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Young Phillip Pirrip's life is shaped by an act of kindness which raises him from poverty to wealth. One of the greatest works of classic literature, this novel is a timeless tale of love, hope and humanity.
Returning to print after more than a decade, this first volume in the relaunch of the Classics Illustrated series presents a handsomely rendered adaptation of the orphaned Pip's first-person narrative of his journey from humble childhood to adulthood as an English gentleman. Though quite involving, this retelling of the Dickens classic registers as a "fast forward" version of the epic tale of one man's evolution and the hard lessons learned from it, but that aspect is a minor quibble shoved aside by Geary's charmingly cartoony art. Long hailed for his unique work in such diverse showcases as the New York Times, National Lampoon and his exceptional continuing series A Treasury of Victorian Murder, Geary's fleshy characterizations breathe a near-animated life into the classic tale. This pleasant graphic interpretation can serve as an introduction to Dickens for younger readers and perhaps eventually steer them to the wider world of the source material and beyond. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Gr 7 Up
A young man's burning desire to fulfill his "great expectations" of fame and fortune is presented in Charles Dickens's classic tale of love, madness, forgiveness, and redemption. Simon Vance's masterful narration brings to life such diverse personalities as Miss Havisham, the old woman who was abandoned on her wedding day and is determined to wreak revenge through her beautiful adopted daughter Estella; Joe, Pip's lumbering and slow-witted, but emotionally wise and faithful friend; the mysterious Magwitch, a convict who turns out to be Pip's financial benefactor; and Pip, the boy who longs for a destiny greater than that of living out his days as a blacksmith's apprentice. The companion ebook features automatic start-up, keyword searching, PDF printable format, and table of contents. An exceptionally skilled rendering of this classic.-Cindy Lombardo, Cleveland Public Library, OH
Chapter I.
My father's family name being Pirrip, and my christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine – who gave up trying to get a living exceedingly early in that universal struggle – I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.
Ours was the marsh country, down by the river, within as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.
"Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it, sir."
"Tell us your name!" said the man. "Quick!"
"Pip, sir."
"Once more," said the man, staring at me. "Give it mouth!"
| Introduction | vii | |
| Chronology of Charles Dickens's Life and Work | xv | |
| Historical Context of Great Expectations | xvii | |
| Great Expectations | 1 | |
| The Original Ending of Great Expectations | 599 | |
| Notes | 601 | |
| Interpretive Notes | 614 | |
| Critical Excerpts | 621 | |
| Questions for Discussion | 631 | |
| Suggestions for the Interested Reader | 633 |
Chapter One My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name on the authority of his tombstone and my sister -- Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my father's gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine -- who gave up trying to get a living exceedingly early in that universal struggle -- I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers pockets, and had never taken them out in this state of existence.
Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain that this bleak place overgrown with nettles wasthe churchyard; and that Philip Pirrip, Late of this Parish, and Also Georgiana Wife of the Above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dikes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry was Pip.
"Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared, and growled; and whose teeth chattered in his head, as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it, sir."
"Tell us your name!" said the man. "Quick!"
"Pip, sir."
"Once more," said the man, staring at me. "Give it mouth!"
"Pip. Pip, sir."
"Show us where you live," said the man. "Pint out the place!"
I pointed to where our village lay, on the flat in-shore among the alder-trees and pollards, a mile or more from the church.
The man, after looking at me for a moment, turned me upside down, and emptied my pockets. There was nothing in them but a piece of bread. When the church came to itself -- for he was so sudden and strong that he made it go head over heels before me, and I saw the steeple under my feet -- when the church came to itself, I say, I was seated on a high tombstone, trembling, while he ate the bread ravenously.
"You young dog," said the man, licking his lips, "what fat cheeks you ha' got."
I believe they were fat, though I was at that time undersized, for my years, and not strong.
"Darn me if I couldn't eat 'em," said the man, with a threatening shake of his head, "and if I han't half a mind to't!"
I earnestly expressed my hope that he wouldn't, and held tighter to the tombstone on which he had put me; partly to keep myself upon it; partly to keep myself from crying.
"Now lookee here!" said the man. "Where's your mother?"
"There, sir!" said I.
He started, made a short run, and stopped and looked over his shoulder.
