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Good People

Good People

3.6 11
by Marcus Sakey

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The spectacular Dutton debut of a thriller writer whose ecstatically acclaimed work draws comparisons to luminaries such as Elmore Leonard, George Pelecanos, and Dennis Lehane.

A family, and the security to enjoy it: that's all Tom and Anna Reed ever wanted. But years of infertility treatments, including four failed attempts at in-vitro fertilization, have left


The spectacular Dutton debut of a thriller writer whose ecstatically acclaimed work draws comparisons to luminaries such as Elmore Leonard, George Pelecanos, and Dennis Lehane.

A family, and the security to enjoy it: that's all Tom and Anna Reed ever wanted. But years of infertility treatments, including four failed attempts at in-vitro fertilization, have left them with neither. The emotional and financial costs are straining their marriage and endangering their dreams. So when their downstairs tenant -- a recluse whose promptly delivered cashier's checks were barely keeping them afloat -- dies in his sleep, the $400,000 they find stashed in his kitchen seems like fate. More than fate: a chance for everything they've dreamed of for so long. A fairy-tale ending.

But Tom and Anna soon realize that fairy tales never come cheap. Because their tenant wasn't a hermit who squirreled away his pennies. He was a criminal who double-crossed some of the most dangerous men in Chicago. Men who won't stop until they get revenge, no matter where they find it.

Editorial Reviews

Publishers Weekly

Crime writer Sakey's latest is a lackluster and stereotypical attempt that has a young married couple putting their lives on the line for the chance to have a baby. Of course, the decision doesn't come cheap, and soon enough they come across a couple of meanies who will do anything to get revenge. Joyce Bean and Dan John Miller's dual narration is more inspired than the writing, yet the recording quality seems downright amateurish. Miller's muffled reading sounds as if he's speaking through a paper-thin wall. However, he is a terrific character actor and brings his talents to every male character that pops up along the way. Bean is a seasoned professional, packing a lot of punch in her simple and straightforward delivery. A Dutton hardcover (Reviews, June 16). (Sept.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
New Orleans Times-Picayune
As you might expect, "The Little Book" is anything but little. This is a wide-ranging novel of grand ideas, of the promise of the new century, now so far behind us. It is a story of fathers and sons, to be sure, of the bygone days when an American aristocracy held the reins of power. And it is a tale of books within books, and their influence upon history. But Edwards has a wonderfully subversive way with all this; along with the great men of the era, he creates astonishing female characters. The Burden women, who marry into the family after living rich, full lives of their own, have their tales to tell, too. All this swirls around in a graceful waltz of a book, spinning at times at dizzying speed, but leaving behind a haunting, unforgettable melody.
Chicago Tribune
Take a pinch of Mitch Albom's "For One More Day" and "The Five People You Meet in Heaven" (for an impossible chance to make amends or peace), draw a little from Madeleine L'Engle's "A Wrinkle in Time" and H.G. Wells' "The Time Machine" (for the potential of a twist on the physical universe as we know it), on the upscale side borrow a bit from Michael Cunningham's "The Hours" (for clever paralleling of extremely different contexts), hark back to E.L. Doctorow's "Ragtime" (for commingling historical and fictional characters) and throw in a heady dollop of romantic mooning a la Robert James Waller's "The Bridges of Madison County," and you will have an inkling of the ingredients pulped together in "The Little Book."
New York Daily News Sunday
The Little Book" is quite the twisty not-so-little novel. Everything is connected, we are told in "The Little Book," and indeed it is in this tale. Caught up in an eternal loop, as well, though the book does come to a tender close, but only to start up again in the mind's eye. It's hard not to be thoroughly taken with such an approach to both the real and imagined past.
Library Journal

Sakey (www.marcussakey.com), author of the 2007 New York TimesEditor's Pick The Blade Itself, whose film rights have been purchased by Ben Affleck for Miramax, here shows how an unthinking action can have far-reaching consequences. Anna and Tom Reed can't believe their luck when they find big money in their dead tenant's apartment. A reality check comes in the form of felons, guns, death, and the loss of everything they ever thought was important to them. Audie® Award winner Joyce Bean and actor/musician Dan John Miller, both excellent readers, narrate the female and male characters, respectively, complementing the alternating viewpoint construction of the story. Of interest to public libraries collecting crime fiction. [Audio clip available through library.brillianceaudio.com; the Dutton hc was "highly recommended for all popular fiction collections," LJ7/08.-Ed.]
—Joanna M. Burkhardt

