The Good German

( 33 )

Overview

With World War II finally ending, Jake Geismar, former Berlin correspondent for CBS, has wangled one of the coveted press slots for the Potsdam Conference. His assignment: a series of articles on the Allied occupation. His personal agenda: to find Lena, the German mistress he left behind at the outbreak of the war.

When Jake stumbles on a murder -- an American soldier washes up on the conference grounds -- he thinks he has found the key that will unlock his Berlin story. What ...

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Overview

With World War II finally ending, Jake Geismar, former Berlin correspondent for CBS, has wangled one of the coveted press slots for the Potsdam Conference. His assignment: a series of articles on the Allied occupation. His personal agenda: to find Lena, the German mistress he left behind at the outbreak of the war.

When Jake stumbles on a murder -- an American soldier washes up on the conference grounds -- he thinks he has found the key that will unlock his Berlin story. What Jake finds instead is a larger story of corruption and intrigue reaching deep into the heart of the occupation. Berlin in July 1945 is like nowhere else -- a tragedy, and a feverish party after the end of the world.

As Jake searches the ruins for Lena, he discovers that years of war have led to unimaginable displacement and degradation. As he hunts for the soldier's killer, he learns that Berlin has become a city of secrets, a lunar landscape that seethes with social and political tension. When the two searches become entangled, Jake comes to understand that the American Military Government is already fighting a new enemy in the east, busily identifying the "good Germans" who can help win the next war. And hanging over everything is the larger crime, a crime so huge that it seems -- the worst irony -- beyond punishment.

At once a murder mystery, a moving love story, and a riveting portrait of a unique time and place, The Good German is a historical thriller of the first rank.

