Great Expectations

Great Expectations

Great Expectations

Great Expectations

Hardcover(Reprint)

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Overview

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by type superstar Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. A collaboration between Jessica Hische and Penguin Art Director Paul Buckley,  the series design encompasses foil-stamped paper-over-board cases in a rainbow-hued spectrum across all twenty-six book spines and a decorative stain on all three paper edges. Penguin Drop Caps debuts with an “A” for Jane Austen’s Pride and Prejudice, a “B” for Charlotte Brontë’s Jane Eyre, and a “C” for Willa Cather’s My Ántonia, and continues with more classics from Penguin.

D is for Dickens. The orphan Pip is destined to become a blacksmith like his brother-in-law Joe. But when Pip meets the beautiful Estella Havisham, he yearns for a gentleman’s education in order to woo her. A mysterious legacy answers his ambition, and changes the course of his life, taking him far from the Marshes of youth—far, so he thinks, from his early terrifying encounter with an escaped convict, and his sister’s class resentments. In this fictional autobiography, Pip’s coming-of-age story becomes representative of the changing social landscape of nineteenth century England. As Pip’s education provides upward social mobility, he must also learn hard lessons about self-delusion and forgiveness, love and loss, and the true nature of his Great Expectations.


Product Details

ISBN-13: 9780143123798
Publisher: Penguin Publishing Group
Publication date: 12/12/2012
Series: Penguin Drop Caps
Edition description: Reprint
Pages: 592
Sales rank: 445,343
Product dimensions: 5.40(w) x 7.80(h) x 1.70(d)

About the Author

About The Author

CHARLES DICKENS was born at Portsmouth on 7 February 1812, the second of eight children. Dickens's childhood experiences were similar to those depicted in David Copperfield. His father, who was a government clerk, was imprisoned for debt and Dickens was briefly sent to work in a blacking warehouse at the age of twelve. He received little formal education, but taught himself shorthand and became a reporter of parliamentary debates for the Morning Chronicle. He began to publish sketches in various periodicals, which were subsequently republishes as Sketches by Boz. The Pickwick Papers was published in 1836-7 and after a slow start became a publishing phenomenon and Dickens's characters the centre of a popular cult. Part of the secret of his success was the method of cheap serial publication which Dickens used for all of his novels. He began Oliver Twist in 1837, followed by Nicholas Nickleby (1838-9) and The Old Curiosity Shop (1840-41). After finishing Barnaby Rudge (1841) Dickens sets off for America; he went full of enthusiasm for the young republic but, in spite of a triumphant reception, he returned disillusioned. His experiences are recorded in American Notes (1842). Martin Chuzzlewit (1843-4) did not repeat its predecessors' success but this was quickly redressed by the huge popularity of the Christmas Books, of which the first, A Christmas Carol, appeared in 1842. During 1844-6 Dickens travelled abroad and he began Dombey and Son (1846-8) while in Switzerland. This and David Copperfield (1849-50) were more serious in theme and more carefully planned than his early novels. In later works, such as Bleak House (1852-3) and Little Dorrit (1855-7), Dickens's social criticism became more radical and his comedy more savage. In 1850 Dickens started the weekly periodical Household Words, succeeded in 1859 by All the Year Round; in there he published Hard Times (1854), A Tale of Two Cities (1859) and Great Expectations (1860-61). Dickens's health was failing during the 1860s and the physical strain of public readers which he began in 1858 hastened his decline, although Our Mutual Friend (1864-5) retained some of his best comedy. His last novel, The Mystery of Edwin Drood, was never completed and he died on 9 June 1870. Public grief at his death was considerable and he was buried in the Poet's Corner of Westminster Abbey.

JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine's "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.

Date of Birth:

February 7, 1812

Date of Death:

June 18, 1870

Place of Birth:

Portsmouth, England

Place of Death:

Gad's Hill, Kent, England

Education:

Home-schooling; attended Dame School at Chatham briefly and Wellington

Read an Excerpt

Chapter I.


My father's family name being Pirrip, and my christian name Philip, my infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.


I give Pirrip as my father's family name, on the authority of his tombstone and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine – who gave up trying to get a living exceedingly early in that universal struggle – I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.


Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was
Pip.


"Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"


A fearful man, all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.


"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
sir."


"Tell us your name!" said the man. "Quick!"


"Pip, sir."


"Once more," said the man, staring at me. "Give it mouth!"

Table of Contents

Introductionvii
Chronology of Charles Dickens's Life and Workxv
Historical Context of Great Expectationsxvii
Great Expectations1
The Original Ending of Great Expectations599
Notes601
Interpretive Notes614
Critical Excerpts621
Questions for Discussion631
Suggestions for the Interested Reader633

What People are Saying About This

George Gissing

Observe how finely the narrative is kept in one key. It begins with a mournful impession—the foggy marshes spreading drearily by the seaward Thames—and throughout recurs this effect of cold and damp and dreariness; in that kind Dickens never did anything so good.... No story in the first person was ever better told.

From the Publisher

"Dickens's figures belong to poetry, like figures of Dante or Shakespeare, in that a single phrase, either by them or about them, may be enough to set them wholely before us."  —T.S. Eliot

"All his characters are my personal friends—I am constantly comparing them with living persons, and living persons with them."  —Tolstoy

"Psychologically the latter part of Great Expectations is about the best thing Dickens ever did."  —George Orwell

John Irving

Great Expectations is the first novel I read that made me wish I had written it; it is the novel that made me want to be a novelist—specifically, to move a reader as I was moved then. I believe that Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language; at the same time, it never deviates from its intention to move you to laugher and tears.

Reading Group Guide

Pip, a poor orphan being raised by a cruel sister, does not have much in the way of great expectations between his terrifying experience in a graveyard with a convict named Magwitch and his humiliating visits with the eccentric Miss Havisham's beautiful but manipulative niece, Estella, who torments him until he is elevated to wealth by an anonymous benefactor. Full of unforgettable characters, Great Expectations is a tale of intrigue, unattainable love, and all of the happiness money can't buy. Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language, according to John Irving, and J. Hillis Miller declares, Great Expectations is the most unified and concentrated expression of Dickens's abiding sense of the world, and Pip might be called the archetypal Dickens hero.


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