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From the Publisher"Ikegami's book offers not one but two significant interventions into the scholarship of modern and contemporary art. The first lies in the author's archival recovery of key primary source materials from Venice, Stockholm, and Japan. The second concerns the construction and reconstruction of a global/transnational history of art, an enterprise that is no longer simply modern or American but migrates freely between established conceptual and historiographical categories.
This study helps to pave the way forward for a methodologically evolving field that takes a global perspective on world art history. And in this context, Rauschenberg emerges as 'the great migrator' — a uniquely powerful figure of transience,transformation, and transnationalism." Marcia Brennan, Associate Professor of Art History, Rice University; author of Curating Consciousness: Mysticism and the Modern Museum
"Offering a pre-history of the global contemporary, Ikegami traces Rauschenberg's tour with the Cunningham dance troupe in the mid-1960s to articulate the explosive impact, xenophilic embrace, and paranoid protectionism stimulated by American art abroad. This is a pioneering work of transnational art history, packed with juicy details and meticulously researched across Europe and into Japan." Caroline Jones, Director of History, Theory, and Criticism Program at MIT