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Editorial Reviews

From Barnes & Noble
Joseph Kanon, who won an Edgar for Los Alamos, has written a noir thriller about an CBS radio reporter, the Potsdam Conference, and the corpse of a solitary American soldier. When government authorities move to cover-up the dead G.I., reporter Jake Geismar smells a story. Waiting in the wings are Russian and American plots and counterplots, one beautiful woman, and a story as stylish as it is exciting.
New York Times Book Review
The Good German is thoroughly captivating, a novel that brings to life the ambiguities at the heart of our country's moral legacy. It also offers the promise of a writer who is fast approaching the complexity and relevance not just of Le Carré and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women.
Booklist
What Carol Reed's film "The Third Man" did for Vienna immediately after World War II, Kanon's superb thriller does for Berlin during the same period. Jake Geismar, CBS Berlin correspondent before the war, jumps at the chance to return to the German capital to cover the Potsdam Conference. His real motive isn't postwar politics, though; it's finding the German girl, Lena, he left behind. What he finds first, however, is the dead body of an American soldier washed ashore near the conference grounds. Despite the efforts of the American brass to sweep the G.I.'s death under the bureaucratic rug, Jake smells a story, and the trail leads him to Lena. As he displayed in the Edgar-winning Los Alamos (1997), Kanon is a master at surrounding a legendary historical moment with a labyrinth thriller plot and an involving love story. Here that historical moment -- Berlin at its most post-apocalyptic -- drives both the thriller, which involves American and Russian attempts to snatch German rocket scientists (one of whom is Jake's girl's husband), and the love story, which must rise phoenix-like from the rubble of bombed-out buildings and ruined lives. Hovering over it all is the legacy of the Holocaust -- on the postwar world, on Germany, and on individual men and women, whose ability to feel has been deadened by the nearness of evil. Kanon hits every note just right, from the wide-angle descriptions of Berlin's pockmarked moonscape to the tellingly detailed portraits of the city's shellshocked survivors. Superb popular fiction, combining propulsive narrative drive with a subtle grasp of character and a fine sense of moral ambiguity.
Ken Ringle
Scores of Cold War thrillers have set out to walk the same teleological territory, but few have done so as compellingly and as searchingly as The Good German. Kanon demonstrates an eerie mastery of the evocative historical detail. His Berlin is both a tree-shaded prewar memory and a bomb-blasted postwar hellscape where mile upon mile of burned-out buildings gape skyward like decayed teeth. You can feel the shattered glass crunching beneath your feet as you read.
Los Angeles Times
Publishers Weekly
Again taking one of the 20th century's most momentous periods as a backdrop, Kanon recreates Berlin in the months following WWII in this lavishly atmospheric thriller overburdened with political and romantic intrigue. Though driven by strong characters and rich historical detail, the book ultimately falters under the weight of a ponderous, edgeless plot. At the center of the drama is Jake Geismar, a journalist who arrives in Berlin ostensibly to cover the Potsdam Conference. In reality, he's consumed with finding his prewar lover, Lena, with whom he carried on a torrid affair unbeknownst to her husband. Before he finds her, however, Geismar becomes intrigued by the murder of an American soldier whose body washes ashore near the conference grounds. The military's reluctance to investigate or provide any details of the murder convinces Geismar that this could be his big story. Though he's warned not to meddle, Geismar can't resist the story's draw. His investigation leads him deeply into Berlin's agonizing struggle for survival its black market, its collective guilt and its citizens' feeble attempts to wash themselves clean of wartime atrocities. And, most importantly, Geismar learns of the Allies' frantic attempts to round up Nazi scientists, including Lena's husband, Emil, whose expertise with missiles made Germany such a fierce enemy. Kanon (Los Alamos; The Prodigal Spy) is at his strongest when giving voice to the hard choices and moral dilemmas of the times, yet he labors at bringing his plot to a close and blurs its core in the process. While his descriptive skills have never been sharper the writing is uniformly elegant Kanon's third thriller since leaving his job as a publisingexecutive digs in when it should be attacking. BOMC featured selection; $150,000 marketing campaign; movie rights optioned by Warner Bros.; 12-city author tour. (Oct.) Copyright 1999 Cahners Business Information.
Library Journal
Set amidst the rubble of a just-vanquished Third Reich Berlin, this third thriller by the author of Los Alamos is made less than thrilling by weak plotting. Jake Geismar, a U.S. reporter assigned to cover the Potsdam Conference for Collier's magazine, stumbles upon a story that is intertwined with his own life. Though he has returned to Berlin primarily to reunite with his prewar lover, Geismar confronts a Germany he no longer recognizes. Further, he is compelled to solve the murder of an American soldier found with a money belt stuffed with black-market cash. The book's title is by turns ironic and laden with pathos. Unfortunately, the characters are stereotypes, in particular the Russians are we returning to the height of Cold War antagonism? Recommended only to meet demand, which may be considerable, given the book's heavy-duty marketing budget. [Previewed in Prepub Alert, LJ 6/1/01.] David Dodd, Marin Cty. Free Lib., San Rafael, CA Copyright 2001 Cahners Business Information.
Kirkus Reviews
Beaten, battered Berlin hides criminals and secrets from an American journalist looking for an old lover, her husband, one or two murderers, and answers. Lots of answers. A-bomb development, Russians, and cuckoldry worked well for Kanon in his 1997 bestseller Los Alamos. He's hacking away at that vein again, but now he's in ruined postwar Berlin where semifamous journalist Jake Geismar hopes to find Lena Brandt, his prewar mistress, as well as good stories for Collier's magazine. The city Jake loved in its dreadful Nazi days is barely recognizable, with much of it leveled and the Russians laying waste to what's left. Finagling his way into the Potsdam conference but excluded from actual dealings, the reporter spots a corpse bobbing in a nearby reach of the river and, upon pulling it out, finds the body to be that of the young soldier on Jake's flight into Berlin, an edgy lad whose encounter with the barf bag may have had to do as much with nervousness as with the bumpy flight. Just as the body is whisked away by the authorities, Jake spots a bullet hole. The search for the assassin merges with the search for Lena, and then, once Lena is found, the search for Lena's husband Emil, an apparently bloodless academic who became part of the war works and is now wanted for all the wrong reasons by both the Americans and their less and less chummy allies, the Russians. Jake's reporting, difficult enough given the stone walls he's running into, turns ugly and dangerous when spunky gal photographer Liz Yeager takes a bullet that may have been meant for Jake while they're doing a little black-market shopping. Nasty Soviet General Sikorsky was on the scene. Did he direct the bullet? And the Americanofficer who also took a bullet but whose life Geismar saved-was he part of the problem? Sorting it all out will involve an unpleasant congressman, a treacherous but tragic Jewish mother, some waifs, a cynical German ex-cop, and, off in the distance but not to be ignored, rocketeer and future Disney property Werner von Braun. Bloated. Book-of-the-Month Club featured selection; $150,000 ad/promo; film rights to Warner Bros.; author tour
From the Publisher

