Grafting the Bodhi Tree: The Chan and Zen Traditions in Ritual and Cultural Contexts / Edition 1by Bernard Faure
Pub. Date: 08/22/2003
Publisher: Taylor & Francis
The essays in this volume attempt to place the Chan and Zen tradition in their ritual and cultural contexts, looking at various aspects heretofore largely (and unduly) ignored. In particular, they show the extent to which these traditions, despite their claim to uniqueness, were indebted to larger trends in East Asian Buddhism, such as the cults of icons, relics and the monastic robe.
The book emphasises the importance of ritual for a proper understanding of this allegedly anti-ritualistic form of Buddhism. In doing so, it deconstructs the Chan/Zen 'rhetoric of immediacy' and its ideological underpinnings.
Table of Contents1. Chan and Zen Studies: The State of the Field(s) Bernard Faure
2. Imagining the Portrait of a Chan Master, W Adamek
3. On the Ritual Use of Chan Portraiture, T Griffith Foulk and Robert H. Sharf
4. A Tang Dynasty Chan Mummy [roushen] and a Modern Case of furta sacra? Investigating the Contested Bones of Shitou Xiqian, James Robson
5. Filling the Zen shu: Notes on the Jisshu yõdõ ki, Carl Bielefeldt
6. Quand l'habit fait le moine: The Symbolism of the kasãya in Soto Zen, Bernard Faure
7. Duncan Ryuken Williams: How Dosho's Medicine Saved Dogen: Dosho'an, and Edo-Period Dogen Biographies
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