Green Boy

( 2 )

Overview

Two brothers encounter danger and adventure in a world of the future in this classic dystopian novel from Newbery Medalist Susan Cooper.

On their idyllic Bahamian island, Trey’s little brother, Lou, is different. He doesn’t speak and suffers from frightening seizures. But when he and Trey find themselves mysteriously transported to Pangaia, an Otherworld where pollution and over-development have all but destroyed nature, a militant ...

See more details below
Paperback (Reissue)
$6.99
BN.com price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (29) from $1.99   
  • New (17) from $1.99   
  • Used (12) from $1.99   
Green Boy

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$6.99
BN.com price
Note: Kids' Club Eligible. See More Details.

Overview

Two brothers encounter danger and adventure in a world of the future in this classic dystopian novel from Newbery Medalist Susan Cooper.

On their idyllic Bahamian island, Trey’s little brother, Lou, is different. He doesn’t speak and suffers from frightening seizures. But when he and Trey find themselves mysteriously transported to Pangaia, an Otherworld where pollution and over-development have all but destroyed nature, a militant environmental group greets Lou as the prophesied hero who will save their world.

But to realize this prophecy, Lou must take Trey on a terrifying and dangerous mission, with much more at stake than the fate of Pangaia—and it’s not all in the future. Does Lou have the power to save his present-day island home from developers who will turn it into their own version of Pangaia?

Twelve-year-old Trey and his seven-year-old brother Lou, who does not speak, cross the barrier between two worlds, that of their island in the Bahamas, and a land called Pangaia, and play a mysterious role in restoring the natural environment in both places.

Read More Show Less

Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
The Newbery Award–winning author of the series The Dark Is Rising brings young readers another adventure fantasy, an encouraging study of the unassuming power children have to change their worlds.

Twelve-year-old Trey and his little brother, Lou, a mute seven-year-old, live a simple, happy life with their grandparents on the fictitious Bahamian island of Lucaya. They have the run of the sea in the boat their grandfather gave them and spend most of their time on Long Pond Cay Island. There, they picnic under the casuarina trees, store favorite rocks and fossils in their secret cave, are friends with the local osprey, and marvel at the unspoiled beauty of their playground. Their world seems idyllic, until a foreign corporation suddenly threatens to "develop" Long Pond Cay into a tourist resort. Then something even more unexpected happens: Between tides on Long Pond Cay one day, the two enter the mysterious "Otherworld" -- Pangaia, a frighteningly overcrowded city-world where the natural environment has been destroyed and where Lou is not merely a mute little boy but the prophesied hero Lugh, born to replenish the world with trees. The boys shuttle back and forth between worlds, amid dangers they've never before known, in order to save Pangaia, their future, and Long Pond Cay, their present. But is Lou/Lugh's power strong enough to prevail, before Long Pond Cay is gone forever?

In Green Boy, Susan Cooper not only tells an action-packed story of personal survival and family loyalty but also presents a powerful social argument for young readers to ponder: What's more important, an unspoiled natural environment or corporate development? In addition, readers will love the sweetness and strength of Trey and Lou, Trey's protectiveness of his little brother, and their obvious affection for each other. (Michele D. Thomas)