"[Joseph Kanon] is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women."--The New York Times Book Review

"Kanon serves up a potent mix of intrigue, cynicism, and an occasional flash of idealism, which adds up to a riveting yarn."--Los Angeles Times

"Kanon is as ambitious a novelist as he is a gifted one."--The Washington Post

"The kind of book that reads so easily that it's almost impossible to put down once you've started it."--The Baltimore Sun

"A terrific book . . . Kanon is the heir apparent to Graham Greene and early- and mid-passage le Carré, for he writes of moral quandaries that are real and not created to drive a plot. . . . The multilayered story is beautifully told."--The Boston Globe

"Gripping . . . Kanon has written a tale about the untenable choices war entails, and about the moral dangers of demonization. For American readers, the book cuts to the bone, coming at a time when we have become the demonized and are doing our best to avoid becoming the demonizers."--Newsday

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Product Details

  • ISBN-13: 9781615537082
  • Publisher: Picador
  • Publication date: 10/31/2006
  • Pages: 512
  • Product dimensions: 5.40 (w) x 8.20 (h) x 1.00 (d)

Meet the Author

Joseph Kanon

Joseph Kanon is the author of four novels, including Alibi. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.

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Read an Excerpt

CHAPTER ONE

The war had made him famous. Not as famous as Murrow, the voice of London, and not as famous as Quent Reynolds, now the voice of the documentaries, but famous enough to get a promise from Collier's ("four pieces, if you can get there") and then the press pass to Berlin. In the end, it was Hal Reidy who'd made the difference, juggling the press slots like seating arrangements, UP next to ScrippsHoward, down the table from Hearst, who'd assigned too many people anyway.

"I can't get you out till Monday, though. They won't give us another plane, not with the conference on. Unless you've got some pull. "

"Only you."

Hal grinned. "You're in worse shape than I thought. Say hello to Nanny Wendt for me, the prick." Their censor from the old days, before the war, when they'd both been with Columbia, a nervous little man, prim as a governess, who liked to run a pen through their copy just before they went on the air. "The Ministry of Propaganda and Public Enlightenment," Hal said, the way he always did. "I wonder what happened to him. Goebbels poisoned his own kids, I hear."

"No, Magda," Jake said. " The gnädige frau. In chocolates. "

"Yeah, sweets to the sweet. Nice people." He handed Jake the traveling orders. "Have a good time."

"You should come too. It's a historic occasion.

"So's this," Hal said, pointing to another set of orders. "Two more weeks and I'm home. Berlin. Christ. I couldn't wait to get out. And you want to go back?"

Jake shrugged. "It's the last big story of the war."

"Sitting around a table, divvying up the pot."

"No. What happens when it's over."

"What happens is, you go home."

"Not yet."

Hal glanced up. "You think she's still there, he said flatly.

Jake put the orders in his pocket, not answering.

"It's been a while, you know. Things happen."

Jake nodded. "She'll be there, Thanks for this. I owe you one."

"More than one," Hal said, letting it go. "Just write pretty. And don't miss the plane."

But the plane was hours late getting into Frankfurt, then hours on the ground unloading and turning around, so it was midafternoon before they took off. The C- 7 was a drafty military transport fitted out with benches along the sides and the passengers, a spillover of journalists who, like Jake, hadn't made the earlier flights, had to shout over the engines. After a while Jake gave up and sat back with his eyes closed, feeling queasy as the plane bumped its way east. There had been drinks while they waited, and Brian Stanley, the Daily Express man who had somehow attached himself to the American group, was already eloquently drunk, with most of the others not far behind. Belser from Gannett, and Cowley, who'd kept tabs on the SHAEF press office from a barstool at the Scribe, and Gimbel, who had traveled with Jake following Patton into Thuringia. They had all been at war forever, in their khakis with the round correspondent patch, even Liz Yeager, the photographer, wearing a heavy pistol on her hip, cowgirl style.