Kirkus Reviews
A financially strapped yuppie couple in Chicago stumbles on a big pile of cash and makes as many wrong decisions as possible while being chased by murderous thugs. Tom and Anna Reed are the unsatisfied landlords living beyond their means in the latest from Sakey (At The City's Edge, 2008, etc.). Exhausted, embittered and nearly broke from their hideously expensive efforts to conceive a child, the Reeds are desperate for a break. Responding to a smoke alarm shrieking in the downstairs tenant's apartment of their overpriced two-flat, they find their creepy renter dead and nearly $400,000 in cash in his flour bin. The stash once belonged to an unnamed movie star with a world-famous smile who, while in the city to make a film, sought to buy a load of the latest and liveliest drugs, only to have both money and pharmaceuticals snatched from under his famous nose in the middle of the transaction by a gang of mostly hardened criminals, including the late tenant. The Reeds, acting on the same cinematic imperative that sends teenaged babysitters to check on that noise in the basement, decide to keep the money to rebuild their credit and their child-deprived lives. Anna takes a day off from work to pay the credit-card bills, and the newly rich couple enjoy a night out and some hot sex. Of course the dead guy's chums come around looking for their hard-earned money; the ripped-off drug dealer wants his product back; and a hard-luck police detective starts finding holes in the Reeds' story. Recognizing immediately that they are up against ruthless criminals and determined policemen, do the Reeds cut their losses, fess up and go back to work, sadder but safer? Of course not. They've had a taste of lifewithout debt, and it's enough to encourage these "good people" to try to outfox the utterly ruthless villains who systematically destroy everything they own and promise to make mincemeat of the hapless ninnies. Readers may root for the bad guys.
From the Publisher
Acclaim for Marcus Sakey and his novels...


“A brainy, twisty, sometimes twisted mystery.”—Gillian Flynn, author of Gone Girl


“SAKEY IS A PRODIGIOUS TALENT.”—Laura Lippman, author of And When She Was Good

AN AUTHENTIC, ORIGINAL NEW VOICE.”—George Pelecanos, author of What it Was and Shame the Devil

"Like vintage Elmore Leonard crossed with classic Dennis Lehane.”—Lee Child, author of the Jack Reacher novels

"A brilliant writer.  He gets inside the heads of people and shows how one word or turn can lead away from the safe and narrow and into a full blown nightmare."—The Huffington Post

"This giant among crime novelists always holds one spare bullet in his arsenal." —Chicago Sun-Times

"The new master of the thriller." —Providence Journal

“One of the hottest young crime writers in the country.”—The Oregonian

Product Details

Penguin Publishing Group
Publication date:
Product dimensions:
6.20(w) x 9.10(h) x 1.20(d)
Age Range:
18 - 14 Years

Related Subjects

Read an Excerpt


THE SMILE WAS FAMOUS. Jack Witkowski wasn’t particularly a fan, but he’d seen those teeth plenty of times. They shone in the huddle of supermarket checkout lines, gleamed on the cover of a hundred magazines. After a while it was natural to think of the smile as separate from the man, and watching him stop on the club steps to throw it at a gawking chick with a camera phone only reinforced the idea. One minute the guy was just a guy—good-looking and well dressed, sure, but just a guy, and even a little on the short side—then that spotlight smile hit, raw wattage that announced you were in the presence of a Star.

Jack gazed through the windshield, forefinger tapping absently against his shoulder-slung .45. Nines might be the gun du jour, but you couldn’t beat a .45 for stopping power. “One more time.”

Bobby said, “Marshall lets us in. We take the service steps up. Put on the masks. Be careful not to use names. Will and Marshall tie them. I get the money. We go back out the way we came, head for the Chrysler. If anything goes wrong, we split, meet up later.” His knuckles were white on the steering wheel.

Jack squinted at that, wondered again if involving his younger brother had been a good idea. “That’s right,” he said, keeping his voice casual. “Remember, go in hard. These are spoiled kids. Get your pistol right in their face, yell at them. Anybody gives shit, crack them with the gun, and don’t hold back. It’ll just make everybody else step quicker. In and out in five.”

