The Green Knight [NOOK Book]


In a small circle of friends in London, some disturbing occurrences are taking place: Lucas Graffe, a reclusive academic, kills a man in self-defense, and disappears immediately after the trial, leaving his brother, the charismatic actor Clement Graffe, tortured by his absence. Their friend Bellamy James rids himself of all ties and possessions, even giving away his beloved dog. Yearning for simplicity and purification, he prepares himself for a monastic life. And outside Clifton, the house where the widowed ...
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The Green Knight

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In a small circle of friends in London, some disturbing occurrences are taking place: Lucas Graffe, a reclusive academic, kills a man in self-defense, and disappears immediately after the trial, leaving his brother, the charismatic actor Clement Graffe, tortured by his absence. Their friend Bellamy James rids himself of all ties and possessions, even giving away his beloved dog. Yearning for simplicity and purification, he prepares himself for a monastic life. And outside Clifton, the house where the widowed Louise Anderson lives with her three eccentric daughters, a very peculiar man is watching. Lucas finally returns, and during his reunion with his brother they happen to receive a surprising visitor. It soon becomes clear to the Graffes and their friends that there is a complex mission to fulfill, of revenge, but also of transformation. Rich, enthralling, full of humor and suspense, Iris Murdoch's magnificent new novel illuminates the complexities of guilt and innocence, malice and compassion. It is a triumphant work from one of our greatest writers.

From the nationally acclaimed author of The Book of the Brotherhood comes a magnificently crafted and magical novel which explores biblical and medieval themes in a contemporary London setting. "Enthralling . . . its sensuousness, its visionary physical detail, is a pleasure."--San Francisco Chronicle.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
England's preeminent philosopher-novelist ( The Message to the Planet ) reworks dark themes of murder and revenge in her overly long, 25th novel, set in contemporary London. A bevy of eccentric, old-world figures orbit central antagonists Lucas Graffe and Peter Mir as they play out an archetypal drama. One night in a park, genius-recluse Graffe attempts to murder his younger brother with a single blow to the head. Mir, a mysterious stranger, intervenes, receives the blow and is left for dead; his subsequent return and demand for justice invokes ancient myths. Though an excessive number of supporting players are endlessly intrigued (``It's a battle between two mad magicians!'' gushes one), the central drama remains diffuse. Murdoch's style is also ill-defined: one minute Angela Carter, the next Arthur Conan Doyle. The characters' lengthy philosophical ruminations seem the author's rather than their own; more realistic is the intensely British social anxiety that seeps from everyone--even the dog, to whose point of view we are extensively subjected. The book is far from perfect, but passages of intense writing and keen depictions of people grappling with afflictions of the soul remind us that Murdoch's perspective is invaluable. (Jan.)
Library Journal
Though it starts slowly, this philosophical novel soon envelops the reader in a Byzantine plot that weaves around nine characters. Peter Mir, the ``Green Knight'' of the title, is nearly killed when he intervenes to protect Clement Graffe from being murdered by Graffe's half-brother, Lucas. Mir mysteriously reappears and demands reparation from Lucas, provoking various responses from the two brothers and their circle of friends: Harvey Blacket; Bellamy Jones; the three Anderson sisters, Aleph, Sefton, and Moy; and their mother, Louise. As in other Murdoch novels, part of the exposition is a religious quest. Murdoch is skilled at keeping the reader turning the pages while allowing the characters to discuss and experience such weighty issues as guilt and redemption, revenge and transformation, and virtue and moral perfection. This is a superb novel, with great depth of plot and characterization as well as riveting suspense.-- Ann Irvine, Montgomery Cty. P.L., Md.
Brad Hooper
"The Green Knight" is, after all, an Iris Murdoch novel--which means it's painstaking and ruminative as it explores the murky waters of loss and redemption. But unlike many of her recent novels, this one doesn't drag; it takes wing with a sounder perception of human frailties and strengths, a keener sense of construction, and a lovelier style than she's been exhibiting lately. Joan and Louise live in London and have been friends for years, and the plot revolves around them and their network of family and friends. Two of the latter are brothers Lucas and Clement, who've been involved in a peculiar incident. It seems that Lucas, out of self-protection, killed a man who was trying to mug him. The truth of the matter is far more complex and serious. The reality is that Lucas was attempting to kill his brother when the other man intervened, although he did not actually die as a result (unknown to Lucas and Clement and most everyone else, including the newspaper-reading public). This man comes back into Lucas' life demanding justice for Lucas' assault, and the result is that not only are the brothers' lives altered forever by his actions, but so are those of Joan and Louise and everyone else in their crowd. A novel of intelligence and heart, appealing to Murdoch's audience or to any lover of serious literature.
Michiko Kakutani
Her most emotionally gripping novel yet...built around Manichaean juxtapositions of good and evil, love and power, celebration and passion, light and dark. -- The New York Times
Kirkus Reviews
With her customary intellectual verve, Murdoch (The Message to the Planet, 1990, etc.)—that forthright investigator of profound mysteries—transfers the biblical story of Cain and Abel and the medieval Green Knight to a contemporary setting. That setting is suburban London, and because descriptive details are not Murdoch's strength—she thinks rather than looks—characters and places have a vague timeless feel, which doesn't matter too much because she's a consummate plotter. A heterogeneous group of characters linked by blood and friendship, and all dissatisfied with their lives to varying degrees, are about to be irrevocably changed by two men: one a friend, another a stranger. The group includes popular half-brother Clement; Bellamy, a homosexual contemplating entering a monastery; the widow Louise and her three daughters: beautiful Aleph, scholarly Sefton, and sensitive May; and young Harvey, abandoned by his mother. The first man—the friend—is Lucas Graffe, a renowned but reclusive scholar who disappeared after being acquitted of an accidental murder, but who now as mysteriously reappears. The second man, appearing shortly after Lucas's return, calls himself Peter Mir and is Lucas's assumed murder victim. Like an avenging angel and knight- errant, Mir is an instrument of "moral justice" and reveals that he'd actually prevented a murder: the blow that envious Lucas struck was intended for Clement. Mir, who soon becomes the group's avatar, insists on a symbolic reenactment of the murder—the novel's cathartic moment. Finally, justice is done, lives are transformed, and love is free to find its often surprising way. As to be expected fromMurdoch: a bracing journey through ancient mysteries and the dark pathways of the heart. And, as always, a stimulating read. (First printing of 35,000)
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Product Details

  • ISBN-13: 9781101501641
  • Publisher: Penguin Group (USA)
  • Publication date: 1/1/1995
  • Sold by: Penguin Group
  • Format: eBook
  • Pages: 480
  • Sales rank: 752,266
  • File size: 547 KB

Meet the Author

Iris Murdoch was born in Dublin in 1919 of Anglo-Irish parents. She went to Badminton School, Bristol, and read classics at Somerville College, Oxford. During the war she was an Assistant Principal at the Treasury, and then worked with UNRRA in London, Belgium and Austria. She held a studentship in philosophy at Newnham College, Cambridge, and then in 1948 she returned to Oxford, where she became a Fellow of St Anne's College. Until her death in February 1999, she lived with her husband, the teacher and critic John Bayley, in Oxford. Awarded the CBE in 1976, Iris Murdoch was made a DBE in the 1987 New Year's Honours List. In the 1997 PEN Awards she received the Gold Pen for Distinguished Service to Literature.

Iris Murdoch made her writing debut in 1954 with Under the Net, and went on to write twenty-six novels, including the Booker prize-winning The Sea, The Sea (1978). Other literary awards include the James Tait Black Memorial Prize for The Black Prince (1973) and the Whitbread Prize (now the Costa Book Award) for The Sacred and Profane Love Machine (1974). Her works of philosophy include Sartre: Romantic Rationalist, Metaphysics as a Guide to Morals (1992) and Existentialists and Mystics (1997) She wrote several plays including The Italian Girl (with James Saunders) and The Black Prince, adapted from her novels of the same name.

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Customer Reviews

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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted November 8, 2008

    Out of Time

    This was not my favorite book, as I am not fond of books with magical realism. The characters' personalities, speech, and actions seemed unbelievable. The book had a feel of occurring in the past, but actually took place in modern times. However, that said, something kept me going to continue, and finish the book, and find out what happens to these characters.

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  • Anonymous

    Posted July 31, 2001

    Beautiful finish- worth the first pages

    A beautiful finish to this novel. It was spotty in parts, and I frequently wondered if early 90's British teens and early 20's talked and thought like that, but the finish was so well-rounded, so unexpected that I am left with a wonderful taste in my mouth. --------- The going is slow initially- I was reminded of D.H. Lawrence's 'Women in Love' because I just *didn't like those people*. I really didn't. I couldn't stand Joan, didn't like Bellamy, thought Harvey was vapid, and the Cliftonians unreal. I stuck around long enough to get to know them, and changed my attitude about some of them. I even became so involved that I was cheered by some of the mistakes being made right- especially when it came to the dog. I wanted to help correct things, and to influence people. ----------------------------- At times, I wondered who the novel was about. Was it Peter? Kind of- Peter transformed people, or so we assumed. (but did he?) Maybe it was the Cliftonians because they featured prominently? No, overall, events happened to them, but they didn't cause them. I thought for awhile that it was about Lucas, and in a way it was. Lucas was quite a force for 'the family', even though he was so rarely present. The novel even starts with his absence. But how could a novel be about an absent person? It doesn't matter though- it is about any of them and all of them. The marriages may have been a contrivance, but they were nice, some made sense, and others leave us with a lot to wonder about.------------------------------ Iris Murdoch is a wonderful writer, and weaves a beautiful web with unexpected moments. Even when I forget the action of a novel, I remember the feeling she left me with.

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