He'd known all of them one way or another, their faces like pins in his own war map. London, where he'd finally left Columbia in '42 because he wanted to see the fighting war. North Africa, where he it and caught a piece of shrapnel. Cairo, where he recovered and drank the nights away with Brian Stanley. Sicily, missing Palermo but managing, improbably, to get on with Patton, so that later, after France, he joined him again for the race east. Across Hesse and Thuringia, everything accelerated, the stop-and-go days of fitful waiting over, finally a war of clear, running adrenaline. Weimar. Then, finally, up to Nordhausen, and Camp Dora, Where everything stopped. Two days of staring, not even able to talk. He wrote down numbers — two hundred a day — and then stopped that too. A newsreel camera filmed the stacks of bodies, jutting bones and floppy genitals. The living, with their striped rags and shaved heads, had no sex.

On the second day, at one of the slave labor camps, a skeleton took his hand and kissed it, then held on to it, an obscene gratitude, gibbering something in Slavic — Polish? Russian? — and Jake froze, trying not to smell, feeling his hand buckle under the weight of the fierce grip. "I'm not a soldier," he said, wanting to run but unable to take his hand away, ashamed, caught now too. The story they'd all missed, the hand you couldn't shake off.

"Old home week for you, boyo, isn't it?" Brian said, cupping his hands to be heard.

"You've been before?" Liz said, curious.

"Lived here. One of Ed's boys, darling, didn't you know?" Brian said. "Till the jerries chucked him out. Of course, they chucked everybody out. Had to, really. Considering."

"So you speak German?" Liz said. "Thank god somebody does.

"Berliner deutsch, " Brian answered for him, a tease.

"I don't care what kind of deutsch it is," she said, "as long as it's deutsch. " She patted Jake's knees. "You stick with me, Jackson, " she said, like Phil Harris on the radio. Then, "What was it like?"

Well, what was it like? A vise slowly closing. In the beginning, the parties and the hot days on the lakes and the fascination of events. He had come to cover the Olympics in '36 and his mother knew somebody who knew the Dodds, so there were embassy cocktails and a special seat in their box at the stadium. Goebbels' big party on the Pfaueninsel, the trees decked out in thousands of lights shaped like butterflies, officers swaggering along the footpaths, drunk on champagne and importance, throwing up in the bushes. The Dodds were appalled. He stayed. The Nazis supplied the headlines, and even a stringer could live on the rumors, watching the war come day by day. By the time he signed on with Columbia, the vise had shut, rumors now just little gasps for air. The city contracted around him, so that at the end it was a closed circle: the Foreign Press Club in Potsdamerplatz, up the gloomy Wilhelmstrasse to the ministry for the twice-daily briefings, on up to the Adlon, where Columbia kept a room for Shirer and they gathered at the raised bar, comparing notes and watching the SS lounging around the fountain below, their shiny boots on the rim while the bronze frog statues spouted jets of water toward the skylight. Then out the East-West Axis to the broadcasting station on Adolf Hitler Platz and the endless wrangling with Nanny Wendt, then a taxi home to the tapped telephone and the watchful eye of Herr Lechter, the blockleiter who lived in the apartment down the hall, snapped up from some hapless Jews. No air. But that had been at the end.

"It was like Chicago," he said. Blunt and gritty and full of itself, a new city trying to be old. Clumsy Wilhelmine palaces that always looked like banks, but also jokes with an edge and the smell of spilled beer. Sharp midwestern air.

"Chicago? It won't look like Chicago now." This, surprisingly, from the bulky civilian in a business suit, introduced at the airport as a congressman from upstate New York,

"No, indeed," Brian said, mischievous. "All banged about now. Still, what isn't? Whole bloody country's one big bomb site. Do you mind my asking? I've never known. What does one call a congressman? I mean, are you The Honorable?"

"Technically. That's what it says on the envelopes, anyway. But we just use Congressman — or Mister.

"Mister. Very democratic."

"Yes, it is," the congressman said, humorless,

"You with the conference or have you just come for a look-in?" Brian said, playing with him.

"I'm not attending the conference, no."

"Just come to see the raj, then."