The New York Times Book Review
"An intriguing and truly lovely book."
The Horn Book
"Cooper...hints at her virtuoso ability to deepen everyday occurrence into resonant mythic narrative."
Booklist
"The lyrical nature writing evokes the fragility and the power of a spider's silk, the miracle of a seashell, the physical connections of the wind, water, and sand."
The Bulletin of the Center for Children's Books
"Real moments of near-tangible peace."
Publishers Weekly
Set in the fictitious Bahamanian island of Lucaya, Cooper's (The Dark Is Rising) latest fantasy begins with restful images of whistling ducks, bonefish and casuarina trees, but soon quickens its pace as two worlds collide for 12-year-old Trey and his "strange and special" younger brother. Although seven-year-old Lou is mute, he finds ways to communicate in his own world and in the "Otherworld" of Pangaia (referencing Gaia, also known as the earth goddess). At home, in their world, Lou and Trey's granddad wages a battle against developers who wish to create a resort on their unspoiled island. Meanwhile, in the Otherworld, Lou is the prophesied hero who solves a riddle and then transforms into a giant Green Man flowing with vegetation and rids it of its pollution. The message is clear: Pangaia portends the earth's future. In each setting, the narrative gives way to moments of preachiness or melodrama about protecting our environment; at the island meetings, for instance, winter residents, or "yachties," become contrite about their past sins and the "greenies" in Pangaia are labeled "terrorists" by the government officials. A subplot involving the boys' father wraps up a bit quickly and, in a somewhat contrived scenario, the idyllic Bahamian island is spared from development. As the story unfolds, however, young readers are likely to be pulled in by the sensitive portrayals of Trey and Lou, the mysterious adventures in Pangaia and the whirlwind climax. Ages 9-12. (Mar.) Copyright 2001 Cahners Business Information.
Children's Literature
Trey is twelve and lives on a small island in the Bahamas. He and his little brother are inseparable even though Lou is seven and has never spoken a word. When developers plan to build a massive resort on Long Pond Cay, the two brothers fear it will be the end of their island. On a visit to the secluded cay one day, a strange thing happens; the two boys find themselves in a different world. This new world is not like home. It is polluted and overpopulated. The government controls everyone and everything. Genetic engineering has made mutants out of what little wildlife is left. The strangest thing of all to Trey is that Lou is hailed as mythic hero to the Underground, the group of people trying to change the nightmarish world. Lou doesn't seem to be surprised with this role, making it even harder for Trey to keep him safe. The two boys must travel back and forth between these two worlds and try to find a way to save both of them before it is too late. This is a beautifully crafted story. Although the plot sounds complex, it is easy to follow and never lags. It is recommended to readers between 9-12, but older readers would find this book interesting as well. It makes a powerful statement against the way we treat our world and could lead to some wonderful discussions afterwards. 2002, Simon & Schuster Children's Publishing, $16.00. Ages 9 to 12. Reviewer: Heather Robertson
School Library Journal
Gr 4-7-While playing on pristine Long Pond Cay near their home in the Bahamas, 12-year-old Trey and 7-year-old Lou are transported to a nightmarish world that has almost been destroyed by pollution and overbuilding. The siblings make several visits to this Otherworld, where underground rebels take them under their wing, realizing that mute and mysterious Lou is the prophesied catalyst in the Greenwar they are waging. Meanwhile, in their own world, the children's grandparents are fighting a losing battle against developers who want to put a resort on Long Pond Cay. Trey, whose gender is never clearly stated, narrates this environmental fantasy in a sensible, likable voice, and there is enough tension and adventure in both worlds to keep the pages turning. Like Trey, readers might not understand why and how the siblings travel between the worlds and are so crucial to the future of the Otherworld. Compared to the compelling scenes that take place in the Bahamas, the Otherworld episodes feel forced and illogical-why must Lou find fossilized star shells in his own world in order to open a passageway in the Otherworld? That the Otherworld is a warning about the possible fate of Earth is clear, but whether it is a view of the mythic past, our future, or simply a different world is uncertain. These are issues that readers may enjoy pondering, but this is ultimately an unsatisfying tale.-Eva Mitnick, Los Angeles Public Library Copyright 2001 Cahners Business Information.
Kirkus Reviews
An environmental message overwhelms the plot in this disappointing time-travel story. Twelve-year-old narrator Trey lives in the Bahamas with his grandparents and seven-year-old brother Lou, who has undiagnosed seizures and never talks. When the brothers' favorite island spot, Long Pond Cay, is slated to become a major resort, their grandfather protests with no success against the developers, who retaliate by secretly destroying his boats. Intensifying the evil of the developers' side of the issue, Trey's negligent father appears as a worker for the developer and threatens to take Trey from his grandparents. In the midst of these disputes, Trey and Lou are mysteriously transported to a city in the future, an environmental horror with no stars, fresh air, or open land. During several trips through time, Lou plays a key part in the future world's survival, in a strange meeting with Gaia, Mother Earth herself, and an even stranger scene in which Lou takes on a mythological role. While Cooper (King of Shadows, 1999, etc.) writes movingly about the beauty of the Bahamas and earnestly about her concerns for the future, she misses the mark here as a storyteller. The present and future worlds aren't meaningfully connected nor do the Celtic mythological references fit the surroundings. The issue of the resort is all too easily resolved; the narrator veers into an adult voice in places; and Lou comes across not as a credible seven-year-old but as a literary device. (Fiction. 9-12)
From the Publisher
"Readers are likely to be pulled in by the sensitive portrayals of Trey and Lous, the mysterious adventures in Pangaia and the whilrwind climax."

“Cooper … writes movingly about the beauty of the Bahamas."

"An intriguing and truly lovely book."

"Cooper...hints at her virtuoso ability to deepen everyday occurrence into resonant mythic narrative."

"The lyrical nature writing evokes the fragility and the power of a spider's silk, the miracle of a seashell, the physical connections of the wind, water, and sand."

"Real moments of near-tangible peace."

Children's Literature - Shirley Nelson
Twelve year old Trey and his younger brother Lou live in the Bahamas with their grandparents. Lou does not speak. The doctors can find no physical reason for his lack of speech. Their mother must work in Nassau. While Trey and Lou miss her, they enjoy life on their quiet island. On days when there is no school, the boys take their dinghy to their special place Long Pond Cay. Soon they discover that developers are planning to build hotels, condos, and a casino there. Grand and his friends are fighting the development, but the government has issued permits so there seems to be no way to stop the development. One day on the island, Trey and Lou notice the air shimmering and then find themselves in a strange barren world overcrowded with buildings and pollution. The people they meet call this place Pangaia and seem to believe that Lou can save their world. Travelling back and forth between the two worlds, Trey realizes that change is possible, both in the future of both worlds and for his brother. Cooper's cautionary tale reminds readers of the importance of preserving the environment. Reviewer: Shirley Nelson
Read More Show Less

Product Details

  • ISBN-13: 9781442480827
  • Publisher: Margaret K. McElderry Books
  • Publication date: 8/27/2013
  • Edition description: Reissue
  • Pages: 208
  • Sales rank: 1,413,084
  • Age range: 8 - 12 Years
  • Product dimensions: 5.12 (w) x 7.62 (h) x 0.00 (d)

Meet the Author

Susan Cooper is the recipient of the Margaret A. Edwards Award for Lifetime Achievement. Her classic five-book fantasy sequence The Dark Is Rising won the Newbery Medal and a Newbery Honor and has sold millions of copies worldwide. She is also the author of Victory, a Booklist Top Ten Historical Fiction for Youth book and a Washington Post Top Ten for Children novel; King of Shadows, a Boston Globe-Horn Book Award Honor book; The Boggart; Seaward; Ghost Hawk; and many other acclaimed novels for young readers and listeners. She lives in Massachusetts, and you can visit her online at TheLostLand.com.

Read More Show Less

Read an Excerpt

Green Boy


  • It was the next day, and we were out in our boat, heading for Long Pond Cay. There was a small breeze, but the water was way calm, and the tide coming in. The boat is a battered nine-foot dinghy that Grand let me have when I came ten years old, though it wasn’t the birthday that did it, it was my growing enough so that my head touched the five-foot mark on the wall. That mark had been there through all my uncles growing up, and my mother and my aunts. Grand said you had to be that tall to have the strength and size to row a boat.

The boat’s pretty old. It was the runabout for one of the American sailboats that come here for the winter. The American’s wife had given him a new dinghy for a Christmas present, so he asked Grand to get rid of the old one. Get rid of it? No way! Grand and I re-fiberglassed it. You’d have trouble sinking that boat now even if you tried.

When I came eleven and I rowed well enough to get across to Long Pond Cay and back, Grand let me have a little fifteen-horse outboard motor. He taught me to take it apart and put it together again before he’d let me use it, and though it’s even older than the boat, I can fix it when it goes wrong.

