July 20, 1861
Great Expectationsby Charles Dickens
Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title—offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and
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- What People Are Saying
- Meet the author
Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title—offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords.
This edition of Great Expectations includes a Foreword, Biographical Note, and Afterword by Eileen Charbonneau.
Pip is a poor boy, but he has high hopes--great expectations. He doesn't intend to spend his life in the marshes as a blacksmith's helper. Someday he is going to move to London and become a gentleman. Indeed, Pip already knows two rich people--Mrs. Havisham, the bitter old woman who lives in a mansion where all the clocks are stopped; and the girl who lives with her, the beautiful Estella....
But all his great hopes and dreams seem dashed the night he is confronted in the marsh by an escaped convict who growls, red-eyed and desperate: "Bring me food, boy! or I'll eat your heart and liver too...." Is it all over for Pip? Or will this be the beginning of his greatest adventure?
The story of the orphan Pip and the mysterious fortune that falls into his lap has intrigued and enchanted millions of readers.
July 20, 1861
Returning to print after more than a decade, this first volume in the relaunch of the Classics Illustrated series presents a handsomely rendered adaptation of the orphaned Pip's first-person narrative of his journey from humble childhood to adulthood as an English gentleman. Though quite involving, this retelling of the Dickens classic registers as a "fast forward" version of the epic tale of one man's evolution and the hard lessons learned from it, but that aspect is a minor quibble shoved aside by Geary's charmingly cartoony art. Long hailed for his unique work in such diverse showcases as the New York Times, National Lampoon and his exceptional continuing series A Treasury of Victorian Murder, Geary's fleshy characterizations breathe a near-animated life into the classic tale. This pleasant graphic interpretation can serve as an introduction to Dickens for younger readers and perhaps eventually steer them to the wider world of the source material and beyond. (Apr.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gr 7 Up
A young man's burning desire to fulfill his "great expectations" of fame and fortune is presented in Charles Dickens's classic tale of love, madness, forgiveness, and redemption. Simon Vance's masterful narration brings to life such diverse personalities as Miss Havisham, the old woman who was abandoned on her wedding day and is determined to wreak revenge through her beautiful adopted daughter Estella; Joe, Pip's lumbering and slow-witted, but emotionally wise and faithful friend; the mysterious Magwitch, a convict who turns out to be Pip's financial benefactor; and Pip, the boy who longs for a destiny greater than that of living out his days as a blacksmith's apprentice. The companion ebook features automatic start-up, keyword searching, PDF printable format, and table of contents. An exceptionally skilled rendering of this classic.-Cindy Lombardo, Cleveland Public Library, OH
Expertly narrated by Simon Vance, with a PDF copy of the book included on the first disc. Great Expectations also won an Audie in 2010 for classic and solo narration—male (Audio Connoisseur, narrated by Charlton Griffin), but that edition will likely be more difficult for libraries to acquire.
Read an Excerpt
My father's family name being Pirrip, and my christian name Philip, my
infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone
and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw
my father or my mother, and never saw any likeness of either of them (for
their days were long before the days of photographs), my first fancies
regarding what they were like, were unreasonably derived from their
tombstones. The shape of the letters on my father's, gave me an odd idea
that he was a square, stout, dark man, with curly black hair. From the
character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To
five little stone lozenges, each about a foot and a half long, which were
arranged in a neat row beside their grave, and were sacred to the memory of
five little brothers of mine – who gave up trying to get a living exceedingly
early in that universal struggle – I am indebted for a belief I religiously
entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of
Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the
identity of things, seems to me to have been gained on a memorable raw
afternoon towards evening. At such a time I found out for certain, that
this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were
dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and
that the dark flat wilderness beyond the churchyard, intersected with dykes
and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant
savage lair from which the wind was rushing, was the sea; and that the
small bundle of shivers growing afraid of it all and beginning to cry, was
"Hold your noise!" cried a terrible voice, as a man started up from among
the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with
no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by
stones, and cut by flints, and stung by nettles, and torn by briars; who
limped, and shivered, and glared and growled; and whose teeth chattered in
his head as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
"Tell us your name!" said the man. "Quick!"
"Once more," said the man, staring at me. "Give it mouth!"
From the Trade Paperback edition.
What People are saying about this
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Penguin Drop Caps:
"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
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—Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times
"Classic reads in stunning covers—your book club will be dying."
Meet the Author
Arguably one of the greatest writers of the Victorian era, Charles Dickens is the author of such literary masterpieces as A Tale of Two Cities (1859), A Christmas Carol (1843), David Copperfield (1850), and The Adventures of Oliver Twist (1839), among many others. Dickens's indelible characters and timeless stories continue to resonate with readers around the world more than 130 years after his death. Dickens was born in 1812 and died in 1870.
- Date of Birth:
- February 7, 1812
- Date of Death:
- June 18, 1870
- Place of Birth:
- Portsmouth, England
- Place of Death:
- Gad's Hill, Kent, England
- Home-schooling; attended Dame School at Chatham briefly and Wellington
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