Bobby nodded. “What about that one?” The man he gestured to was taller than the Star and his entourage, built thick through the shoulders and neck. He carried a black briefcase in his left hand and kept his right open against his stomach, fingers just inside the jacket.

“That’s the bodyguard,” Will Tuttle said from the back, his tone smooth as a jazz radio announcer. He’d once said he’d done some voice-over work back when he was in L.A., that he’d been the voice of a dancing soap bubble in a commercial for toilet cleanser. Easy work; two grand for a morning spent repeating We scrub so you don’t have to. “Don’t worry your pretty head, son. Let the real bad guys handle him.”

“Fuck you.”

Will chuckled. “What’s the matter,” he said, drawing Carltons from his suit jacket and tapping the soft pack to pop a cigarette loose. “I hurt your wittle feelings?”

“Enough.” Jack stared in the rearview mirror. “Don’t light that thing.”

Will tucked the cigarette behind his ear. “Victory smoke.”

Across the street, one of his entourage patted the Star on the shoulder, hooked a thumb in a let’s go gesture. The Star nodded, threw one last smile-and-wave, then stepped through the doors. His friends followed, one of them pausing long enough to pluck a stunning brunette from the line, the girl grinning over her shoulder at her squealing friends. Movie people. Shit. The bodyguard went last, stopping at the top of the steps to scan the street. Jack stared back, just another Chicago yokel awed by American Royalty. After a moment, the man went inside, the door swinging shut to muffle thumping beats.

“Go ahead,” Jack said, and Bobby put the stolen Ford into drive, sliding past the line of boys in shiny shirts and girls with spray-tan shoulders. They fell in behind a taxi to the end of the block, turned right, then left, and pulled into an unattended pay lot they’d scoped earlier. Bobby twisted the key to kill the engine, but cranked it the wrong way at first, the engine grinding.

“Jesus Christ,” Will said. “What’re you, fourteen?”

“I said enough.” Jack pulled up the sleeve of his suit, glanced at his watch. They sat in silence, listening to the ticking of the engine, the sound of revelry through the windows. River North, clubland, lah-dee-fucking-dah.

“He look short to you?” Bobby not needing to say the name.

“They all are,” Will said. “Tom Cruise is five-seven. Al Pacino, too.”

“Pacino? Bullshit.”

“Emilio Estevez. Robert Downey Jr.”

“I like that guy,” Bobby said. “He’s a great actor.”

“Don’t change his height.”

Jack let them talk, taking steady breaths, waiting for the rush to hit.

“Funny,” Bobby said, “it’s like the pope is visiting. All week I been hearing where he was spotted. Saw an article in theRed Eye on his favorite restaurants. He’s just here to work, right? Film a movie. But where he eats is news. Kind’ve feel sorry for him.”

“Yeah,” Will said, “poor famous millionaire, neck-deep in pussy makes the skanks you date look like schnauzers.”

“Will,” Jack said, “go stand on the corner, scope for cops, would you?”

“What the hell? Why?”

“Because I said so.”

Will sighed. “Whatever.” He popped the door, the street noise suddenly louder. “Amateur,” he muttered as he got out.

“Screw you.” Bobby said it quietly.

They sat, Jack letting the tension dissipate. He cracked gloved knuckles. After a minute, he said, “You okay?”

Bobby looked over, face pale and eyes all pupil. “I can’t do this.”

“Sure you can. Easiest thing in the world.”


“You can.” He smiled. “Look, I know where you are. First time I stuck somebody up, I had the shakes like you wouldn’t believe. Almost dropped my gun.”

“Serious? You?”

“Sure. Part of the job. Why do you think Will’s being such a dick? Everybody gets the shakes.”

“Marshall too?”

Jack shrugged. “I don’t know.” He smiled, reached out to put a hand on his brother’s shoulder. “This is heavier than what you’re used to, I get that. But try and concentrate on the score. In fifteen minutes, you’ll be a whole lot richer.”


“If I thought we could do this with three, I would. I need you, bro.”

Bobby nodded, took a deep breath, let it out slow. He rolled his head side to side, then said, “Okay.”

