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Grammar of the Shot / Edition 2

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Overview

Learn how to use the basic "grammar” of making films and videos in Grammar of the Shot! This book shows you in no uncertain terms what you absolutely need to know to put together your own film or video, shot by shot. Whether you are just learning how to frame a shot or if you just need a refresher, this book gives you a basic toolkit of how to build a successful visual story that flows smoothly.

Grammar of the Shot begins with an explanation of the essential visual language of filmmaking-the book takes you from the basic shape of a shot, to different types to shots, to composition of visual elements within each frame. You will be given the basic building blocks essential for successful shot lighting, screen direction, 3D elements, camera movement, and many general practices that make for a richer, multi-layered visual presentation. Most importantly, you will be given crucial background information to expand your visual vocabulary and help jumpstart your career in film and video.

Designed as an easy-to-use reference, each topic is covered succinctly and is accompanied by clear photographs and diagrams that illustrate the key concepts presented in the book. Simple, elegant, and easy to use, Grammar of the Shot is a staple of any filmmaker's library.

Don't miss the companion volume, Grammar of the Edit! (9780240521206)

Audience: TV training departments, students on GNVQ, GCSE, A level and BTEC Media courses, newcomers to camerawork, anyone with a keen interest in film/video production but with no prior experience.

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Editorial Reviews

From the Publisher
"Roy Thompson and Christopher Bowen provides a clear and concise explanation of motion picture visual language. This universal language (or grammar) is an essential foundation for filmmakers to produce a film or video....I highly recommend Grammar of the Shot for film and video production classes. In addition, it would be useful for emerging filmmakers and for those who need a refresher." —Amazon reviewer of the second edition.
Booknews
A manual for those about to embark on a career in shooting pictures. Aimed at the novice, it concentrates purely on principles of the best way to tell a visual story. The sister volume to , it discusses objective and subjective shooting; elements of the shot; equipment; types and development of shots; general practices; overlapping action and shooting ratio; and working practices. Contains b&w illustrations. No index. Annotation c. by Book News, Inc., Portland, Or.
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Product Details

  • ISBN-13: 9780240521213
  • Publisher: Taylor & Francis
  • Publication date: 2/17/2009
  • Edition description: Older Edition
  • Edition number: 2
  • Pages: 392
  • Sales rank: 816,622
  • Product dimensions: 5.90 (w) x 8.90 (h) x 0.70 (d)

Meet the Author

Instructor of cinematography and film production at Framingham State College, formerly of Boston University; Avid certified instructor; Creative Director/Production Manager, Fellsway Creatives
Instructor of cinematography and film production at Framingham State College, formerly of Boston University; Avid certified instructor; Creative Director/Production Manager, Fellsway Creatives

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Table of Contents

Chapter 1 THE SHOT AND HOW TO FRAME IT
Chapter 2 THE ART OF COMPOSITION
Chapter 3 COMPOSITION - BEYOND THE BASICS
Chapter 4 PUTTING YOUR SHOTS TOGETHER: PRE-THINKING THE EDITING PROCESS
Chapter 5 DYNAMIC SHOTS - TALENT AND CAMERA IN MOTION
Chapter 6 WORKING PRACTICES AND GENERAL GUIDELINES
Chapter 7 IN CONCLUSION

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