Goodbye Yellow Brick Road

( 1 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
It was designed to be a blockbuster and it was. Prior to Goodbye Yellow Brick Road, Elton John had hits -- his second album, Elton John, went Top 10 in the U.S. and U.K., and he had smash singles in "Crocodile Rock" and "Daniel" -- but this 1973 album was a statement of purpose spilling over two LPs, which was all the better to showcase every element of John's spangled personality. Opening with the 11-minute melodramatic exercise "Funeral for a Friend/Love Lies Bleeding" -- as prog as Elton ever got -- Goodbye Yellow Brick Road immediately embraces excess but also tunefulness, as John immediately switches over to "Candle in the Wind" and "Bennie & the Jets,"...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
It was designed to be a blockbuster and it was. Prior to Goodbye Yellow Brick Road, Elton John had hits -- his second album, Elton John, went Top 10 in the U.S. and U.K., and he had smash singles in "Crocodile Rock" and "Daniel" -- but this 1973 album was a statement of purpose spilling over two LPs, which was all the better to showcase every element of John's spangled personality. Opening with the 11-minute melodramatic exercise "Funeral for a Friend/Love Lies Bleeding" -- as prog as Elton ever got -- Goodbye Yellow Brick Road immediately embraces excess but also tunefulness, as John immediately switches over to "Candle in the Wind" and "Bennie & the Jets," two songs that form the core of his canon and go a long way toward explaining the over-stuffed appeal of Goodbye Yellow Brick Road. This was truly the debut of Elton John the entertainer, the pro who knows how to satisfy every segment of his audience, and this eagerness to please means the record is giddy but also overwhelming, a rush of too much muchness. Still, taken a side at a time, or even a song a time, it is a thing of wonder, serving up such perfectly sculpted pop songs as "Grey Seal," full-bore rockers as "Saturday Night's Alright for Fighting" and "Your Sister Can't Twist But She Can Rock & Roll," cinematic ballads like "I've Seen That Movie Too," throwbacks to the dusty conceptual sweep of Tumbleweed Connection in the form of "The Ballad of Danny Bailey 1909-34," and preposterous glam novelties, like "Jamaica Jerk-Off." This touched on everything John did before, and suggested ways he'd move in the near-future, and that sprawl is always messy but usually delightful, a testament to Elton's '70s power as a star and a musician.
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Product Details

  • Release Date: 3/25/2014
  • Label: Mercury
  • UPC: 602537585892
  • Catalog Number: 002028702
  • Sales rank: 18,274

Album Credits

Performance Credits
Elton John Primary Artist, Organ, Piano, Electric Piano, Mellotron, farfisa organ
Kiki Dee Background Vocals
Davey Johnstone Acoustic Guitar, Banjo, Electric Guitar, Steel Guitar, Background Vocals, Slide Guitar, Guitar (Leslie)
Leroy Gomez Saxophone
Ray Cooper Tambourine
David Hentschel ARP
Dee Murray Bass, Background Vocals
Nigel Conga, Drums, Tambourine, Background Vocals
Technical Credits
Elton John Composer
Gus Dudgeon Producer
David Hentschel Engineer
Bob Ludwig Remastering
Del Newman Orchestral Arrangements
Bernie Taupin Composer
David Larkham Lyric Illustration
Michael Ross Lyric Illustration
Ian Beck Cover Illustration
David Scutt Lyric Illustration
Toots Taupin Composer
Reggae Dwight Composer
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Customer Reviews

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( 1 )
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Sort by: Showing 1 Customer Reviews
  • Posted July 10, 2014

      What a nice, rewarding album! I feel lucky to have his one!

      What a nice, rewarding album! I feel lucky to have his one!

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews