Mason Germaine is close to a contract for his graphic novel, but if his model Katia is deported to Russia, his hopes will die...all of them. Mason Gremaine is taking a life drawing class to improve his chances of breaking into the graphic novel industry. His job as a high school art teacher has almost sucked the creativity out of him. When he meets Katia, he has found the perfect voluptuous model for his dominatrix super-heroine "The Totalitarian." When her uncle sees money exchange hands and gets the wrong idea ...
Mason Germaine is close to a contract for his graphic novel, but if his model Katia is deported to Russia, his hopes will die...all of them. Mason Gremaine is taking a life drawing class to improve his chances of breaking into the graphic novel industry. His job as a high school art teacher has almost sucked the creativity out of him. When he meets Katia, he has found the perfect voluptuous model for his dominatrix super-heroine "The Totalitarian." When her uncle sees money exchange hands and gets the wrong idea about what she's doing in her spare time, he fires her and demands she leave his home. Now her sponsor is gone and if she can't find a new one quickly she'll be deported. Mason has an appointment in one week to present his idea to a publisher. If he lets her stay with him and his roommate, she can pose for him, but is he getting in over his head? And what about his roommate's crazy request for a ménage in exchange for free rent?
Ashlyn Chase describes herself as an Almond Joy bar. A little nutty, a little flaky, but basically sweet, wanting only to give her readers a scrumptious, satisfying, reading experience. She worked as a psychiatric nurse for several years and spent a few more years working for the Red Cross. She credits her sense of humour to her former careers since comedy helped preserve whatever was left of her sanity. Ashlyn holds a degree in behavioral sciences and has been trained as a fine artist, registered nurse, hypnotherapist, and interior designer. Most writers, whether they’re aware of it or not, have a 'theme', some sort of thread that runs through all of their books, uniting the whole mishmash into an identifiable signature. Ashlyn’s identified theme involves characters who reinvent themselves. It’s no wonder since she has reinvented herself numerous times. Finally content with her life, she lives in beautiful New Hampshire with her true-life hero husband and a spoiled brat cat.
Mason Germane tipped his head from one side to the other and stared at his life drawing. In his mind, the thin, short-haired, flat-chested model resembled a ten-year-old boy. Peering over his shoulder, his instructor Ms. Tempest said, “I think you may do better with our next model. Hang on a minute and I’ll tell you why.” She called out, “Break for lunch, everybody.” The model gathered her robe from the floor, slipped it on and disappeared around the partition behind her. Lunch? Already? Mason glanced at his watch. Sure enough. Twelve thirty. He could get lost in his art, mostly when it was going very well or very badly. Before he set down his pencil, Ms. Tempest continued. “I’ve noticed that your style is very sensuous. Katia is curvier. She’s late, but by the time you come back from lunch, I’m sure she’ll be here.” The other dozen students filed out of the room, and Mason figured he’d pick his instructor’s brain while he had her undivided attention. “Are some bodies better suited to an artist’s style than others?” “Oh, absolutely. Unless you’ve apprenticed with an old master. They really put their students through hell.” She chuckled. “Andrew Wyeth’s father had him draw nothing but cubes and spheres for months. When he finally got the shading exactly right, he was allowed to move on to drawing a skeleton. Most artists don’t have the time or patience to learn that way anymore so they adapt by finding subjects that suit their style. What do you hope to do with your talent?” “I have talent?” Mason asked and chuckled. “Of course, you do. I’ve seen other drawings you’ve done.” She pointed to his easel. “This isn’t your best work.” “I’m glad we agree. Actually, I’m creating a graphic novel about a kick-ass, female super heroine called The Totalitarian.” “A comic book?” His teacher smirked then tried to cover it with her hand and a fake cough. “Well, good luck with that.” Mason was just about to defend his idea when a nude brunette streaked from behind the screen into the studio, clutching her robe in her hand. She leapt into the air and landed on the platform with a thud. “I’m sorry I’m late,” she said, huffing and puffing. Mason’s eyes popped. To say this model was curvy was an understatement. She was almost plump. The firm flesh, however, would belie the word ‘fat’. Voluptuous was the word he’d use to describe her hourglass figure. “You must be Katia,” the teacher said, crossing her arms. “Yes, I am. And I’m very sorry I’m late.” A slight, hard-to-place accent accompanied her apologetic voice. “Well, everyone has gone to lunch. I had the other model stay longer so I’ll have to dock your pay and give it to her.” She dropped her head. Her long, wavy hair fell forward. “I understand.” As she began to stuff her arm into her robe, Mason spoke up, “No. Wait.” Looking to his instructor, he raised his pencil. “Ms. Tempest, I’d like to try drawing her? Right now. If I pay her, is it all right with you?”