"Meaning? "

"Oh, no offense. It's very like, though, wouldn't you say? Military Government. Pukkah sahibs, really."

"I don't know what you're talking about."

"Well, neither do I, half the time," Brian said pleasantly. "Just a little conceit of mine. Never mind. Here, have a drink," he said, taking another, his forehead sweaty.

The congressman ignored him, turning instead to the young soldier wedged next to him, a last-minute arrival, no duffel; maybe a courier. He was wearing a pair of high riding boots, and his hands were gripping the bench like reins, his face white under a sprinkling of freckles.

"First time in Berlin?" the congressman said.

The soldier nodded, holding his seat even tighter as the plane bounced.

"Got a name, son?" Making conversation.

"Lieutenant Tully," he said, then gulped, covering his mouth.

"You all right?" Liz said to him.

The soldier took off his hat. His red hair was damp.

"Here, just in case," she said, handing him a paper bag.

"How much longer?" he said, almost a moan, holding the bag to his chest with one hand.

The congressman looked at him and involuntarily moved his leg in the tight space, out of harm's way, turning his body slightly so that he was forced to face Brian again.

"You're from New York, you said?"

"Utica, New York."

"Utica," Brian said, making a show of trying to place it, "Breweries, yes?" Jake smiled. In fact, Brian knew the States well. "Fair number of Germans there, if I'm not mistaken."

The congressman looked at him in distaste. "My district is one hundred percent American."

But Brian was bored now. "I daresay," he said, looking away.

"How did you get on this plane anyway? I understood it was for American press."

"Well, there's Allied feeling for you," Brian said to Jake.

The plane dropped slightly, not much more than a dip in a road, but evidently enough for the Soldier, who groaned.

"I'm going to be sick," he said, barely opening the bag in time.

"Careful," the congressman said, trapped.

Copyright © 2001 Joseph Kanon

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Reading Group Guide

The Good German, set in Berlin during the summer of 1945, is an equally fast-moving and thought-provoking novel of suspense, and of history, that concerns the end of one war and the beginning of another. Jake Geismar, the former Berlin correspondent for CBS, has been sent back to his old beat to write magazine pieces about the Potsdam Conference, at which America, Britain, and Russia will divide the spoils and determine the future of a recently conquered Germany, a nation of dark secrets and unfathomable atrocities. But as World War II draws to a close, has the Cold War already begun? Moreover, what Jake sees floating in a lake right outside the Potsdam Conference turns out to be (for his purposes, at least) a far more interesting story-and a more personal and more dangerous one, as well. A murder mystery, a love story, and a panoramic depiction of a wholly ravished European metropolis at a unique moment in history, Joseph Kanon's novel is, as Neil Gordon observed in The New York Times Book Review, a "provocative, fully realized [work of] fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women."

  Discussion Questions:
1. What do we learn about Jake Geismar in the opening pages of The Good German? What are his personal and professional reasons for returning to Berlin, now that the war in Europe has ended? And what does he hope to find after his big discovery at the Potsdam Conference? Also, explain how Jake's personal history-as a somewhat heroic yet exiled American, a cynical but honest journalist, a former citizen of Berlin, and so forth-influences the novel's tone, atmosphere, narrative focus, and plot.

2. Explain the meaning of the novel's title, giving special attention to the ironic connotations of the word "good." How-and where, specifically-does this novel address the difficult issue of morality? Cite several passages from the book that highlight Kanon's thematic engagement with questions of good and evil.

3. Revisit the scene in Chapter 9 where Jake takes Lena to the cinema. After the feature, they see a newsreel. What is it about this newsreel that prompts Jake to whisper "It didn't happen that way" to Lena? Where else in the novel do we see representatives of the press tinkering with-or else blatantly reworking-the stories they are reporting? As a group, explore The Good German's ongoing suggestion that history is ultimately the product of media spin. Does this suggestion echo the old dictum that history is written by the winners? Explain why or why not.

4. The guilt of the Holocaust, the bureaucratic and moral perplexities of denazification, the shame of losing the war, the geographic and spiritual wasteland of Berlin itself-the Berliners in Kanon's novel are depraved souls with serious problems that are personal and political, individual and social. Identify these characters and specify the problems each of them is facing. Also, discuss how each character confronts or denies these problems. More broadly, what links can you establish between the historical realities and the emotional truths depicted in The Good German?