Jack felt that old flush of warmth. “It’ll be fun. You’ll see. The Brothers Witkowski, rolling hard. Just follow my lead, it’ll be over before you know it.” He punched Bobby’s bicep. “Besides, you’re a bad man.”

“Right,” Bobby said. He took another breath, then drew a chrome-over-black Smith and racked it. “I’m a bad, bad man.”

They got out of the car, leaving the keys in the ignition. The evening air was alive with the noise of a dozen clubs, the honk of taxis, and the laughter of girls. Rich cocoa tickled Jack’s nose from the Blommer Chocolate Company a mile away.

“You ladies ready?” Will rocked his weight from one foot to another.

“Let’s roll.”

They started east, pace easy. Just businessmen, conventioneers maybe, on a weekend away from the wife. Out to check the scene, have a couple of cocktails, try to bang girls their daughters’ age before catching a morning flight back to boredom. Jack put himself between the other two, kept his eyes alert. They jaywalked across Erie, then cut down the alley. Broken glass crunched under Jack’s heels.

As they fell into shadow, he drew his pistol and unsnapped the safety.

INSIDE THE CLUB, Marshall Richards waited till the bartendress in the belly shirt looked away. Then he took the thick-bottomed rocks glass and poured the whiskey on the floor. He smacked the glass down with a wince just as she turned back. She shouted, “Another?”

“Sure.” He put an elbow on the edge, then made a show of slipping and catching himself. Marshall smiled at her, mouthed  Oops over the pounding music. She shook her head as she refilled him, raising her arm to stretch a rope of amber between bottle and glass, a neat trick. Then she snagged a twenty from the stack of cash he’d laid out and turned away.

He took the drink and spun on his stool, careful to keep his shoes off the ground. He’d poured about nine whiskeys there, and the puddle was growing sizable. The drunk act probably didn’t matter, but life had a wicked arm for curves. A smart hitter respected the plate.

The VIP lounge sat off the main floor, guarded by a bouncer with a shaved head. Gauzy green curtains puffed and swelled with the motion of air, like the room was breathing. Beyond them a mob of moneyed twenty-somethings danced beneath a frenzy of lasers, visible only as writhing silhouettes. It reminded Marshall of something out of a Bosch painting, a vision of a sweating hell. It was early yet, not even midnight, and the lounge had only a handful of Very Important People: a group nursing the bottle of thirty-dollar vodka they’d dropped two hundred on; a sugar daddy playing garter games with his stripper girlfriend; two lipstick lesbians comped in to add a whiff of the forbidden; and, at the end of the bar, two black guys. His marks.

The boss was dark-skinned and stylish, with a precise mustache,a gold Rolex dangling from French cuffs, and a tailored Armani suit. The other, straining against a Sean John tracksuit, was clearly muscle. Armani drank seltzer. The other didn’t drink at all. Marshall smiled to himself, then spilled his whiskey and ordered another.

The bartendress had just finished pouring it when Boss Man’s cell phone beeped. Marshall cradled his chin in his hands and stared forward, pretending to be lost in a liquor dream. From the corner of his eye, he saw the guy open the phone and scan the screen. His fingers punched keys quickly, replying to the text message. Then he dropped a fifty on the bar and slid off the stool. His bodyguard fell in behind him.

Marshall counted to thirty, then collected his change, folded it, and tucked it in his pocket. Took his whiskey in one hand and staggered for the stairs. The bouncer yawned, looked away.

The dance floor vibrated, the bass line throbbing through his belly, a remix of Fergie singing about being so delicious, how she was so tasty tasty laced with lacy. Bodies mobbed the space, smelling of cologne and desire. He looked at the open staircase over the floor, thick-cut glass that glowed with the sheen of lasers. Boss Man and his bodyguard were halfway up. Perfect.

Shielding the drink with his body, Marshall cut to the back wall. It was painted black, and couples huddled there, the women flush with power, men leaning into them, trying to close the deal. He moved beside a door marked “Private” in white letters. Turned, did an easy scan. No one paid him any mind as he pushed through the door.

The hallway on the other side was drab and overlit. He walked past an open door where men spoke Spanish, turning his face away and walking with purpose. Not like a couple of illegals were going to challenge a man who walked like he belonged. There was a corner at the end of the hallway, and beside it the servers’ steps to the private rooms. He stopped long enough to throw the whiskey down, that sweet burn. He liked one before a job. Then he palmed the glass and turned the corner.