So sometimes they let me take Lou out in the boat, for the whole day if there’s no school. Grand and Grammie have been raising us for as long as I remember, because our father went away long ago, and our mother has to work in Nassau. They’re old, Grand and Grammie, but they’re busy too; she works in the bank in town, and he runs his bonefishing school, teaching tourists how to catch the quick glittery silver bonefish that feed on the flats all along our side of the island, or sending them out fishing with guides. He’s got eight boats, flat quiet boats with little motors not much bigger than mine, and six guides. He has a little farm too, where we grow bananas and papayas, tomatoes and squash and onions. He’s busy. So he trusts me to keep Lou busy, when there’s no school.

There was no school this day. It was July. We puttered along the broad channel between our island and Long Pond Cay, with the sky clear blue overhead, and the water that chalky light turquoise-green that comes from the sunlight bouncing up off the white sand under the sea. There’s shallow water there always, not deep even at high tide, and the banks of sand under the water shift all the time, never the same from one year to the next. But I know where they are, always, Grand and me, and the bonefish guides.

Lou stood up in the bow, looking out for his favorite birds. He gave a little pat on the gunwale, to catch my attention, and pointed up—and there was the osprey, the big fish hawk, high up, coasting, the light from the water sending up a greenish tint to the underside of his broad white wings. He called down: peeeu, peeeu, a little high-pitched sound that always sounds undignified coming from such a great grand bird.

I knew he was calling to his mate, but it sounded for all the world as if he were calling to Lou.

I swung wide round a sandbank still mounded white out of the water; the tide was coming in, but it wasn’t halfway yet. Nobody comes down this channel but Lou and me; the guides go a different way to get to the bonefish flats, and the water is too shallow for the tourists’ sailboats—they’re afraid of going aground. This is our place.

“I’m going ashore by the tree,” I said to Lou. “Throw out the anchor when I say.”

He got down and made sure the bow anchor wasn’t tangled in its line, and I saw him look to make sure the other end of the line was tied fast to the boat. He’s a good little crew. Then I headed for the beach in front of the biggest casuarina tree at this end of the island; we use it as a landmark because it’s so tall. You could hear the wind whining through the needles on its feathery branches. Grand doesn’t like casuarina pines, he says they’re invaders from Australia and they drive out the native trees. But I like the way those feathery branches reach up in all directions, and the spooky way they make the wind sing.

“Now!” I called to Lou, and he tossed the bow anchor out. When the line had run out after it, I killed the motor and Lou came hopping back past me for the other anchor in the stern. That’s Grand’s rule: off a sandy shore, the boat must be moored at both ends. I tilted up the motor to keep the propeller out of the sand, and Lou jumped out and splashed ashore carrying the stern anchor. It’s a light anchor but that’s hard work for him, he’s not very big. He loves doing it.

He marched up the sand as far as the line would let him go, and dug the anchor in.

“Good!” I called. Now the boat would stay there, held between the two lines, while the water rose with the tide.

I splashed out after him with my backpack, and we walked where we always walk at first, along the broad white beach that curves for a mile or more around a great peaceful bay, where the sea is always shallow and quiet except in a storm. We were both keeping an eye out for sunrise tellins, Grammie’s favorite shells, double ovals tinged with yellow and pink, but there weren’t any today. I could see three rows of footprints, made by large adult sneakers. Some early walkers had been there before us.

Lou ran ahead of me. Partway down the beach, he turned away from the sea, into the grass and scrubby bushes that went up from the sand, scattered with casuarina trees trying to find a place where they could grow tall. They were out of luck here; on this part of the beach, a few years back, the waves from a huge storm had eaten away the sand to expose the rock. It wasn’t really hard rock, but a kind of whitish sandstone, made of layers of sand squished together for hundreds of years by their own weight.

The rock was cut away like a little cliff, and you could see the thin, thin layer of soil on top, and the skinny black roots of the casuarina trees dangling, reaching out from trees twenty feet away. When the soil’s that thin, I guess the trees have to send their roots a long way out to find a place to live.

Lou disappeared. He’d found the gap in the rock that we called our cave, though it wasn’t much more than an opening, and only kids could have got inside it.

“Hoo, hoo!” I heard his monkey sound, that’s just like the sound I remember from a movie on television about chimpanzees.

