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Great Short Works of Stephen Crane

Great Short Works of Stephen Crane

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by Stephen Crane

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The collected short work of an American master, including The Red Badge of Courage and Maggie: A Girl of the Streets.

Stephen Crane died at the age of 28 in Germany. In his short life, he produced stories that are among the most enduring in the history of American ficiton. The Red Badge of Courage manages to capture both the


The collected short work of an American master, including The Red Badge of Courage and Maggie: A Girl of the Streets.

Stephen Crane died at the age of 28 in Germany. In his short life, he produced stories that are among the most enduring in the history of American ficiton. The Red Badge of Courage manages to capture both the realistic grit and the grand hallucinations of soldiers at war. Maggie: A Girl on the Streets reflects the range of Crane's ability to invest the most tragic and ordinary lives with great insight.

James Colvert writes in the introduction to this volume: "Here we find once again the major elements of Crane's art: the egotism of the hero, the indifference of nature, the irony of the narrator ... Crane is concerned with the moral responsibility of the individual ... (and) moral capability depends upon the ability to see through the illusions wrought by pride and conceit—the ability to see ourselves clearly and truly."

Great Short Works of Stephen Crane Includes : The Red Badge of Courage; Maggie: A Girl of the Streets; The Monster. Stories: An Experiment in Misery; A Mystery of Heroism; An Episode of War; The Upturned Face; The Open Boat; The Pace of Youth; The Bride Comes to Yellow Sky; The Blue Hotel.

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HarperCollins Publishers
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Harper Perennial Modern Classics
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An Episode of the American Civil War


The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. As the landscape changed from brown to green, the army awakened, and began to tremble with eagerness at the noise of rumors. It cast its eyes upon the roads, which were growing from long troughs of liquid mud to proper thoroughfares. A river, amber-tinted in the shadow of its banks, purled at the army's feet; and at night, when the stream had become of a sorrowful blackness, one could see across it the red, eyelike gleam of hostile camp fires set in the low brows of distant hills.

Once a certain tall soldier developed virtues and went resolutely to wash a shirt. He came flying back from a brook waving his garment bannerlike. He was swelled with a tale he had heard from a reliable friend, who had heard it from a truthful cavalryman, who had heard it from his trustworthy brother, one of the orderlies at division headquarters. He adopted the important air of a herald in red and gold.

"We're goin' t' move t' morrah--sure," he said pompously to a group in the company street. "We're goin' way up the river, cut across, an' come around in behint em."

To his attentive audience he drew a loud and elaborate plan of a very brilliant campaign. When he had finished, the blue-clothed men scattered into small arguing groups between the rows of squat brown huts. A negro teamster who had been dancing upon a cracker box with the hilarious encouragement of two-score soldiers was deserted. He sat mournfully down. Smoke drifted lazily from amultitude of quaint chimneys.

"It's a lie! that's all it is--a thunderin' lie!" said another private loudly. His smooth face was flushed, and his hands were thrust sulkily into his trousers' pockets. He took the matter as an affront to him. "I don't believe the derned old army's ever going to move. We're set. I've got ready to move eight times in the last two weeks, and we ain't moved yet."

The tall soldier felt called upon to defend the truth of a rumor he himself had introduced. He and the loud one came near to fighting over it.

A corporal began to swear before the assemblage. He had just put a costly board floor in his house, he said. During the early spring he had refrained from adding extensively to the comfort of his environment because he had felt that the army might start on the march at any moment. Of late, however, he had been impressed that they were in a sort of eternal camp.

Many of the men engaged in a spirited debate. One outlined in a peculiarly lucid manner all the plans of the commanding general. He was opposed by men who advocated that there were other plans of campaign. They clamored at each other, numbers making futile bids for the popular attention. Meanwhile, the soldier who had fetched the rumor bustled about with much importance. He was continually assailed by questions.

"What's up, Jim?"

"Th' army's goin't' move."

"Ah, what yeh talkin' about? How yeh know it is?"

"Well, yeh kin b'lieve me er not, jest as yeh like. I don't care a hang."

There was much food for thought in the manner in which he replied. He came near to convincing them by disdaining to produce proofs. They grew much excited over it.

