Green Mind [Bonus Tracks]

Editorial Reviews

All Music Guide - Ned Raggett
After temporarily suspending the band, J Mascis first snuck out "The Wagon" as a Sub Pop single, then a little while later released the group's first major-label album, Green Mind. More of a solo project than a group effort -- Lou Barlow was out and then some, Murph only drums on three tracks, a few guests pop up here and there -- it's still a great album, recorded and performed with gusto. Such a judgment may seem strange given Mascis' legendary image as the ├╝berslacker, but clearly the man knows how to balance how to convey himself with getting the job done. "The Wagon" itself kicks off the album, an even quicker and nuttier sequel to the peerless "Freak Scene" -- Don ...
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Editorial Reviews

All Music Guide - Ned Raggett
After temporarily suspending the band, J Mascis first snuck out "The Wagon" as a Sub Pop single, then a little while later released the group's first major-label album, Green Mind. More of a solo project than a group effort -- Lou Barlow was out and then some, Murph only drums on three tracks, a few guests pop up here and there -- it's still a great album, recorded and performed with gusto. Such a judgment may seem strange given Mascis' legendary image as the ├╝berslacker, but clearly the man knows how to balance how to convey himself with getting the job done. "The Wagon" itself kicks off the album, an even quicker and nuttier sequel to the peerless "Freak Scene" -- Don Fleming of Gumball fame adds some of the music and background vocals, but otherwise it's Mascis and Murph cranking it and having a blast. When Mascis goes into one of his patented over-the-top solos, it all feels just right -- this is loud rock music for putting a smile on your face, not beating up people in a pit. The remainder of the album floats and rumbles along in its uniquely Dinosaur Jr. type of way, as apt to find poppy hooks, singalongs, and soft strumming as it is to blow out the Marshalls. Sublime moments include the contrast of sweet acoustic guitar and loud drums on "Blowing It," the fun thrash of "How'd You Pin That One on Me," and the Mellotron-as-flute-tinged stomp "Thumb." If nothing on the album is completely as freaked-out and over the top as "Push" from Bug, it's still a fine translation of Mascis' art for the commercial big boys. The song titles alone sometime say it all -- "Puke + Cry," "I Live for That Look," "Muck." Mascis throughout sounds like his usual self, cracked drawl ever as it was and shall be. [In 2006, Green Mind was reissued in an expanded and remastered edition, containing three B-sides: a cover of Gram Parsons' "Hot Burrito #2," "Turnip Farm," and "Forget It."]
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Product Details

  • Release Date: 5/16/2006
  • Label: Rhino
  • UPC: 081227339821
  • Catalog Number: 73398
  • Sales rank: 37,484

Tracks

Disc 1
  1. 1 The Wagon (4:54)
  2. 2 Puke + Cry (4:27)
  3. 3 Blowing It (2:44)
  4. 4 I Live for That Look (1:56)
  5. 5 Flying Cloud (2:35)
  6. 6 How'd You Pin That One on Me (4:24)
  7. 7 Water (5:38)
  8. 8 Muck (4:15)
  9. 9 Thumb (5:38)
  10. 10 Green Mind (5:04)
  11. 11 Hot Burrito #2 (3:22)
  12. 12 Turnip Farm (5:50)
  13. 13 Forget It (4:07)
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Album Credits

Performance Credits
Dinosaur Jr. Primary Artist
John Agnello Background Vocals
George Berz Background Vocals
Kurt Fedora Bass, Rhythm Guitar
Don Fleming Guitar, Background Vocals, Acoustic Bass
Sean Slade Mellotron
Jay Spiegel Drums, Tambourine, Tom-Tom
Joe Harvard Guitar, Recorder
Matt Dillon Background Vocals
Technical Credits
Gram Parsons Composer
Chris Ethridge Composer
Kurt Fedora Composer
Dan Hersch Reissue Remastering
Paul Q. Kolderie Engineer, Drum Engineering
J Mascis Composer
Sean Slade Engineer
Reggie Collins Reissue Project Coordination Assistant
Byron Coley Liner Notes
Ginger Dettman Reissue Project Coordination Assistant
Marc Salata Reissue Project Coordination Assistant
Matt Abels Reissue Producer
James O'Toole Reissue Project Coordination Assistant
Joe Szabo Cover Photo
Jim Mascis Producer
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