“Hoo! Hoo!” He was out on the sand again, jumping about, agitated, beckoning me.

“What’s up, Lou?”

I went up to the cave. It’s only about ten feet deep. We have a little space up at the back, where we keep special shells and bits of rock, wedged in with a flat chunk of sandstone so the high-tide sea won’t wash them away. But Lou hadn’t gone into the back yet; he was running to and fro at the front of the cave, pointing. There was one line of sneaker prints here too.

I looked at the prints. The person who made them had stopped and peered into the cave, but it didn’t look as though he’d gone inside. He was probably too big.

Lou was hooting and gasping; he was really upset. I was afraid he was on the way to one of his seizures. He gets them sometimes if he goes really over the top. Grand says they’re a bit like asthma, a bit like epilepsy, though they aren’t either one. Nobody knows what they are.

“Lou—stop it, buddy—it’s all right!” I went into the cave. I was getting too big for it myself now; I had to go on hands and knees at the back. The wet sand soaked seawater into my jeans.

“Nothing’s gone!” I called back to Lou. I could see the chunk of sandstone still in place. I pulled it out, and there safe and sound was the little pile of tritons and whelks, shells you didn’t find too often on Long Pond Cay. “Come on in, Lou—come see!”

I knew he’d want to check on his favorite treasure, so I held it up. It was a star shell, about three inches across, the shape of a chunky starfish with ten arms—but it was made of stone. It was a fossil. Lou had found it somewhere or other on the bonefish flats. We’d shown Grand, and he said the shell and the creature inside it had probably been buried for fifty thousand years.

Lou looked into the cave. And then the weirdest thing happened. As I held up the shell and looked back at him, I heard a long sound that was like the wind in the casuarina trees, but much deeper, longer, far away, as if it came out of the rock. It hummed through the cave, filling the space, louder, louder. And the air around Lou’s body seemed to shiver, flickering, the way the air flickers over an outdoor fire as the heat goes up.

Lou stood very still, his head up. I knew he could sense something too. He made a sort of questioning, whimpering sound.

“What is it?” I said. I may be older than him, but he’s far better than me at picking things up: at hearing birdcalls or spotting fish, at seeming to know what animals want or say. I put down the star shell and reached out to him.

The sound that was like the wind in the trees echoed through the rock all around us. The air flickered, shaking the edges of solid things. It was scary.

Then it was gone.

Lou took hold of my forearm with both his hands. He was shaking.

“It’s okay. Everything’s okay.” I gave him a hug. Then I showed him the shells, and how they were safe. He put one finger on the fossil shell.

“You want to take it home?” I said.

Lou took his finger away. He shook his head firmly. He liked things to be in their usual places, he didn’t like change. So I fitted the piece of sandstone back over the little hoard of shells.

Lou grunted to himself and trotted out of the cave to the beach. I followed him, and we went on along the white sand toward a cluster of casuarina trees, the biggest of which was our special tree. That was where we always sat, on the blanket of brown fallen needles prickled by tiny casuarina pinecones, to eat our sandwiches.

The osprey was sitting in the top of the tree, watching us. We came in very slowly and quietly, settling ourselves on the pine-needle carpet, picking out the prickly cones. Still the osprey stayed there. He knew we wouldn’t trouble him. Lou grabbed my backpack and took out the two little plastic bags I’d put there, a peanut butter and banana sandwich in each of them, and the bottle of water. He was hungry and he was very young and I knew he’d already forgotten about the sights and sounds in the cave. That was one of the odd things about Lou: he picked things up fast, but they didn’t stay to bother him, they ran out of his mind like water so long as you told him everything was okay.

But I was still bothered. I ate my sandwich slowly, without really tasting it. I kept remembering the weird humming noise, and the flickering of the air. Where did it come from? What was it?

Lou gobbled his sandwich and took a long drink from the bottle. He slipped out from under the tree and flung his last crust of bread up toward the osprey, though he knew the big bird would rather have had a fish.

The osprey wasn’t interested. He rose majestically out of the tree and flapped slowly away down the beach.

From somewhere close by we heard an excited shout, and we both looked round.

