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| Tim Buckley | Primary Artist, Guitar, Vocals, 12-string Guitar |
| Chuck Rainey | Bass |
| Clydie King | Vocals |
| Alena | Dancer |
| Carter Collins | Conductor, Conga |
| Jesse Ehrlich | Cello |
| Joe Falsia | Guitar |
| Venetta Fields | Vocals |
| Jerry Goldstein | Percussion |
| Ed Greene | Drums |
| Harry Hyams | Viola |
| Kevin Kelly | Organ, Piano |
| Louis Kievman | Violin |
| Robert Konrad | Violin, 12-string Guitar |
| William Kurash | Violin |
| Paul Norros | Saxophone |
| Reinie Press | Bass |
| Ralph Schaeffer | Viola |
| Eugene Siegel | Saxophone |
| Lee Underwood | Guitar, Keyboards |
| Lorna Willard | Vocals |
| Stan Agol | Engineer |
| Joe Falsia | String Arrangements |
| Jerry Goldstein | Arranger, Producer |
| Chris Huston | Engineer, Remixing |
Editorial Reviews
All Music Guide - Ned Raggett
Stepping back from the swooping avant-garde touches of Starsailor for a fairly greasy, funky, honky tonk set of songs, the opening lines of Greetings from L.A. set the tone: "I went down to the meat rack tavern/And I found myself a big ol' healthy girl." Sassy backing vocalists, honking sax, and more add to the atmosphere, while Tim Buckley himself blends his vocal acrobatics with touches not unfamiliar to fans of Mick Jagger or Jim Morrison. The studio band backing him up might not be the equal to, say, War, but in their own way they do the business; extra touches like the string arrangement on "Sweet Surrender" help all the more. The argument that this was all somehow a ...