Capouya (Real Men Do Yoga) affectionately chronicles the life of the infamous "Gorgeous George" Wagoner. Born in 1915, Wagoner learns the ropes as a grappling carny at Sylvan Beach Amusement Park near Houston. During a stint on the "grunt-and-groan" circuit in Oregon, the wrestler meets his future wife Betty Hanson, whose handiness with textiles and hair dye transforms the likable "babyface" into a gender-bending aristocrat of the ring, a "heel" whom crowds love to hate. His antics off the mat (Wagoner holds all his press conferences in local beauty shops where he has his tresses "marcelled" before matches) and on (George takes 10 minutes to fold and refold his robe between perfumings) whips jeering crowds into frenzies. The histrionic, inexpensively staged sport proved, between 1948 and 1955, to be a perfect fit for the new medium of television. Although some of his psychoanalysis feels gratuitous, Capouya vividly portrays the ins and outs of wrestling and his own struggle to maintain the "Gorgeousness" of a public life in his private life as well. (Sept.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gorgeous George: The Outrageous Bad-Boy Wrestler Who Created American Pop Cultureby John Capouya
This is the first-ever biography of the legendary wrestler Gorgeous George, filled with incredible never-before-told stories. George directly influenced the likes of Muhammad Ali, who took his bragging and boasting from George; James Brown, who began to wear sequined capes onstage after seeing George on TV; John Waters, whose films featured the
This is the first-ever biography of the legendary wrestler Gorgeous George, filled with incredible never-before-told stories. George directly influenced the likes of Muhammad Ali, who took his bragging and boasting from George; James Brown, who began to wear sequined capes onstage after seeing George on TV; John Waters, whose films featured the outrageous drag queen Divine as an homage to George; and too many wrestlers to count. Amid these pop culture discoveries are firsthand accounts of the pro wrestling game from the 1930s to the 1960s.
The ideal American male used to be stoic, quiet, and dignified. But for a young couple struggling to make ends meet, in the desperation born of the lingering Depression and wartime rationing, an idea was hatched that changed the face of American popular culture, an idea so bold, so over-the-top and absurd, that it was perfect. That idea transformed journeyman wrestler George Wagner from a dark-haired, clean-cut good guy to a peroxide-blond braggart who blatantly cheated every chance he got. Crowds were stunned—they had never seen anything like this before—and they came from miles around to witness it for themselves.
Suddenly George—guided by Betty, his pistol of a wife—was a draw. With his golden tresses grown long and styled in a marcel, George went from handsome to . . . well . . . gorgeous overnight, the small, dank wrestling venues giving way to major arenas. As if the hair wasn't enough, his robes—unmanly things of silk, lace, and chiffon in pale pinks, sunny yellows, and rich mauves—were but a prelude to the act: the regal entrance, the tailcoat-clad valet spraying the mat with perfume, the haughty looks and sneers for the "peasants" who paid to watch this outrageously prissy hulk prance around the ring. How they loved to see his glorious mane mussed up by his manly opponents. And how they loved that alluringly alliterative name . . . Gorgeous George . . . the self-proclaimed Toast of the Coast, the Sensation of the Nation!
All this was timed to the arrival of that new invention everyone was talking about—television. In its early days, professional wrestling and its larger-than-life characters dominated prime-time broadcasts—none more so than Gorgeous George, who sold as many sets as Uncle Miltie.
Fans came in droves—to boo him, to stick him with hatpins, to ogle his gowns, and to rejoice in his comeuppance. He was the man they loved to hate, and his provocative, gender-bending act took him to the top of the entertainment world. America would never be the same again.
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Meet the Author
John Capouya is a professor of journalism and writing at the University of Tampa. He was formerly an editor at Newsweek, the New York Times, SmartMoney magazine, and New York Newsday, among other places. He is the author of Real Men Do Yoga and has contributed to numerous publications, including Sports Illustrated, Travel & Leisure, and Life. He and his wife, the artist and photo editor Suzanne Williamson, live in Tampa and New York City.
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