Greek and Roman Actors: Aspects of an Ancient Profession

Overview

This series of twenty complementary essays by experts in the field explores the art, social status, reputation and image of the ancient actor in the Greek and Roman worlds, from the sixth century B.C. to the Byzantine period. It covers tragedy, comedy, mime and pantomime and offers a full overview of the most important ancient evidence. In some essays new questions are asked, and in others, completely new evidence is offered. Numerous illustrations are included and all Greek and...
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Overview

This series of twenty complementary essays by experts in the field explores the art, social status, reputation and image of the ancient actor in the Greek and Roman worlds, from the sixth century B.C. to the Byzantine period. It covers tragedy, comedy, mime and pantomime and offers a full overview of the most important ancient evidence. In some essays new questions are asked, and in others, completely new evidence is offered. Numerous illustrations are included and all Greek and Latin passages are translated.
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Editorial Reviews

From the Publisher
"A treasure house of knowledge and scholarship...Easterling and Hall guarantee that every reader will come away more knowledgeable about this incredibly varied and easily misunderstood profession." Phoenix

"There is much to be thankful for in this project: research of extremely high quality and metholdological sophistication , and a range of topics and temporal scope. Suggestions for further reading, maps, a rather laconic glossary, and over sixty illustrations make this an accessible collection. The two editors have performed an exceptional feat in maneuvering the expertise of a diverse group of scholars into such a well-knit and informative volume." Theatre Journal

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Product Details

  • ISBN-13: 9780521045506
  • Publisher: Cambridge University Press
  • Publication date: 8/28/2007
  • Pages: 544
  • Product dimensions: 5.98 (w) x 8.98 (h) x 1.10 (d)

Meet the Author

Pat Easterling is Emeritus Regius Professor of Greek at the University of Cambridge, a Fellow of Newnham College and a Fellow of the British Academy. She was Professor of Greek at University College London from 1987 to 1994, and has also served as President of the Classical Association (1989/1990) and the Hellenic Society (1996–1999). In addition to serving as General Editor of the Cambridge Greek and Latin Classics ever since its foundation over thirty years ago, she has published an edition within this series of Sophocles' Trachiniae (1982), co-edited, with B. M. W. Knox, Volume 1 of the Cambridge History of Classical Literature (1985) and edited The Cambridge Companion to Greek Tragedy (1997). She is currently working on an edition of Sophocles' Oedipus at Colonus for the Cambridge Greek and Latin Classics series.

Edith Hall is Professor of Greek Cultural History at the University of Durham and has previously taught at the Universities of Cambridge, Reading and Oxford. She is Co-Director of the Archive of Performances of Greek and Roman Drama at the University of Oxford and author of Inventing the Barbarian (1989), editor of Aeschylus' Persians (1996) and co-editor of Medea in Performance (2000).

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Table of Contents

List of illustrations
List of contributors
Preface
Acknowledgements
List of abbreviations
Maps
1 The singing actors of antiquity 3
2 The musicians among the actors 39
3 The use of the body by actors in tragedy and satyr-play 69
4 Towards a reconstruction of performance style 93
5 Kallippides on the floor-sweepings: the limits of realism in classical acting and performance styles 127
6 Looking for the actor's art in Aristotle 148
7 Acting, action and words in New Comedy 165
8 'Acting down': the ideology of Hellenistic performance 189
9 Nothing to do with the technitai of Dionysus? 209
10 Actors and actor-managers at Rome in the time of Plautus and Terence 225
11 The masks on the propylon of the Sebasteion at Aphrodisias 238
12 Images of performance: new evidence from Ephesus 254
13 Female entertainers in late antiquity 282
14 Acting in the Byzantine theatre: evidence and problems 304
15 Actor as icon 327
16 Scholars versus actors: text and performance in the Greek tragic scholia 342
17 Orator and/et actor 362
18 Acting and self-actualisation in imperial Rome: some death scenes 377
19 The subjectivity of Greek performance 395
20 The ancient actor's presence since the Renaissance 419
Glossary 435
List of works cited 441
Index of major ancient passages cited 479
General Index 484
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