Grievous Sin (Peter Decker and Rina Lazarus Series #6)

( 24 )

Overview

It was exhilaration followed by agony. Detective Sergeant Peter Decker of the LAPD had just witnessed the birth of his healthy, strapping daughter only to see his wife, Rina, suddenly whisked away into the emergency room with complications from her long, hard labor. For a while, it was touch and go. But just as things start to calm down and Rina seems to be on the road to recovery, a different tragedy strikes. Another family is thrown into an agony that only new parents can know - Baby Girl Rodriguez has been ...
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Grievous Sin (Peter Decker and Rina Lazarus Series #6)

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Overview

It was exhilaration followed by agony. Detective Sergeant Peter Decker of the LAPD had just witnessed the birth of his healthy, strapping daughter only to see his wife, Rina, suddenly whisked away into the emergency room with complications from her long, hard labor. For a while, it was touch and go. But just as things start to calm down and Rina seems to be on the road to recovery, a different tragedy strikes. Another family is thrown into an agony that only new parents can know - Baby Girl Rodriguez has been stolen from tbe hospital nursery. The family's ordeal is Peter's as well, because it is the very nursery where his daughter peacefully slept that same night. The head nurse, Marie Bellson, seems to be missing as well. Despite his exhaustion, Peter makes it his professional and personal mission to find Baby Girl Rodriguez and the nurse who allegedly stole her. Bellson and the infant have vanished without a trace. Nobody in the hospital saw them leave, not even Decker's own grown daughter, Cindy, who was tending to her half sister that night. Everyone interviewed agrees that Marie Bellson was fanatically devoted to the welfare of the newborns and would sooner die than harm one. That reputation, and a suspicious bloodstain on the floor of the hospital garage, are all that remain of the night nurse. Until Bellson's car is found at the bottom of a cliff. Chilled by the thought of a baby floating free in a dangerous world, Peter and his partner, Marge Dunn, drive themselves to untangle Bellson's murky past. What they find is a double life with roots in the radical sex and drug culture of the sixties, a tragically broken home, a male geriatric nurse with something to hide, and a mysterious lady bodybuilder who knows too much. Torn between his own family's pressing needs and his obession with finding the missing infant, Decker refuses to let Baby Girl Rodriguez be chalked up as just another statistic. But the harder Decker works, the more he realizes time is runni

Peter Decker and Rina Lazarus confront the pleasures of parenthood--and the perils of health care--in the latest in the mystery series. At the hospital with their newborn, Peter and Rina are concerned about hospital budget cuts and staff shortages. Then a baby is kidnapped, and a respected nurse vanishes with her!

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Complications in the delivery room lead to major surgery for Rina Decker, who, when last seen in False Prophet , was pregnant with her and husband Peter Decker's first child . She is barely out of danger when an infant vanishes from the hospital's understaffed nursery, and proud father Peter, an LAPD detective sergeant, declares (in a mercifully brief descent into melodrama), ``I owe it to that little baby girl to find her.'' Marie Bellson, the nurse in charge of the unit that night, has also disappeared, but it is difficult to tell whether the woman--apparently a fiercely dedicated nurse--is a villain or a second victim. Peter's partner, Marge Dunn, visits Marie's mother, Lita, at her retirement home. Lita, a real pistol unsoftened by age, clues Marge in on Marie's days as ``Miss Flower Child'' before she ``found Jesus'' and became a nurse. Despite extended excursions into Rina's medical tribulations and the awkward introduction of a significant character in isolated vignettes from left field, Kellerman weaves a satisfying mystery that includes elements of the Decker family's daily life as Orthodox Jews. Her plot is generated by the failings of very human characters and derives depth from her consideration of healthy and unhealthy family relationships. Author tour. (Aug.)
Library Journal
This is another engrossing mystery in Kellerman's series featuring Rina and Peter Decker. While preoccupied with the birth of their first baby, a daughter, the couple are perturbed to learn of the disappearance of another newborn from the hospital nursery. While Rina recovers from the birthing, Peter sets out with his partner to investigate the events surrounding the missing baby girl. Chief suspect in the crime is a hard-working but stern nurse in the maternity ward who is also missing. This is a well-balanced tale, engaging the listener in an intricate plot and the details of the personal lives and relationships of the main characters. The reading by Buck Schirner is moderately paced, enabling the listener to absorb the author's detailed descriptions of characters, settings, and action. Recommended for mystery and general fiction collections.-- Catherine Swenson, Norwich Univ. Lib., Northfield, Vt.
Emily Melton
Are fans of Kellerman's best-selling Peter Decker/Rina Lazarus series ready for the crime-solving duo to become (gasp!) parents? Hannah Rose Decker, who's precociously adept at sleeping, crying, burping, and other baby-type functions, makes her appearance in Kellerman's latest. A tragedy occurs in the midst of the parental euphoria when a helpless newborn is kidnapped from the same hospital nursery where baby Hannah sleeps. As paterfamilias Decker juggles diapers, wee-hour feedings, and Rina's postpartum blues, he and his intrepid partner, Marge, search desperately for the kidnapper and the tiny victim. In a sometimes confusing but always suspenseful plot, Decker and Marge encounter bizarre nurses, a religious fanatic with major hormonal deficiencies, an unwitting blackmail victim, and a female weightlifter with more problems than a soap-opera heroine. While the plot comes dangerously close to being overly saccharine and annoyingly artificial, Kellerman does know how to hook her readers. First, she tantalizes them with ambiguous clues and ominous glimpses of an unbalanced villain's psyche, then she teases them with a blend of pulse-quickening suspense and heartwarming family tableaux. Only then does she deliver the shocking climax. Expect this formula to continue to deliver big sales and long reserve lists.
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Product Details