The bouncer sat on a stool, beefy arms crossed. He came off his perch when he spotted Marshall. “This ain’t the bathrooms, mate.”

Marshall took a step, then another, slower. He raised his left hand and put on a confused expression, looked over his shoulder like he was lost. As he spun back, he hurled the heavy rocks glass in an overhand fastball, leg winding up and then down, arm cracking like a whip, form perfect. Once upon a time, he’d been All State.

The glass didn’t so much strike the bouncer’s forehead as explode against it, spraying sparkling shards in all directions, the noise lost against the raging beats through the walls, the bouncer flinging his hands up to his eyes, fluids pouring between his fingers and a horrified moan jerked from his lips.

Marshall stepped forward, drove his fist into the man’s solar plexus to double him over, then hammered an elbow against the back of his neck to drop him. He straightened, shook out his hands, and pushed the release bar to open the back door.

Jack smiled as he stepped over the bouncer. He passed Marshall the .22, and the four of them started for the stairs.


THE BRUNETTE BLUSHED A LITTLE, her eyes throwing a challenge at the blonde, and then she leaned forward and touched her lips to the other woman’s. The boy kneeling on the cushions tipped up a bottle of champagne, then wiped his mouth with the back of his hand and said, “Use your tongues.”

Children. Undisciplined, foolish, and entitled all their lives. From the Star on down, they were all children, and they grated on Malachi. “My brother,” he said, smile wide and arms open, the Rolex sliding down inside the cuffs of his shirt. “How’s it hanging, dog?” Playing the role of the big bad black guy.

The Star flashed white teeth and stepped into the embrace. “Hey‚ G! Thanks for coming.” The room was decked out like a sultan’s palace, dangling fabrics and candles everywhere, cushions instead of chairs. “Drink?”

Malachi smiled, shook his head slightly. He unbuttoned his Armani jacket and tucked his hands in his pockets, exposing the shoulder holster. By the way the Star’s eyes fell on it, Malachi could tell he loved it, loved the image he had of himself, a tough guy hanging with gangsters. Movie people. Shit. “I’m straight,” he said.

“We got Ketel, some Cristal. Oh, I could send down for Hennessy . . .”

“We’re good.” Malachi smiled. “How’s the picture?”

The Star sighed and rubbed at his forehead. “It’s a nightmare. Director doesn’t have the first clue. I don’t know who the guy blew to earn his statue.” He shook his head, then said, “You sure I can’t get you a drink?”

“I’d as soon get down to business, you got no objection.”

The Star smiled. “My man.”

Malachi waited. A moment passed, and then the Star caught on, said, “Right, sorry.” He adopted the tone of a schoolboy answeringan instructor, hamming it up. “I’d like to buy some illegal drugs, please.”

Malachi nodded to his man, who set the briefcase on a low table then stepped back. “Here’s how we do. Blow, smack, Ecstasy, hydro, painkillers I have anytime. You want something special, I might need a couple hours’ warning. I’m available twenty-four hours a day, seven days a week, anywhere in the country. I don’t fly internationally, I don’t deal for less than twenty-five, and I don’t trade in rock.” He popped the latches on the case but didn’t open it, noting the anticipation in the kid’s eyes, playing out the moment. The brunette on the pillows squealed as one of the entourage poured champagne down the front of her dress. She laughed, then moaned when the blonde leaned in to lick it off her tan skin. The boys whooped in appreciation.

“Is it good stuff?” The kid trying to sound hard. “I don’t want to pay top dollar for some watered-down shit.”

Malachi shook his head. “Pure as a nun’s daydream. Guaranteed premium. My prices are high because of the service and quality I provide. Now,” he said, and flipped open the briefcase to reveal the rows of neat bundles and colored bottles, “the doctor is in.”


JACK LED THE WAY UP. Here, in the bowels of the club, the throbbing music seemed to come from everywhere at once: the walls, the railing, the floor, his heart. He’d been waiting for the rush, and finally it came, the tightness, that familiar hint of joy and panic that never went away. It had made itself at home in 1975, right after he’d shoved Aerosmith’s Toys in the Attic under his shirt and strutted out of Mel’s Records, the shrink-wrap cool against the skin of his teenage chest. He’d gone home and listened till he could sing every note, felt like “Sweet Emotion” was talking straight to him.