"There, sir!" I timidly explained. "Also Georgiana. That's my mother."
"Oh!" said he, coming back. "And is that your father alonger your mother?"
"Yes, sir," said I; "him, too; late of this parish."
"Ha!" he muttered then, considering. "Who d'ye live with -- supposin' ye're kindly let to live, which I han't made up my mind about?"
"My sister, sir -- Mrs. Joe Gargery -- wife of Joe Gargery, the blacksmith, sir."
"Blacksmith, eh?" said he. And looked down at his leg.
After darkly looking at his leg and at me several times, he came closer to my tombstone, took me by both arms, and tilted me back as far as he could hold me, so that his eyes looked most powerfully down into mine, and mine looked most helplessly up into his.
"Now lookee here," he said, "the question being whether you're to be let to live. You know what a file is?"
"Yes, sir."
"And you know what wittles is?"
"Yes, sir."
After each question he tilted me over a little more, so as to give me a greater sense of helplessness and danger.
"You get me a file." He tilted me again. "And you get me wittles." He tilted me again. "You bring 'em both to me." He tilted me again. "Or I'll have your heart and liver out." He tilted me again.
I was dreadfully frightened, and so giddy that I clung to him with both hands, and said, "If you would kindly please to let me keep upright, sir, perhaps I shouldn't be sick, and perhaps I could attend more."
He gave me a most tremendous dip and roll, so that the church jumped over its own weathercock. Then he held me by the arms in an upright position on the top of the stone, and went on in these fearful terms:
"You bring me, to-morrow morning early, that file and them wittles. You bring the lot to me at that old battery over yonder. You do it, and you never dare to say a word or dare to make a sign concerning your having seen such a person as me, or any person sumever, and you shall be let to live. You fail, or you go from my words in any partickler, no matter how small it is, and your heart and your liver shall be tore out, roasted, and ate. Now, I ain't alone, as you may think I am. There's a young man hid with me, in comparison with which young man I am a angel. That young man hears the words I speak. That young man has a secret way pecooliar to himself of getting at a boy, and at his heart, and at his liver. It is in wain for a boy to attempt to hide himself from that young man. A boy may lock his door, may be warm in bed, may tuck himself up, may draw the clothes over his head, may think himself comfortable and safe, but that young man will softly creep and creep his way to him and tear him open. I am a-keeping that young man from harming of you at the present moment with great difficulty. I find it wery hard to hold that young man off of your inside. Now, what do you say?"
I said that I would get him the file, and I would get him what broken bits of food I could, and I would come to him at the battery, early in the morning.
"Say, Lord strike you dead if you don't!" said the man.
I said so, and he took me down.
"Now," he pursued, "you remember what you've undertook, and you remember that young man, and you get home!"
"Goo-good night, sir," I faltered.
"Much of that!" said he, glancing about him over the cold wet flat. "I wish I was a frog. Or a eel!"
At the same time, he hugged his shuddering body in both his arms -- clasping himself, as if to hold himself together -- and limped towards the low church wall. As I saw him go, picking his way among the nettles, and among the brambles that bound the green mounds, he looked in my young eyes as if he were eluding the hands of the dead people, stretching up cautiously out of their graves to get a twist upon his ankle and pull him in.
When he came to the low church wall, he got over it like a man whose legs were numbed and stiff, and then turned round to look for me. When I saw him turning, I set my face towards home, and made the best use of my legs. But presently I looked over my shoulder, and saw him going on again towards the river, still hugging himself in both arms, and picking his way with his sore feet among the great stones dropped into the marshes here and there for stepping-places when the rains were heavy, or the tide was in.
The marshes were just a long black horizontal line then, as I stopped to look after him; and the river was just another horizontal line, not nearly so broad nor yet so black; and the sky was just a row of long angry red lines and dense black lines intermixed. On the edge of the river I could faintly make out the only two black things in all the prospect that seemed to be standing upright; one of these was the beacon by which the sailors steered -- like an unhooped cask upon a pole -- an ugly thing when you were near it; the other a gibbet, with some chains hanging to it which had once held a pirate. The man was limping on towards this latter, as if he were the pirate come to life, and come down, and going back to hook himself up again. It gave me a terrible turn when I thought so, and as I saw the cattle lifting their heads to gaze after him, I wondered whether they thought so, too. I looked all round for the horrible young man, and could see no signs of him. But now I was frightened again, and ran home without stopping.\
TerryVA
Posted January 22, 2011
There are three volumes. That is not clear from the description of the book. B&N should add volume number to the title.
