The Grief of Others

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Overview

Is keeping a secret from a spouse always an act of infidelity? And what cost does such a secret exact on a family?

The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. Struggling to regain a semblance of normalcy for themselves and for their two older children, they find themselves pretending not only that little has changed, but that ...

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The Grief of Others

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Overview

Is keeping a secret from a spouse always an act of infidelity? And what cost does such a secret exact on a family?

The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. Struggling to regain a semblance of normalcy for themselves and for their two older children, they find themselves pretending not only that little has changed, but that their marriage, their family, have always been intact. Yet in the aftermath of the baby's death, long-suppressed uncertainties about their relationship come roiling to the surface. A dreadful secret emerges with reverberations that reach far into their past and threaten their future.

The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely- perhaps courageously-idiosyncratic ways. But as the four family members scatter into private, isolating grief, an unexpected visitor arrives, and they all find themselves growing more alert to the sadness and burdens of others-to the grief that is part of every human life but that also carries within it the power to draw us together.

Moving, psychologically acute, and gorgeously written, The Grief of Others asks how we balance personal autonomy with the intimacy of relationships, how we balance private decisions with the obligations of belonging to a family, and how we take measure of our own sorrows in a world rife with suffering. This novel shows how one family, by finally allowing itself to experience the shared quality of grief, is able to rekindle tenderness and hope.

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Editorial Reviews

Publishers Weekly
Cohen's fourth novel is a meditation on loss, ssuffering, and secrets. The death of John and Ricky Ryrei's third child pushes the family to the brink of disintegration. The children, "Biscuit" and Paul, 10 and 13, deal in different ways: Biscuit creates private rituals and Paul, overweight and bullied, clings to his only friend, Baptiste, who also faces loss. Ricky's confession that she kept knowledge that might have saved their baby to herself pushes John away, but also results in a surprising shift in their "marital relations." The arrival of John's illegitimate daughter, Jess, brings hope to the family, but the secrets she carries will only further complicate matters. Cohen aptly illustrates the capacity to suffer privately beneath a normal exterior, succeeding best when exploring Ricky's many conflicts. Cohen seems to suggest that our inability to communicate leaves us struggling in our own private, tortured worlds. Yet, paradoxically, when feelings are finally articulated, the novel flounders. Still, this is an ambitious novel offering insight into the rift between the public and the private, and illuminating the many ways in which we deal with tragedy. (Sept.)
BookPage
With this incredibly moving commentary, Cohen has secured a place in the lineup of today's great writers.
New York Times Book Review
Leah Hager Cohen is one of our foremost chroniclers of the mundane complexities, nuanced tragedies and unexpected tendernesses of human connection...Impressively, her fourth novel, "The Grief of Others," is her best work yet...Cohen's style is crisp but compassionate, lyrical only so far as is necessary to lift her characters' lives into emotional ether...Leah Hager Cohen drives home our ability to attach to something small and doomed simply because it exists...For all its deep-seated sorrows, this is a hopeful book, a series of striking vignettes illuminating the humanity of these fully realized characters.
San Francisco Chronicle
Part of the novel's pathos lies in its ability to offer its characters a level of perceptive acuity and sympathetic attention they cannot offer one another ... The book's brilliance lies in moments like this one, these shards of devastating insight. Cohen's empathy is sure-footed and seemingly boundless; her writing gifts its characters with glints of ordinary human radiance. It is the possibility of this glinting that ultimately becomes Cohen's most powerful gift to us, her readers, as well.
Kirkus Reviews

A mother faces the heartbreaking loss of an infant son, which inevitably changes the family dynamics.

