in a little town, where she sets out to be a teacher.

    As you can tell from my rating, I didn't much like this book. I just despised the writing. I couldn't read more than a paragraph without the horrible writing yanking me out of the story. I don't know exactly what I detested. Just somethings about it was some clumsy and the overused adjectives were misplaced. There were too many anachronisms to count. I didn't like the narrator at all. She was stubbornly naive, but the author tried to make her perfect and it just wasn't working. The other characters were bland. Despite the authors extensive research, it just wasn't realistic enough.

    It's been done better before, and I'm afraid I can't recommend this one. I really tried to like this one. I read ths book for a month and only got halfwaay through. I couldn't take anymore.

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 23, 2012

    Oooooooommmmmmmmggggggggg

    This book is one of those books that u sit there reading it and say omg this is the best book ever. I remember starting to read this book then 20 min later i would start to yawn and look at the clock and then i would see in 20 min i have read 40 pages it is so amazing i loved it and anyone that did not like this book u are crazy love this book :)

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  • Anonymous

    Posted August 8, 2012

    Love it!!!!!!!!!!!!

    This was the best book i ever read. I'd recomend it to everyone. I do think that if you didn't have a education that you would talk just like the slaves in the book.I would rate this book 1 million stars if I could. I smiled and I cried while reading this book. BEST BOOK EVER!!!!! I think Noni wanted her readers to really understand how life was back then. That is why she wrote her book like she did. But I did want Noni to tell if john and Anna got married and if the had any children. That would have been a good addition.

    Was this review helpful? Yes  No   Report this review
  • Posted September 23, 2010

    more from this reviewer

    Highly Recommended!

    This was amazing. Not only was the plot, adventure, and tension great, but the connection with her and John was darling. If you like slavery books or just Historical fiction- this is the way to go
    !!!!!

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  • Anonymous

    Posted January 11, 2014

    No text was provided for this review.

  • Anonymous

    Posted February 10, 2010

    No text was provided for this review.

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