The three volumes are scanned and converted to text with OCR. Nobody bothered to correct the errors in the OCR output. It is unconscionable that a renowned literary work would be made available to a mass market in this form. The Google introduction sates how proud Google is to present this work to the Public. I think Google should be ashamed to put such garbage on the Internet, especially since they put their name on the product. I guess Google is playing the numbers game, get as many books as possible to claim they have X millions, quality be dammed.
Barnes and Noble and Google should delete all this garbage from their sites!
11 out of 13 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.There are very few authors who were as generous as Charles Dickens. From eeire graveyard encounters and a creaky old mansion haunted by the spectral Ms. Havisham to the comedy of a chaotic production of Hamlet to the cold stones of Newgate prison, this is a book that covers a wide range of human emotions and experiences, all with Dicken's typical insights into human nature and loveable crew of characters.
I will not waste time recounting the plot, but I will recommend this book based on the fact that you WILL relate to Pip if you have ever been ashamed of yourself for reasons you could not define, if you have ever felt that you wanted, nay deserved, more than the life you know, if you have ever deeply loved someone who didn't give a damn about you, or if you have ever been profoundly uncertain about what the future holds for you. In short, you will relate to Pip's journey if you are in the midst of growing up.
It would be equally wasteful to praise the novel's expert craft and pacing. My one criticism would be that the ending is a bit of an anti-climax. However, upon further reflection (and I don't think this is giving too much away) I realized that is more or less the point of the book.
Enjoy.
8 out of 8 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Great Expectations was a satisfying read. It had depth and a lot of humor that I wasn't expecting.
The story follows Pip through much of his life starting in childhood. I enjoyed the first part of the book the most....it was very funny. Pip helps an escaped convict which will have repercussions throughout the rest of his life. He is given a fortune from an anonymous benefactor and moves to London with 'great expectations' of becoming a gentleman and furthering himself in life. All does not go according to his expectations though and many lessons are learned.
The first part of Great Expectations was excellent. It was surprisingly funny and very thrilling and fast paced. Comparatively, the last half dragged a bit. That's not to say it was boring though. The characters kept it interesting. Great Expectations contains some wonderful characters...one's you don't want to miss! This is definitely a book to be read by anyone who enjoys literature and I'm certainly glad I did.
5 out of 5 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This beautifully written novel absolutely deserves its place as one of the crown jewels of Dickens' many works. It is very smoothly written however is somewhat dense and is therefore required to be read rather slowly to be digested properly. I would only recommend this book to those whom I know have the intellectual capability and the stamina to keep up with this rigorous work. Overall stupendous.
3 out of 3 people found this review helpful.
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Posted October 5, 2008
As an eighth grader, I don't understand why some teens dislike this novel. Is it just because it's a bit longer than we are used to? For me, it is an outstanding classic. Pip faces problems that we still face today-our high expectations, our unsatisfying results. Admittedly, the novel is a bit long, but without the text it holds, we would never be able to truly grasp the theme Charles Dickens is trying to convey. Each detail, each scene, each chapter adds more to our understanding. I feel like I am there with Pip as the story progresses. The length of the book plays a key point in the novel, for it leads the reader through Pip's life, the good and the bad. Reading the book carefully allows the reader to really understand what Pip has been through, and how he compensates. This novel is a stunning classic, and will remain my favorite book.
3 out of 3 people found this review helpful.
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Posted December 17, 2011
Love it = 'Nuf said.
2 out of 3 people found this review helpful.
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Posted November 28, 2011
Excellent book.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Kobra101
Posted May 9, 2010
It is an exceptional book. Charles Dickens uses the words as if he were a dictionary. Excellent control of superb words. It is amzaing how the rising action and falling action happens.
