Manchester delivers
I am familiar with William Manchester's historical and biographical works. Death of a President, The Arms of Krupp, American Caesar, The Last Lion I and II, the word 'tome' was created for these books. That's why Goodbye Darkness so intrigued me. How would Manchester approach a memoir? Could Manchester make something very personal to himself, personal to the reader? Would his clinically dispassionate, journalistic style of writing carry into the recounting of his military experience? How would he approach the unapproachable memories of WWII in the Pacific Theater? Could he be as honest with his own memories, as he had been with the lives of the people about which he had written biographies? In typical Manchester style the reader starts with some historical perspective. Manchester tells of his father¿s experience in WWI and his family¿s military roots. Along with this family introduction Manchester sets the scene politically and socially. America is a more Balkanized country with, Segregation, sexual repression, grandfathers who had fought in the Civil War, mothers and fathers living through the Great Depression. Manchester writes of America before the awareness of a global economy and a global responsibility. It is America in a time of simple, God-given, prejudices full of the pleasures of a naïve nation. It is an Euro-centric America where every man has a nickname that introduces him to the rest of the world. Then Manchester blends his trip, in the 1970¿s, to the islands of the Pacific Theater, with the history of the battle¿s fought there, with his own experiences in the USMC. In an effort to maintain his perspective Manchester talks about the Sergeant. The Sergeant is Manchester as a Marine in WWII. The Sergeant is the man who killed. The Sergeant is the man who lost friends. The Sergeant lived in unceasing rain and mud. The Sergeant wondered when and how he¿d die. The Sergeant is the man who hated the enemy. The Sergeant is the man wounded. The Sergeant is the man who returned home to twenty-five years of nightmares. Always, the Sergeant is William Manchester. By creating this character, out of him self and his wartime experience, Manchester can be honest, he can be candid, he is cathartic. Goodbye Darkness is the first of Manchester¿s works I¿ve read where the timeline is incidental, trivial to the human experience. Manchester willingly confesses that his memories of this time in his life are tainted, by injury, by time, and by his decades old struggle to purge them. The fact that after twenty-five years his memories are so intact adds to the trauma of the events. As much as the experiences Manchester had in WWII were traumatic. The author refuses to succumb to maudlin prose. Manchester sprinkles in humorous and human events like his botched attempts to lose his virginity before shipping out. He also outlines the mundane tasks and burdens of the WWII combat Marine. Reading Goodbye Darkness makes other history books seem derivative. When Manchester talks about the Raggedy A-- Marines, the reader is quite sure he coined the term. Finally, Manchester¿s use of the English language and his classical vocabulary, are his ways of honoring the men whom fought and died in the Pacific Theater of WWII. Manchester¿s casual uses of multi-syllabic words, simultaneously distance Manchester from, and draw the reader into the story. His complex sentence structures are a way of forcing the reader to focus on what he has to say. The reader must think as well as feel their way through the battles of Guadalcanal, Tarawa, Siapan, Tinian, Iwo Jima, Okinawa and the myriad of unnamed islands in between. William Manchester¿s Goodbye Darkness solidifies, in my mind, his place in the pantheon of writers. This memoir satisfies completely. The level of intimacy the reader shares with the writer becomes more poignant with 2003¿s climate of looming conflict.
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