Three men were standing on the beach about twenty yards away, staring at the osprey, pointing, fascinated. They looked like tourists. They wore dark pants, and shirts with short sleeves, and one of them, the tallest, had a straw hat on his head, with a rainbow ribbon. It looked like one of the hats Grammie’s friend Esther sold in the center of town, under the big banyan tree.

The men had cameras strung round their necks, and one of them was holding some sort of instrument on a tripod, and a long cylinder like a fishing-rod case. I didn’t think they were fishermen, though. The tall one was trying to watch the osprey through binoculars, but the big hawk flapped away over the water, rising higher and higher.

One of the other men caught sight of us, and waved. They all three came toward us. “Hey, kid!” the man called.

I stood still. I felt suddenly very uneasy, though I didn’t know why. It wasn’t unusual to find a few tourists on this beach; they came out from town in rented Boston Whalers sometimes, to walk on the sand looking for shells, or to cross the beach to the bonefish flats behind.

Beside me, Lou gave a little nervous grunt.

“Hey, kid!” said the man again, close to us now. He had thick black hair, and big sunglasses hiding his eyes. “You Bahamian?”

“What else would they be?” said the tall man. He had an odd accent I didn’t recognize. He took off his hat and fanned his face with it.

I said nothing. Lou began to fidget; I could hear his breathing, getting ominously faster. He was sensing something I couldn’t feel. I touched his shoulder, and felt him shaking again.

“These birds, they nest here?” the first man said. “They nest on this island? What is this bird?”

“It’s a fish hawk,” I said. “I don’t know where he nests.” I was lying; I knew perfectly well where the ospreys nested, and had been nesting for four years now, but I didn’t want tourists disturbing them.

The third man, a skinny guy in a flowery shirt, was standing there looking at me over his sunglasses. He said to the others, “C’est un petit garçon, ou une petite fille?”

“Je ne sais pas,” said the tall one. “N’importe, alors.” Before I could even guess what that was all about, Lou began suddenly to freak out. It was a really bad one. He had been staring at the three men, but now his eyes rolled, and seemed to turn inward. He started grunting, over and over, in a quick rising rhythm, and fighting for breath between grunts. It was a sound I hated, because it scared me. I grabbed him. “Lou—deep breaths—slow down—deep breaths—”

The men were staring at Lou as if he were some small dangerous animal. “What’s the matter with the kid?”

“Est-ce qu’il est malade?”

I reached for Lou’s hand, but he took off along the beach, running, stumbling, always making those awful deep unchildlike grunting sounds. I ran after him, calling.

“Lou! Come back! Be still now, be still—!”

I caught up with him pretty soon, round the curve of the beach, in sight of our boat. I grabbed him and held him close to me, talking all the time, telling him to breathe deep, telling him everything was all right, and gradually he began to calm down. That’s the only thing you can do with him when he gets like this. Poor old Lou, I wonder what it’s like being inside his head; not knowing what’s happening to you, and not able to explain it to anyone even if you did know.

He was tired, then, so we got in the boat and went home. There was no sign of the three men, nor of any boat that might have brought them. The tide was rising, the beach narrower than before. Overhead, high up, the osprey was circling, and his mate with him; they wheeled slowly through the sky, and very faintly you could hear their high voices, calling to each other: peeeu, peeeu . . .

 

Lou was okay by the time we got home. Grand and Grammie were there, in the kitchen. Grammie was mixing up a cake, and she let me have the bowl to lick, and Lou the beater, with a dishtowel under it so he didn’t drip. Grand reached out a finger, ran it along the edge of the beater and sucked it absentmindedly, but he wasn’t really thinking about cake batter. He had a sheaf of drawings spread out on the kitchen table, and he was scowling at them. Grand has a white fringe of curly beard, even whiter than what’s left of his hair, and normally it makes him look picture-book kind and gentle; but when he scowls, his eyebrows join in the middle and the beard juts out ominously.

“Outrageous!” he said, peering at the drawings. “Unthinkable!”

“What’s up, Grand?”

Grammie smoothed the batter in her cake pan with a knife. “Have you called the National Trust?” she said to him.

