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| Crooked Lettaz | Primary Artist, Primary Artist |
| Avon Marshall | Keyboards, Background Vocals |
| Pimp C | Track Performer |
| Artie Reynolds | Bass |
| Andy C. | Keyboards |
| Noreaga | Track Performer |
| Dale Morris | Bass |
| Timothy Deal | Keyboards |
| Kevin Parker | Engineer |
| Pimp C | Producer |
| Artie Reynolds | Live Sound |
| Freddie Young | Engineer |
| Andy C. | Producer, Engineer |
| Michael Sarsfield | Mastering |
| Michael Russell | Contributor |
| Shawn Mackie | Engineer |
| Julian Alexander | Art Direction |
| Devon Kirkpatrick | Engineer |
| Dale Morris | Engineer |
| Nastee | Engineer |
| David Banner | Engineer, Executive Producer |
| Eddie "Gensu Dean" Alexander | Producer |
| Won Bee | Engineer |
| Rae Nimeh | Engineer |
| Killah Kamikaze | Executive Producer |
Editorial Reviews
All Music Guide - Jon Azpiri
While the profile of Southern hip-hop had risen in the few years preceding this album's release, relatively little had come out of the state of Mississippi. That is until Crooked Lettaz released their debut album, Grey Skies. MCs David Banner and Kamikaze have contrasting styles that work well together as both spit out thoughtful lyrics on tracks like "Chicken & Swine," "Trill," and "I Know." Production-wise, the album is a fresh take on Southern hip-hop. "A Girl Named Cim" features live instrumentation, something rarely heard on hip-hop records from down South. "Firewater" cleverly blends blasting horns and popping snares along with, of all things, a Japanese koto, ...