July 20, 1861
Great Expectationsby Charles Dickens
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Great Expectations follows the life of the orphan, Pip. We first meet him as a tiny, terrified child in a village churchyard. Years later, through the help of an anonymous benefactor, Pip will travel to London, full of expectations to become a gentleman. But his life is already inextricably tangled in a mystery that surrounds a beautiful woman, an embittered recluse, and an ambitious lawyer.
Great Expectations is both a finely crafted novel and an acute examination of Victorian society. Filled with unforgettable settings and characters, it achieves greater dramatic richness through Frank Muller's masterful narration. Dickens supplied two endings to this great work. Both are included in the recording.
July 20, 1861
Returning to print after more than a decade, this first volume in the relaunch of the Classics Illustrated series presents a handsomely rendered adaptation of the orphaned Pip's first-person narrative of his journey from humble childhood to adulthood as an English gentleman. Though quite involving, this retelling of the Dickens classic registers as a "fast forward" version of the epic tale of one man's evolution and the hard lessons learned from it, but that aspect is a minor quibble shoved aside by Geary's charmingly cartoony art. Long hailed for his unique work in such diverse showcases as the New York Times, National Lampoon and his exceptional continuing series A Treasury of Victorian Murder, Geary's fleshy characterizations breathe a near-animated life into the classic tale. This pleasant graphic interpretation can serve as an introduction to Dickens for younger readers and perhaps eventually steer them to the wider world of the source material and beyond. (Apr.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gr 7 Up
A young man's burning desire to fulfill his "great expectations" of fame and fortune is presented in Charles Dickens's classic tale of love, madness, forgiveness, and redemption. Simon Vance's masterful narration brings to life such diverse personalities as Miss Havisham, the old woman who was abandoned on her wedding day and is determined to wreak revenge through her beautiful adopted daughter Estella; Joe, Pip's lumbering and slow-witted, but emotionally wise and faithful friend; the mysterious Magwitch, a convict who turns out to be Pip's financial benefactor; and Pip, the boy who longs for a destiny greater than that of living out his days as a blacksmith's apprentice. The companion ebook features automatic start-up, keyword searching, PDF printable format, and table of contents. An exceptionally skilled rendering of this classic.-Cindy Lombardo, Cleveland Public Library, OH
"All his characters are my personal friends – I am constantly comparing them with living persons, and living persons with them." - Leo Tolstoy
"Dickens’s figures belong to poetry, like figures of Dante or Shakespeare, in that a single phrase, either by them or about them, may be enough to set them wholly before us." - T.S. Eliot
July 20, 1861
Expertly narrated by Simon Vance, with a PDF copy of the book included on the first disc. Great Expectations also won an Audie in 2010 for classic and solo narration—male (Audio Connoisseur, narrated by Charlton Griffin), but that edition will likely be more difficult for libraries to acquire.
- B. Tauchnitz
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- 974 KB
Read an Excerpt
My father's family name being Pirrip, and my christian name Philip, my
infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone
and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw
my father or my mother, and never saw any likeness of either of them (for
their days were long before the days of photographs), my first fancies
regarding what they were like, were unreasonably derived from their
tombstones. The shape of the letters on my father's, gave me an odd idea
that he was a square, stout, dark man, with curly black hair. From the
character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To
five little stone lozenges, each about a foot and a half long, which were
arranged in a neat row beside their grave, and were sacred to the memory of
five little brothers of mine – who gave up trying to get a living exceedingly
early in that universal struggle – I am indebted for a belief I religiously
entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of
Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the
identity of things, seems to me to have been gained on a memorable raw
afternoon towards evening. At such a time Ifound out for certain, that
this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were
dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and
that the dark flat wilderness beyond the churchyard, intersected with dykes
and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant
savage lair from which the wind was rushing, was the sea; and that the
small bundle of shivers growing afraid of it all and beginning to cry, was
"Hold your noise!" cried a terrible voice, as a man started up from among
the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with
no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by
stones, and cut by flints, and stung by nettles, and torn by briars; who
limped, and shivered, and glared and growled; and whose teeth chattered in
his head as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
"Tell us your name!" said the man. "Quick!"