The staircase was thin and steep, a pipeline for servers to bring the occupants anything they wanted. There were VIP rooms and VIP rooms, and this was the latter, a private playground for the young, famous, and obscenely wealthy.

He blew a breath outside the door, paused to check the men behind him. They had already pulled on their masks, and in the dim light he could make out only the gleam of eyes and pistols. Bobby and Will seemed anxious, adrenaline jitters, but Marshall had that predatory slowness. Cobra cool, ready to strike.

Jack smiled. Shrugged his shoulders, slipped on his own mask, the fabric trapping breath hot against his lips. Let the rush run through him. Embraced it, that edge when everything was sharp and of consequence.

He put a hand on the knob and turned.


WHAT WAS he doing here?

Bobby felt like the veins in his forehead must be about to pop, his heart was banging so hard. He tried to swallow, his throat like sand. He wanted to rub his palms against his suit pants but didn’t want to take off the gloves.

This wasn’t his first job, nothing like. He’d helped Jack before: late-night warehouse load-outs where the night watchman turned the other way for a C-note. Or jumping the manager of a bar on his way to deposit the night’s take. Beating down those two Latinos who had tried to cheat his big brother. Not like he was squeamish. But this, to walk into a room with masks and guns?

It’ll be fun. Jack’s voice played in his head. The Brothers Witkowski, rolling hard. Just follow my lead, it’ll be over before you know it.

He took a deep breath.

You’re a bad man.

Jack threw the door open, and he and Marshall stormed in.

A group of pretty boys stared wide-eyed from a pile of pillows where two girls were getting it on. Will was right: Both of them were better looking than any naked girl he’d seen outside a magazine. The Star sat at a low table with a well-dressed black guy, a case open between them, the Star holding a playing card an inch from his nose, and his panic exhale sent white powder billowing out like a summer cloud rolling across the plains.

“Go!” Will said, behind him.

Go, Bobby said to himself. Move your feet. He felt a trickle roll down his side. His hands trembled.

“Goddamn amateur,” Will said, and pushed past, his gun out and up, yelling at the second black guy, a gangster-looking dude who froze with his hand almost to the butt of his pistol.

The scene was surreal, guns waving in this swank space, the beats turning everything into a music video. There were more people than Bobby had pictured, five or six friends of the Star, plus the girls, the bodyguard, and the drug dealers, a lot to manage. Jack was right, they needed four. Hot shame flushed through his bowels. Go in.

What People are Saying About This

From the Publisher
“Terrific.”—Chicago Tribune
“One of our best storytellers.”— Michael Connelly
"It’s the depth and intelligence and passion and emotion that set Sakey apart.”—Lee Child
"Sakey creates a moral dilemma fit for an advanced ethics class...I felt the protagonists' pain to the point of flinching."—Chicago Sun-Times
"Masterful. Each of Sakey's novels has topped the previous. GOOD PEOPLE follows that stellar pattern."—Florida Sun-Sentinel
"Sakey sees Chicago as a constant source of sin and temptation...[GOOD PEOPLE] is a classic bind."—The New York Times
"Sakey may have trouble equaling this stellar performance."—Publishers Weekly (starred review)
Maureen Corrigan
"An ideal late summer reading getaway . . . . The Little Book is all about plot-that's what makes it both an entertaining mental escape and a tough book to do justice to in a review . . . .The Little Book is . . . a soaring thing of joy whose only purpose - and I mean this as a compliment - is to delight and entertain."--(Maureen Corrigan, NPR)

Meet the Author

Marcus Sakey's thrillers have been nominated for more than fifteen awards, named New York Times Editor's Picks, and selected among Esquire's Top 5 Books of The Year.  In addition to Good People, his novels Brilliance, The Blade Itself, and The Amateurs are all in development as feature films.

