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| Gin Wigmore | Primary Artist, Organ, Guitar, Mandolin, Percussion, Drums, Vocals, Background Vocals |
| Eric Rosse | Piano |
| Fran Capitanelli | Acoustic Guitar, Guitar, Percussion, Background Vocals |
| Jake Sinclair | Organ, Synthesizer, Percussion, Piano, Drums, Bass Guitar, Background Vocals |
| Gary Clark | Composer |
| Steve Jensen | Management |
| Rob Mathes | String Arrangements, String Conductor |
| Brett Morgan | Marketing |
| Eric Rosse | Vocal Producer |
| Butch Walker | Composer, Producer |
| Howie Weinberg | Mastering |
| Dan Wilson | Composer |
| Mike Viola | Composer |
| Martin Kirkup | Management |
| Lee McCutcheon | Composer |
| Dana Collins | Management |
| Andreas Levander | Composer |
| Julian Hamilton | Composer |
| Gin Wigmore | Composer |
| Jake Sinclair | Composer, Engineer, Whistle |
Anonymous
Posted April 6, 2013
OMG....this album is amazing...the gritty vocals leave chills...
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Editorial Reviews
All Music Guide - Steve Leggett
Gin Wigmore is already a huge star in her native New Zealand, but she is virtually unknown in the rest of the world, although she has what it takes to go international, possessing gorgeous blonde good looks, and her songs are full of sharp observations about the often downside of love and lust, with arrangements that sound big and huge and are built for a superstar on a grand stage, and she knows full well that the way there heads out to the dancefloor. Her songs sound huge, spunky, and feisty, and in some ways she's the midnight dance chanteuse that Britney Spears always seemed to want to be. But then there's Wigmore's voice. It's an acquired taste, really, a kind of ...