2 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.littlered14
Posted May 3, 2010
Great Expectations was required reading material in high school back in the 1980's. And as a result has become one of my all time favorite classic works by Charles Dickens. Charles Dickens was such an excellent writer that he made the charaters come to life. This is one of those classics that you absolutely cannot put it down until you have finished it. As you start reading Great Expectations you feel like you are accompanying Pip on his journey through life. With the sounds, sights, and smells. Experienceing the ups and downs, that life has to offer. For instance lifes's humble beginnings, the twists and turns, and a very humgle ending.Starting life as he did Pip was not happy with his beginnings in life and always wanting more. From meeting unstable individuals in the prohibited marshes while playing, manners being tought from an old, rich, bitter woman, to the most unlikey of unnamed benifactors that you are likely to meet. To be making a move to London to go to school, being able to make friends with influentual individuals and experiencing who they live, and some people that are even simple in how they view life and just trying to get by as best they can. Pip did a wonderful very unselfish thing when he anominoulsy helped a friend reach his life long goals, for instance becoming part owner of a business, marrying the one he loves and having family. Which in the real world would never happen. The ending, I thought could have been left on a better note than it was. Great Expectations is a good book for the old addage "Be careful what you wish for". The out come of such wishes may or may not be what you expected.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.I enjoyed htis much more than Oliver Twist! The characters were complex and facsinating! One thing is it's not the kind of book you can just pick up and read a page. It doesn't just pull you in, you have to focus.
2 out of 4 people found this review helpful.
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Posted July 29, 2009
This is a great classic which everyone should read.
2 out of 2 people found this review helpful.
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Posted November 9, 2008
As a requirement for my English class I needed to read this book and do a project on it. I believe the book provides wonderful insight into the division of social classes during the nineteenth century. This book has so many eery and joyful twists and turns that it is as if it is bringing the reader on an emotional rollercoaster. I would recommend this book to anyone seeking a thrilling classic English novel that keeps the reader captivated.
2 out of 2 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.This book was forced upon me as summer reading. I struggled throught it. I had to reference to spark notes and the movie (something I NEVER do). But after I could get throught the writing style and look back on the story and the characters I sort of fell in love with it. So for a free read NO. But as for something analitical an absolute yes!
2 out of 2 people found this review helpful.
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Posted August 16, 2008
To enter Honors English, i was required to read Great Expectations. My first thought, and the thought of many other teens, was oh great, a lengthy book using old English vocabulary But i was surprised, i actually enjoyed it. It does get weak in some parts, but its a great piece of Literature.
2 out of 2 people found this review helpful.
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Posted January 25, 2008
I found this book really well written. I personally recommend the unabridged version. After you get to understand the was he writes and the old english you will really enjoy it.
2 out of 2 people found this review helpful.
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Posted November 29, 2007
I thought this book was boring at first but then it got better and better with a bunch of events being thrown at you all at the same time. With every event unexpected you never know whats going to happen next. I reccomend this book to anyone from 3rd grade to 12th that likes the unexpected.
2 out of 2 people found this review helpful.
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Posted December 16, 2003
just slams down , victorian society in your face , i had to read it for english class , i loved when it all finished , i really dont recomend this , the film is just as bad! sorry i have to say
2 out of 5 people found this review helpful.
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Posted February 24, 2012
This has too many typos and this is very confusing. The book itself was great but it is missing chapters. IT DOES NOT EVEN START AT THE FIRST CHAPTER!!! Someone should really make this clear and typo-less.
1 out of 1 people found this review helpful.
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Posted December 30, 2011
Cant read; simply horrible
1 out of 2 people found this review helpful.
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Posted December 30, 2011
I was quite dismayed to discover that this edition starts at chapter thirty. Neddless to say I am glad I did not pay anything for it
1 out of 2 people found this review helpful.
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Overview
Great Expectations follows the life of the orphan, Pip. We first meet him as a tiny, terrified child in a village churchyard. Years later, through the help of an anonymous benefactor, Pip will travel to London, full of expectations to become a gentleman. But his life is already inextricably tangled in a mystery that surrounds a beautiful woman, an embittered recluse, and an ambitious lawyer.Great Expectations is both a finely crafted novel and an acute examination of Victorian society. Filled with unforgettable settings and characters, it achieves greater dramatic richness through Frank Muller's masterful narration. Dickens supplied two endings to ...