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Good People 3.6 out of 5 based on 0 ratings. 11 reviews.
Guest More than 1 year ago
Marcus Sakey writes books that make you want to call in sick so you can brew strong coffee cozy up on your favorite chair and read all day. 'Good People' is as good as it gets! He's created real characters. You can feel their pain and (as usual) it has page-turning suspense. We can only hope that Marcus lives to be 100-years-old and writes 1,000 more books. Marcus, thank you for making reading cool again!
wik23 More than 1 year ago
This is the second book of Sakey's that I have recently read. It has a great story, but I was left wanting a bit more out of the ending. Although, I absolutely loved the last page of the book...it's perfect and very original. I thought "The Blade Itself" was excellent, but I highly recommend reading this one too! Sakey does such a great job at putting the reader into the story; where the reader gets a chance to make decisions on tough situations. Both books are like that. I've became a fan of his--I'm starting to read his second book and his 4th book comes out in August...
knaresPF More than 1 year ago
Have recently been reading marcus Sakey and have been impressed. If you like Lehane, Connelly & Pelicanos you will like sakey.
emmi331 More than 1 year ago
Good People starts well, with a strong narrative. Unfortunately it degenerates into graphic scenes of sickening cruelty - beginning with an innocent young man's hand being methodically crushed by a thug, lovingly detailed. I'm not a reader who defines this as "entertainment". Those who do will find this unpleasant story of greed, malevolence, and nauseating gore enjoyable. I did not. The only reason for two stars instead of one is a good plot premise and decent writing, in spite of the use to which the author puts it.
Guest More than 1 year ago
Wow . . .this author has nailed the crime fiction novel genre. This being only his third offering and I would rank him among the best writers I know of, and I read a lot of books. I would never have guessed the ending in a million years! I was awake for a long time, last night, after finishing this book. I am eagerly awaiting Marcus Sakey's next book.
Guest More than 1 year ago
The basic premise of Good People centers on the question 'How far would you go to keep hidden the fact that you found $370,000?' When Tom and Anna Reed find $370,000 they develop a simple plan regarding their find. Their plan is to keep the money hidden and wait to see if anyone comes to claim it. If not, they plan to keep the money and use it in ways that will change their lives. What the Reeds don't realize is that their simple plan has led them to cross some very dangerous men who won't stop until they get revenge no matter where they find it. Let me be very clear about the fact that Sakey's third book, Good People, is a very fast-paced, exciting, entertaining read. What the premise of the book is not, however, is original. That is, it is very similar to the book written several years ago by Scott Smith called A Simple Plan. As I said, Good People is a book that is suspenseful and worth reading, especially by those who have never read (or seen the movie) A Simple Plan. In comparison, however, I think readers (and/or viewers) of A Simple Plan will find, as I did, that Good People pales somewhat in comparison.
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Anonymous More than 1 year ago
harstan More than 1 year ago
Struggling middle class Tom and Anna Reed are good solid citizens who love one another. Their dream is to have a child, but infertility makes it impossible without expensive help. They do not have the money for some of the alternatives and those they have tried like in-vitro have proven futile.----------------------- Helping them survive financially as they pinch pennies for their next fertility try is a reclusive tenant who pays monthly rent to them. When their hermit dies, the Reeds worry about how they will survive without his income coming in monthly. They enter their late lodger¿s room to clean it out only to find four-hundred thousand dollars. Unable to resist what both feel is an easy windfall that no one will know about except themselves, this will allow them to attempt again to fulfill their dream of a child. However, neither understands that their deceased boarder left behind some irate Windy City associates who believe the ill-gotten loot belongs to them these dangerous thugs do not mind the use of force including breaking limbs or even murder and their sights are set on the Reeds.--------------- This exciting thriller uses a typical American suburban family trying to fulfill their dream that places them in extreme danger from deadly mobsters who believe their ill-gotten loot belongs to them as the late tenant double-crossed them. Where else would a mobster hide than in the burbs making for quite a contrast between middle class American and the mob will sort of remind readers of the haunting contrasting final scene of the Cagney film Public Enemy. Readers will appreciate this strong thriller as the American dream turns nightmarish when the Reeds become avaricious in achieving their personal quest as Marcus Sakey asks his audience would you ethically turn in $400,000 that you believe no one knows you found.--------------- Harriet Klausner
Maximillian More than 1 year ago
Middle-class greed combined with hardened criminals with some philosophical musings thrown in is how I would describe this third entry by Marcus Sankey. I work in a book store and I am puzzled about the lack of fame and popularity for this author. If he had a good agent, his books would be best-sellers.