Grateful Dead [Bonus Tracks]

( 2 )

Editorial Reviews

All Music Guide - Lindsay Planer
The Grateful Dead's eponymously titled debut long-player was issued in March of 1967. This gave rise to one immediate impediment -- the difficulty in attempting to encapsulate
e-create the Dead's often-improvised musical magic onto a single LP. Unfortunately, the sterile environs of the recording studio disregards the subtle and often not-so-subtle ebbs and zeniths that are so evident within a live experience. So, while this studio recording ultimately fails in accurately exhibiting the Grateful Dead's tremendous range, it's a valiant attempt to corral the group's hydra-headed psychedelic jug band music on vinyl. Under the technical ...
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Editorial Reviews

All Music Guide - Lindsay Planer
The Grateful Dead's eponymously titled debut long-player was issued in March of 1967. This gave rise to one immediate impediment -- the difficulty in attempting to encapsulate
e-create the Dead's often-improvised musical magic onto a single LP. Unfortunately, the sterile environs of the recording studio disregards the subtle and often not-so-subtle ebbs and zeniths that are so evident within a live experience. So, while this studio recording ultimately fails in accurately exhibiting the Grateful Dead's tremendous range, it's a valiant attempt to corral the group's hydra-headed psychedelic jug band music on vinyl. Under the technical direction of David Hassinger -- who had produced the Rolling Stones as well as Jefferson Airplane -- the Dead recorded the album in Los Angeles during a Ritalin-fuelled "long weekend" in early 1967. Rather than prepare all new material for the recording sessions, a vast majority of the disc is comprised of titles that the band had worked into their concurrent performance repertoire. This accounts for the unusually high ratio seven:two of folk and blues standards to original compositions. The entire group took credit for the slightly saccharine "Golden Road To Unlimited Devotion," while Jerry Garcia guitar/vocals is credited for the noir garage-flavored raver "Cream Puff War." Interestingly, both tracks were featured as the respective A- and B-sides of the only 45 rpm single derived from this album. The curious aggregate of cover tunes featured on the Dead's initial outing also demonstrates the band's wide-ranging musical roots and influences. These include Ron "Pigpen" McKernan's greasy harp-fuelled take on Sonny Boy Williamson's "Good Morning Little School Girl," and the minstrel one-man-band folk of Jesse Fuller's "Beat It On Down the Line." The apocalyptic Cold War folk anthem "Morning Dew" aka "[Walk Me out in The] Morning Dew" is likewise given a full-bodied electric workout as is the obscure jug band stomper "Viola Lee Blues." Fittingly, the Dead would continue to play well over half of these tracks in concert for the next 27 years. [Due to the time limitations inherent within the medium, the original release included severely edited performances of "Good Morning Little School Girl," "Sitting on Top of the World," "Cream Puff War," "Morning Dew," and "New, New Minglewood Blues." These tracks were restored in 2001, when the Dead's Warner Brothers catalog was reassessed for the Golden Road 1965-1973 box set.] [This version of the album includes bonus material.]
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Product Details

  • Release Date: 2/25/2003
  • Label: Rhino
  • UPC: 081227439224
  • Catalog Number: 74392
  • Sales rank: 11,909

Album Credits

Performance Credits
Grateful Dead Primary Artist
Bob Weir Guitar, Vocals
Phil Lesh Bass, Vocals
Ron "Pigpen" McKernan Harmonica, Keyboards, Vocals
Technical Credits
Jerry Garcia Composer
Grateful Dead Arranger
Bob Weir Arranger, Composer
Greg Allen Art Direction
James Austin Reissue Producer
Dick Bogert Engineer
Hugh Brown Art Direction
Joe Gastwirt Mastering
Herbert Greene Cover Photo
David Hassinger Producer
Bill Kreutzmann Composer
Phil Lesh Arranger, Composer
Ron "Pigpen" McKernan Arranger, Composer
Gary Peterson Discographical Annotation
Sonny Boy Williamson [II] Composer
Rachel Gutek Art Direction
Shawn Amos Liner Note Coordination
Daniel Goldmark Editorial Research
Blair Jackson Liner Notes
Michael Wesley Johnson Producer, Research Coordination
David Lemieux Reissue Producer
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Customer Reviews

Average Rating 4
( 2 )
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Sort by: Showing all of 2 Customer Reviews
  • Posted October 1, 2010

    Original Dead

    This is insight into the early Dead, just really only for true believers at this point. You would do better getting some of their early live discs.

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  • Anonymous

    Posted October 1, 2010

    I LOVE THIS CD!!!

    When I first heard it, I didn't know what to think of it. But after a couple times of playing it... it really grew on me! From "Golden Road" to "Viola Lee Blues" this CD is great from start to finish! I Recomend this CD to anyone who really wants to figure out what the Grateful Dead are all about!

    Was this review helpful? Yes  No   Report this review
Sort by: Showing all of 2 Customer Reviews