Ricky Ryrie and her husband John react to the death of their child in different ways. First, Ricky knows that the child was prenatally diagnosed with a serious brain defect and probably would not live long, but she keeps this diagnosis from her husband, who fully expects the birth of a healthy son. (Ricky has not considered an abortion at least in part because of her hope of a misdiagnosis.) John is perhaps more stunned by Ricky's keeping this a secret than by the medical complication of his son. But John has also had a secret past, for before he met Ricky he fathered a child, Jess, in a youthful fling. Ten years before the birth of the doomed child, his daughter Jess has gone on a camping trip with her father, Ricky, and the two younger Ryrie children, Paul and Biscuit. Shortly after the birth and death of the Ryries' baby, Jess, now 23 and pregnant, shows up again on their doorstep. Jess is unconventional and free-spirited, and Paul, now an awkward adolescent, is both tongue-tied and half in love with her. Biscuit knows that there's sadness in the household and tries to act out her grief in various ways, including spreading ashes in a river. The death of the child also brings back unsavory events from Ricky's life—for example, a brief affair from three months before her marriage to John.

With gorgeous prose, Cohen skillfully takes us from past to present and back again as she explores the ramifications of family loss, grief and longing.

Sarah Pekkanen
…powerful…If it all seems overly depressing, consider that even as her characters spiral closer to self-destruction, Cohen creates gorgeous, uncommon descriptions that sound like grace notes on her pages…There's pain in reading this book, but there's another thread running through it, too, gleaming with all the vibrancy of Cohen's prose: hope.
—The Washington Post
From the Publisher
"An engrossing and revealing look at family . . . Leah Hager Cohen writes about difficult subjects with unfailing compassion and insight." —-Tom Perrotta, author of Little Children
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Product Details

  • ISBN-13: 9781594488054
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 9/15/2011
  • Pages: 384
  • Product dimensions: 8.58 (w) x 5.74 (h) x 1.25 (d)

Meet the Author

Leah Hager Cohen is the author of four nonfiction books, including Train Go Sorry and Glass, Paper, Beans, and three novels, most recently House Lights. Among the honors her books have received are selection as a New York Times Notable Book (four times); inclusion in the American Library Association Ten Best Books of the Year; and selection as a Book Sense 76 pick. She is a frequent contributor to The New York Times Book Review.

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Customer Reviews

Average Rating 3
( 13 )
Rating Distribution

5 Star

(4)

4 Star

(2)

3 Star

(2)

2 Star

(2)

1 Star

(3)

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Sort by: Showing all of 13 Customer Reviews
  • Posted October 11, 2011

    more from this reviewer

    Pretentious Nothingness

    The words have a lyrical quality about them, but you soon realize that the author is taken with words and not story. She has so little to say that she takes her time saying it. This is one of those novels which make you feel that it might be leading you somewhere since the words make such a pretty package, but, in the end, you are nowhere that you were not at the beginning. A waste of time.

    3 out of 5 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted October 12, 2011

    more from this reviewer

    Grief of not reading it

    The book about tradition of families and how modern life today can take away everything in one single moment. The intricate pattern that Cohen made is absolutely worthy of reading it.

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 12, 2013

    Rose

    Ok
    (Are you a christan family?!)

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 11, 2013

    Nicholle

    Im ok how about you?

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 18, 2013

    GRYFINDORE COMMON ROOM

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted October 25, 2011

    Nothing mindblowing but worth reading

    There's beauty in this book worth reading. I don't feel there's anything mind blowing and there's a lot of cliche' we all know, not much in the way of surprise. It is though another story about the intricacies of families and how we all hurt each other, love, hate and come to forgive each other if we can or cannot.

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 24, 2011

    Boring

    So boring it's hard to read!

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted October 17, 2011

    Save yourself the "grief"

    Too many words to describe the utterly depressing life of this family. It felt like an eternity passed before I finished reading this book and I did so thinking it would get better - it did not.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 27, 2012

    No text was provided for this review.

  • Anonymous

    Posted March 27, 2012

    No text was provided for this review.

  • Anonymous

    Posted December 18, 2011

    No text was provided for this review.

  • Anonymous

    Posted November 4, 2011

    No text was provided for this review.

  • Anonymous

    Posted October 6, 2011

    No text was provided for this review.

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