5. Who is Renate? How does Jake know her? Why has she been put on trial by the Russians? And what is the outcome of this trial? How does Renate's story-her particular background and fate-typify the novel's key theme of survival?

6. In Chapter 12, Jake and Lena visit Frau Hinkel, the fortune teller. What does she tell them about their past(s) and future(s)? What does she get right, what does she misread, and how do Jake and Lena receive her pronouncements? Also, discuss the presence (or absence) of luck as a theme in this narrative-as well as that of destiny.

7. Early in Chapter 17, when Sikorsky and Jake briefly discuss the imminent surrender of Japan and the coming of the war's end, Sikorsky asks, "Does it feel over to you?" What does he mean by this? And later, in Chapter 18, Jake spots a newspaper item entitled, "WWIII BEGINS? WHO FIRED FIRST?" Discuss this and other events in this novel-both historical and imaginary-that might also be seen as preludes to the Cold War.

8. Late in the novel, in Chapter 20, Jake confers with one of his closest investigative allies, Bernie Teitel, a former DA who works in the Army's denazification department. As they discuss the horrific enormity of the Holocaust, Bernie says, "There isn't any punishment, you know. How do you punish this?" Jake, as a friend and as a journalist, counters with: "Then why bother?" How does Bernie respond to him? As a group, try to elaborate on Bernie's answer and discuss your own responses to this issue.

9. In terms of its literary genre, The Good German is a thriller, a novel of intrigue meant to engage its readers by way of a plot full of questions, clues, riddles, leads, red herrings, and so forth. Identify the many separate and related mysteries that Jake confronts over the course of this narrative. Which, if any, go unsolved-and why? Were there any particular questions raised in the pages of this novel that weren't answered or addressed to your satisfaction (as a reader)? If so, explain.

10. "What Carol Reed's film, 'The Third Man,' did for Vienna immediately after World War II," one reviewer (Bill Ott, writing in Booklist) has laudably noted, "Kanon's thriller does for Berlin during the same period." Compare and contrast The Good German with any other novels or movies you can think of that take place in Europe just after World War II.

About the Author:
Joseph Kanon is the author of two previous novels, Los Alamos and The Prodigal Spy. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.

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Customer Reviews

Average Rating 4
( 33 )
Rating Distribution

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(11)

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See All Sort by: Showing 1 – 20 of 33 Customer Reviews
  • Posted September 12, 2010

    I Also Recommend:

    Well done if somewhat cut-by-numbers

    I had looked forward to reading this book for a long time, so I was happy when I finally found a space for it in my reading schedule -- so I could get to watch the movie, if for no other reason! I was incredibly surprised at how closely this book tracked, in detail if not in plot, to the classic movie "Berlin Express" starring Robert Ryan and Merle Oberon, down to the parts about providing sufficient calories to the post-war German population, etc. Perhaps Joseph Kanon was channelling this story as well in his look at how Nazi rocket scientists came to be integrated into the American military industrial complex? In any event, I have to agree with just about every other reviewer so far: the story was by far secondary to the setting, and the characterization, prose style, pacing, and last but not least, the ending were all little more than pedestrian. Still, you have to admire Kanon's willingness to explore the fascinating question of how can one find individual fault in postwar German society when the entire country was in some manner complicit in the horrific crimes of the Nazi regime. Furthermore, so much has been written about "the greatest generation" during the war that it is easy to forget that there was an aftermath to this war that this generation did so poorly in addressing, leading to a decades-long, wasteful political struggle that we still feel ramifications of today. (For a quirky, well-done alternate history tale of the von Braun rocket team working for the United Kingdom, check out Warren Ellis' "Ministry of Space." The afterword alone is worth the price of the book.) Overall, read this book not to expect a great mystery or thriller, but instead to get a flavor of a fascinating, poorly-inspected time in 20th Century history. That elevated this cut-by-numbers effort into a four-star novel.