“Calling won’t help,” Grand said crossly. “I’ll go to Nassau.”

I put down the bowl and looked over his shoulder. The top page was some sort of plan, with sketches of buildings. “What’s the matter?” I said.

“Just the death of your favorite place in the world, that’s all,” Grand said. “Someone applied to develop it. They want to turn it into Miami Beach.”

“Develop Long Pond Cay?”

Lou made a small noise, and put down the beater on the floor. Grammie poked him with her foot, and he picked it up again and reached it up to the sink. But he was looking at Grand.

“Look,” Grand said. He made room for me to look at the plans. “Look what these idiots want to leave for your generation. Dredge out the channel, bring in fill to build up the beach—and build condominiums all along the bay, with a hotel in the middle.”

“You can’t build there!” said Grammie, her voice high and upset. “The beach shifts—the first big storm will take it all out!”

“That’s not all. Look at this.” Grand flipped over two sheets. “Block the tidal inlets, drain the bonefish flats, put in tennis courts and a swimming pool. And a nine-hole golf course!” He turned over another page, and jammed an angry finger down on the next drawing. “And a casino!”

“They can’t do that!” Grammie said.

“Oh yes they can, if they get planning permission. You know how they’ll sell it to the government—encourage tourism, our biggest industry—boost the out-islands’ economy, bring in dollars for the local merchants, create jobs for school-leavers—”

Grammie flopped down on a kitchen chair next to him, as if she were suddenly very tired. “Those people,” she said flatly. “They always the same. Any dollars they bring into these islands they take right out again. Most of the money doesn’t even come in. Package holidays—the customers pay for them before they leave home, pay their checks right into the bank in America.”

“Or in France,” Grand said. He held up a glossy advertising folder with a picture on the front of brilliant green palm trees and a bright blue sea. “‘Sapphire Island Resort,’” he read. “‘Your own private Paradise.’ Run by Offshore Island Enterprises, Fort Lauderdale and Paris. There’s a bunch of Frenchmen behind it, I’m told.”

I said, “Sapphire Island?”

“Normally known as Long Pond Cay,” said Grand.

I looked at the picture. Under the palm trees, a smiling dark-skinned man in a white jacket was bringing a tray with two glasses on it to two light-skinned people in swimsuits. I said, “You can’t grow palm trees on Long Pond. There’s not enough water.”

“They thought of that,” Grand said. “They’ll have a desalinization plant to make fresh water out of seawater. They’ll have sprinkler systems sprinkling it over their palm trees and their golf tees. As for the rest of the golf course, they say they have a special grass that will tolerate salt water.”

“I don’t believe that,” Grammie said. She’s a plump, cheerful lady with a round friendly face, but her eyes didn’t look friendly now.

“But the government might,” said Grand, “if enough experts tell them it’s true. What they’ll see is foreign capital investing in this island and paying taxes, and not costing them a thing. Not asking for anything except planning permission. We’ll just be selling our climate.”

“And our beaches,” Grammie said. She looked at her cake pan, sitting there full of batter, and got up to put it in the oven.

I felt suddenly cold, in spite of the oven. “Grand—this isn’t really going to happen, is it?”

Grand pushed all his papers together. “I don’t know, Trey. Some of us going to make as much noise as we can. But these Frenchmen have gone a very long way, very quiet and soft—these are detailed plans, and we only just heard about them today.”

I said, “There were three men on Long Pond today who could have been French. They had some sort of measuring instruments with them, and cameras. They were asking where the fish hawks nest, but I didn’t tell them.”

“No more fish hawks if the bulldozers come,” Grand said.

Lou was fidgetting, the way he does when something’s upsetting him. He can’t keep still then; he moves to and fro like a penned-up dog. He wandered out from the kitchen into the living room, and I saw him squat down near the porch in that suddenly intent way he has. He’d discovered something. He brought it back to show us, opening the palm of his hand to Grammie with a mischievous little grin.

It was a shiny black millipede, curled up into a circle. Lou’s loved playing with them ever since he was a baby, and Grammie hates them.

“Oh Lou!” she said, as usual. “Let it rest! I wish you wouldn’t touch them.”