There was a youthful private who listened with eager ears to the words ofthe tall soldier and to the varied comments of his comrades. After receiving a fill of discussions concerning marches and attacks, he went to his hut and crawled through an intricate hole that served it as a door. He wished to be alone with some new thoughts that had lately come to him.

He lay down on a wide bunk that stretched across the end of the room. In the other end, cracker boxes were made to serve as furniture. They were grouped about the fireplace. A picture from an illustrated weekly was upon the log walls, and three rifles were paralleled on pegs. Equipments hung on handy projections, and some tin dishes lay upon a small pile of firewood. A folded tent was serving as a roof. The sunlight, without, beating upon it, made it glow a light yellow shade. A small window shot an oblique s quare of whiter light upon the cluttered floor. The smoke from the fire at times neglected the day chimney and wreathed into the room, and this flimsy chimney of clay and sticks made endless threats to set ablaze the whole establishment.

The youth was in a little trance of astonishment. So they were at last ing to fight. On the morrow, perhaps, there would going a battle, and he would be in it. for a time he was obliged to labor to make himself believe. He could not accept with assurance an omen that he was about to mingle in one of those great its of the earth.

He had, of course, dreamed of battles all his life--of vague and bloody conflicts that had thrilled him with their sweep and fire. In visions he had seen himself in many struggles. He had imagined people secure in the shadow of his eagle-eyed prowess. But awake he had regarded battles as crimson blotches on the pages of the past. He had put them as things of the bygone with his thought-images of heavy crowns and high castles. There was a portion of the world's history which he had regarded as the time of wars, but it, he thought, had been long gone over the horizon and had disappeared forever.

Meet the Author

Stephen Crane was born in Newark, New Jersey, in 1871. He died in Germany on June 5, 1900.

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Great Short Works of Stephen Crane 4 out of 5 based on 0 ratings. 2 reviews.
Guest More than 1 year ago
Stephen Crane is one of the best authors of his time because of his use of description. Many of the stories that Stephen Crane writes about come from experiences that he had encountered. This allows the reader to feel like their experiencing this story with Stephen Crane. I believe one of his best works is 'The Open Boat.' It has great descriptions of the situation going on and allows the reader to feel as if they are there. Most of Cranes' books put people in different situations. 'The Open Boat' put four men in a dinghy, off the coast of Florida. The men encountered big waves while trying to make their voyage back to shore. The men eventually head into the shore, but trouble is ahead. 'The Open Boat' doesn't just include details describing what is going on, but also the relationships between the men especially how each man interacted with the others. An example of this was when the captain sees a lighthouse in the far distance. The captain told the rest of the crew, who by that time thought they were going to die and they became excited. After describing this moment Crane says:' It would be difficult to describe the subtle brotherhood of men that was here established on the seas.' Even he out right said it would be hard to describe what these men were feeling, but they had already fromed a 'brotherhood' type of bond together. Another example of Crane using description is when he describes the boat on the open sea, 'As the boat bounced from the top of each wave, the wind tore through the hair of the hatless men, and as the craft plopped her stern down again the spray splashed past them.' It is easy to see that Crane has had this experience, because he actually makes the reader feel as if they are bouncing with each wave. I recommend this book to anyone who enjoys stories that deal with adventure. You can sit in your chair at home and feel as if you are battling the waves with the other four men.
Guest More than 1 year ago
'The Open Boat' a short story by the author Stephen Crane, takes place on the ocean when four crew men are stranded on a life boat. They struggle with the open ocean with no food or water and only themselves to rely on to get to shore. The story which is told inthe third person takes place for about two days in the open ocean. It is a story of the struggle between man and the power of the ocean. This short story is unlike one that I have ever read before in my life. Crane writes about their struggle with the ocean in a concise and simple manner. This was the kind of story that you can read once and understand. It is easy to read yet still compelling. I really got a good feeling as to what it was like to be on that boat for a couple days. I felt I came away with the same experience that the characters in the story had. I think that the point of reading is to spark your imagination and this story definitely did that for me. I would recommend this story to anyone who is interested in the ocean and its power over man