    3 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted December 9, 2008

    more from this reviewer

    Profound, Insightful, Intriguing

    Deeply profound, yet shattering in its illumination of the dark days following the defeat of Germany in 1945. Though at times the story seems to plod, it reflects the reality. Kanon has achieved a similar psychological impact for the reader as befell those living in the times--overwhelming disbelief, scorched ruins, suspended anticipation, denial, relentless stamina, indifference, horror, cut-throat opportunism, contradicting moralities, ugly truths, hidden motives, sacrificial dedication, culpable acts, limitless egos, universal guilt, mazes within mazes of intrigue--and yet infinite hope runs parallel to Jake Geismar's quest to find, first, his lost love, and then to solve the mystery of who killed the American soldier dragged out of the waters in the Russian zone during the Potsdam Conference. How quickly the Holocaust was forgotten in the race to be first in space and to get rich on the spoils of war! A cowardly yet greedy human condition, as sad as that is, that still goes on and existed before the Holocaust began and went on while the Holocaust occurred. Kanon takes the stark truth and creates characters to reflect it--not in paper-thin stereotypes but in real examples, and if they seem to stretch credibility for some readers, it is because they did not experience it and can judge with rosy hindsight. A literary triumph that deserves five stars!

    3 out of 3 people found this review helpful.

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  • Posted October 26, 2011

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    Close to reality fiction-novel

    This book is one of the best novels created which highlighted the life of people after the Nazi domination. The wreckage and pain that power has made was evident in this book.

    1 out of 1 people found this review helpful.

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  • Posted May 30, 2009

    Decent book

    I found the number of characters to be hard to follow sometimes, but enjoyed the plot. There were moments where I found myself getting worried for the character. It does take you to a place and time that aren't spoken of, and shows a very different world. I do have some quibbles, but mostly it was enjoyable.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 26, 2007

    Muddled politics and implausible situations

    Certainly starts with an interesting premise and the plot line sounds good but the execution is disappointing. The author can't seem to square away the various political forces at work - both US internal and international - with any sort of moral grounding. The characters are not very convincing either. In the whole, it lack realism and displays little thought or wisdom. Maybe it works better as just another mystery but I'm no fan of that genre. If it is any succor, the movie version is much, much worst.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 26, 2006

    Too far to go for the payoff

    I had mixed emotions after finishing this book. I thought it was well written and the main characters were well developed but the plot moved very slowley and by the time the ending payed off, I no longer cared about 'who dunnit'

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 20, 2009

    Interesting historically; good plot

    I enjoyed this audio book. It held my attention easily, however I might have enjoyed it more if I had read it.

    0 out of 1 people found this review helpful.

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  • Posted April 22, 2009

    more from this reviewer

    The Good German

    This is a wonderful novel filled with suspense, intrigue, romance, spies, and excellent prose. I totally enjoyed the way the book was plotted and the skill with which the writer told a story. I would definitely recommend it for it's thrilling, edge-of-your-seat experience.

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  • Posted April 13, 2009

    Poorly performed and tedious

    I found the book average but the audio performace poor and uninvolving.

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  • Anonymous

    Posted February 9, 2009

    The SO SO German

    I thought this book started off to slow but built to a satisfying ending. This might be, in my opinion, one of the few times the movie improved a the book.

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  • Anonymous

    Posted May 19, 2004

    A city down on its heels and its luck

    ¿The Good German¿ is set in post-World War II Berlin, a place of espionage, dirty tricks, black market activities and human suffering. A murder takes place in 1945 as the Allied leaders are gathering for their Potsdam conference (an American officer's body is discovered floating in a lake in the Russian occupation zone, his pockets full of money). But more than just a murder mystery, there are larger themes in the book, such as collective guilt, a society that succumbed to genocide, and the justice of the victors. The book¿s main character is an American who is involved in a love triangle, a situation somewhat reminiscent of ¿Casablanca.¿ Conveniently, the hero always seems to be in the right place at the right time as well as bulletproof. And the car chase absolutely defies belief! However, even though the plot unravels a bit, I found the book to be a moving portrait of a city down on its heels and its luck, where corruption and violence are commonplace and where even the innocent may be compromised.