"Once more," said the man, staring at me. "Give it mouth!"
From the Paperback edition.
What People are Saying About This
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Penguin Drop Caps:
"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times
"Classic reads in stunning covers—your book club will be dying."
Meet the Author
Considered by many to be the greatest novelist of the English language, Charles John Hummham Dickens was born Februrary 7, 1812, in Portsmouth, England. Some of his most populars works include Oliver Twist, David Copperfield, Nicholas Nickleby, A Tale of Two Cities and Great Expectations.
Considered by many to be the greatest novelist of the English language, Charles John Huffam Dickens was born February 7, 1812, in Portsmouth, England. Some of his most popular works include Oliver Twist, David Copperfield, Nicholas Nickleby, A Tale of Two Cities and Great Expectations.
- Date of Birth:
- February 7, 1812
- Date of Death:
- June 18, 1870
- Place of Birth:
- Portsmouth, England
- Place of Death:
- Gad's Hill, Kent, England
- Home-schooling; attended Dame School at Chatham briefly and Wellington
Most Helpful Customer Reviews
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This "free" book begins with chapter 30. I assume there are at least two other volumes to this book, but I do not know how to find them as there are no distinguishing notations in the title advising you that this is a later volume, and none of the other versions advise you that they are the earlier verision. A rotten trick. What good is part 3? At least give us part one which would tempt us in and leave us wanting to PURCHASE the real book to finish it. THIS is pointless.
The pages were badly scanned
Too many errors
I actually love this book and was excited to find it for free. Unfortunately, the book is so riddled with typographical errors and strange characters that it's virtually impossible to read. I'm going to go hunt around for one that is error free, even if I have to pay.
This has too many typos and this is very confusing. The book itself was great but it is missing chapters. IT DOES NOT EVEN START AT THE FIRST CHAPTER!!! Someone should really make this clear and typo-less.
I was quite dismayed to discover that this edition starts at chapter thirty. Neddless to say I am glad I did not pay anything for it
I thought this book was boring at first but then it got better and better with a bunch of events being thrown at you all at the same time. With every event unexpected you never know whats going to happen next. I reccomend this book to anyone from 3rd grade to 12th that likes the unexpected.
Have people no idea what the differebces are between Old, Middle and Modern English. The original Beowulf and Canterbury Tales were Old English. To modern Americans Old English is indecipherable. Check out Beowulf as Chaucer wrote it. Then you will experience Old Eng. It is not found in Dickens nor in Shakespeare for that matter. What are they teaching?
This book is epic
Seriously, I would rather scoop my eye out with a rusty spoon than read this again. Personally I find Dickens' writing style boring and verbose. Save yourself the agony and read the cliff notes.
I lean on his shoulder
Walks in wearing a black tee d black ripped skinny jeans. Holding pierces hand
Scanned text. So many errors that it is completely unreadable.
I had great expectations (pun intended) about this book, but unfortunately I was not impressed. I know that Great Expectations is regarded as one of Dickens' most important works, but personally I didn't find it interesting. At the beginning, Magwitch's confrontation with Pip did get me hooked, but the events that ensued slowly drained my interests. Although there were plenty of events going on like Orlick disabling Mrs. Joe and Miss Havisham's dress catching on fire, the story seemed dull and flat at times. I felt that it was too wordy. The characters were quite vivid and very different from each other. From Orlick's wickedness to Joe's kindness, every character seemed unique to me. I despised the plot twists within the story, especially because there were so many. Besides the plot twist involving Magwitch being the benefactor of Pip, all the other ones seemed pointless. The lengthy descriptions and nineteenth-century language created a dull atmosphere. For example, Dickens spent almost three pages describing how Mrs. Joe put the butter on the roll at the beginning! As for the ending, I think it was disappointing because it was not believable. I can't understand the enthusiastic praise the book always receives. Perhaps I failed to see the profoundness that makes it into a beloved classic.