“They don’t sting,” I said mildly. “Not like centipedes.”

Grand said, always the teacher, “They don’t need to. They give off this little whiff of cyanide gas that kills their enemies.”

Lou looked interested. He peered closely at his millipede and sniffed it, and Grammie squawked.

“Don’t worry,” Grand said, “Lou’s not their enemy.” He stood up, his beard jutting, and held up the papers in his hand. “These people the enemy.”

Read More Show Less

First Chapter

Chapter One

It was a little fluttering sound in the roof, moving. The living room of Grand's house reaches up high, with beams across it, and one side open to the porch. Along the top beam the little sound ran, very soft, you could scarce hear it. Then at the wall it turned, and came fluttering down a side beam. You could begin to see a shape now. So small: was it a moth? A spider?

Lou was watching. He moved toward it.

"Careful," I said. "Don't touch. Might be poisonous."

The little fluttering thing slid down to the floor and rested there. I saw a tiny foot. It was a bird.

Lou crouched down beside it and put out his hand. Somehow he knew how to rest his finger behind the bird's feet so it stepped onto his hand. Then you could see clear: it was a tiny hummingbird, and it was all wound around with sticky spider-silk, so that it couldn't fly, nor hardly walk. It must have blundered into a powerful big spider's web. Now it was all trussed up, terrified, there on the palm of Lou's hand.

Lou made a little comforting sound at the back of his throat. Slowly and very carefully, with his other hand, he pulled the fine sticky strands away from the bird's legs and wings. His fingers were so small and gentle; after all, he's only seven years old. The bird didn't move.

There it stood on his palm, bright green, an emerald hummingbird. It was the most beautiful thing I've ever seen. Its throat was red, and its feathers all different shades of green, gleaming. The spider-silk was all gone now, but still the bird didn't move. It must have been totally exhausted.

Lou gazed and gazed at the bird, and the bird looked back at Lou.

"Take it outside," I whispered. We moved out of the room, across the porch, to the hibiscus hedge, all starred with yellow-centered red flowers like trumpets. Hummingbirds love hibiscus. But the tiny bird still rested there on Lou's hand, not moving; as though it was giving Lou a present, staying so that he could look.

It was so beautiful, I can't tell you.

At last it flew, and hovered beside a flower, and darted away.

"Oh man," I said. I couldn't think of anything else to say, it was so amazing.

Lou smiled at me, and made his happy sound, that's as close as he can get to a laugh.

My brother Lou doesn't talk, and he has a few other problems too. He's different. But I'm used to it. My name is Trey, and I'm a writer, I look after him. I'm twelve years old. This is my book, the story of what happened to Lou and me.

Copyright © 2002 by Susan Copper

Read More Show Less

Customer Reviews

Average Rating 4
( 2 )
Rating Distribution

5 Star

(1)

4 Star

(0)

3 Star

(1)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted July 7, 2012

    Wow

    So far this is an amazing book

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 10, 2012

    This is an okay book. When I started reading it it was fine but

    This is an okay book. When I started reading it it was fine but once you got more into the book it got more confusing since they time travel. It was hard to tell when they time traveled so a little confusing.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 6, 2002

    Green Boy:

    Green Boy is a story of a family living on Long Pond Cay in the Bahamas. Trey and his silent brother Lou are the two main characters of the book, and they love to fish and play on the beaches of the island. However, when the government wants to turn long Pond Cay into an island resort the boys and their family are terrified. One day when the boys are playing on the island, they are transported to this magical place where they see the effects of pollution and overpopulation. Lou is considered a hero because he can listen to what the talking tree can say. Lou saves the underworld from corruption and Long Pond Cay is hit by a devastating hurricane and the government decides to withdraw the proposed resort and Long Pond Cay is saved forever. I think the story is well written, however some parts get confusing when Lou and Trey are in the underworld. For a long time the underworld is unexplained which leaves the reader confused for the majority of the story. However, Susan Cooper does a great job of stimulating the imagination of the reader. I graded the book with 3 stars because I feel it is just that; okay, but not great.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing all of 3 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)