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  • Anonymous

    Posted February 25, 2004

    More History Than Mystery

    I never read mysteries, I dont find plot as interesting as characterization, which mysteries often lack. That being said this came highly recommended so I took a chance, and became so intrigued by this whole period of history, that I was inspired to read some non fiction books about the fall of Berlin. I will never forget this book.

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  • Anonymous

    Posted February 27, 2003

    Very slow start, but it picks up...

    I had a hard time sticking with this one, and I notice all other reviews contained five stars, so maybe this just was not my usual type of book. I would, however, recommend it to anyone who likes crime/mystery/drama and war fiction, or nonfiction for that matter. I just found myself not too interested in turning the pages in the beginning. Luckily, the twists and turns make up for the slow start.

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  • Anonymous

    Posted October 15, 2002

    Twisted Thriller

    The end of World War II and the convergence of beliefs and philosophies in occupied Berlin still fascinate history buffs. Enemies became friends, and friends became enemies as the pendulum of power swung from fanatic Nazis to conspiratorial allies on the verge of cold war. Joseph Kanon takes this setting and creates a murder mystery that gives new insight into the reality of history through the experience of ordinary people. Through the lambrinth of espionage emerges tough choices and cynical trade offs that bring new meaning to the phrase: "Let the end justify the means." This story is a wake-up call to those blinded by naive patriotism. When do the vanguished become the victimizers? In today's war on terrorism, it is a question to be reconsidered through a historical perspective, and Kanon makes readers face the rhetoric.

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  • Anonymous

    Posted October 12, 2001

    A taut murder investigation set in post-war 1945 Berlin

    A news correspondent in Berlin before the war, Jake Geismar, now returns to cover the Potsdam Conference and write articles for Colliers Magazine. Jake's highest priority is finding his former lover Lena, the wife of a pre-war university mathematics professor and later Nazi scientist working in the German rocket program. When a lieutenant that flew into Berlin with Jake is found dead by Russian guards at a reception near Potsdam with thousands of occupation marks in his pockets, Jake can't resist becoming involved in the investigation. Jake's search for answers leads to involvement with the Army CID (Criminal Investigation), Army Intelligence, and Russian Intelligence. Jake enlists the aid of a former savvy German policeman and people in the black market to find the reasons behind the murder. As his investigation proceeds, the situation becomes increasingly dangerous and he finds himself not knowing who to trust. This is an interesting read with more than a murder investigation at its core. The author paints a vivid picture of Berlin immediately after the end of World War II. The destruction was massive and disease, hunger, and displaced persons were everywhere. The Berliners had to degrade themselves to eat and survive. The birth of a huge black market and the chance for riches infected the Allies as well as the Germans. Destroying information and creating false documents to protect those guilty of war crimes was a thriving business. The tension between the Western Allies and the Russians was at a dangerous level and the competition between these former Allies for the services of German scientists was intense.

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  • Anonymous

    Posted September 8, 2001

    exciting look at Berlin just after the Nazi defeat

    Before World War II forced him to leave, Jake Geismar, was CBS¿ reporter in Berlin. Now with the war over, CBS sends Jake back to Berlin to cover the Potsdam Conference. An obsessed Jake could not care less about a stuffy conference with a bunch of aging heads of state ready to carve up Europe like the failed efforts of Metternich a century before. Instead, Jake needs to know what happened to his prewar lover, Lena. <P>Jake becomes interested in the corpse of an American soldier whose murdered body is found near the conference. The intriguing part of this homicide is the Ally military leadership efforts to sweep the murder under a rug. Jake¿s journalist instincts smell a big story so he begins his own inquires that take him on a tour of the battered from the capital of the Third Reich and the competition among the winners to grab the spoils of victory, including the German scientists like Lena's husband. <P> THE GOOD GERMAN is an exciting look at Berlin just after the Nazi defeat. The story line is fantastic when the characters deal with ethics and morality especially local efforts to expunge feelings of guilt over atrocities and over losing. The tale slows down when Joseph Kanon turns it more into a thriller that interferes with an incredible character study filled with pathos as Allies and Germans feel different degrees of inadequacy, guilt, mistrust, and denial. <P>Harriet Klausner

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    Posted February 23, 2011

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    Posted October 5, 2010

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    Posted August 20, 2010

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    Posted January 27, 2009

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