  • ISBN-13: 9780061999345
  • Publisher: HarperCollins Publishers
  • Publication date: 7/26/2011
  • Series: Peter Decker and Rina Lazarus Series , #6
  • Format: Mass Market Paperback
  • Pages: 528
  • Sales rank: 270,873
  • Product dimensions: 4.10 (w) x 7.50 (h) x 1.30 (d)

Meet the Author

Faye  Kellerman

Faye Kellerman lives with her husband, New York Times bestselling author Jonathan Kellerman, in Los Angeles, California, and Santa Fe, New Mexico.

Biography

It's tempting to compare Peter Decker and Rina Lazarus to Dashiell Hammett's classic crime-solving couple, Nick and Nora Charles. But Faye Kellerman's duo, who debuted in 1983, bear more resemblance to her own husband-wife dynamic with fellow bestselling thriller author Jonathan Kellerman. Decker is an L.A. cop; wife Rina is an Orthodox Jewish mom who gets very involved in her husband's work. The series comes with a love story built in, since in the first title, Ritual Bath, Lazarus is a witness meeting Detective Decker for the first time. Over the next dozen-odd novels, the two fall in love, get married, have children and solve crimes along the way.

Kellerman, who was inspired by her husband to begin writing, is also the author of Moon Music, a contemporary thriller set in Las Vegas, and The Quality of Mercy, a historical novel of Elizabethan England. Fans needn't worry, however, that Kellerman is going to abandon the pair she is best known for. "I never tire of them," Kellerman says in an interview on her publisher's web site of Decker and Lazarus. "I like them very much, but to keep them fresh is the main reason why I have two 'outside-the-series' or 'stand alone' books. Once in a while you have to sit back and gain some perspective on these people that you are writing about year after year."

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    1. Hometown:
      Beverly Hills, California
    1. Date of Birth:
      July 31, 1952
    2. Place of Birth:
      St. Louis, Missouri
    1. Education:
      B.A. in Mathematics, 1974; D.D.A., 1978

Read an Excerpt

Grievous Sin

Chapter One

Her first sound was more bleat than wail, but she had ten fingers and ten toes, and that was all Decker cared about. Wrinkled and red, her skin covered with something akin to cold cream, she seemed perturbed by the world rather than scared by it. Decker watched as Georgina, the labor nurse, scooped his daughter from the obstetrician's arms into her own. After rubbing the infant with a towel and giving her a quick exam, the nurse swaddled her in a blanket. The baby was finally presented to Papa for inspection.

She had a mottled face, her nose scrunching as she beeped rather than cried. Her eyes were closed, lids as thin as onionskin. Downy fuzz covered her scalp. Decker took a gloved index finger and placed it on a tiny palm. Slowly, soft pink digits encircled his finger. It brought tears to his eyes.

"Is she okay?" Rina's voice was anxious.

"She's perfect, darlin'," Decker answered. "Just . . . perfect."

"Of course she's perfect!" Georgina folded thick arms across her bosom. "We only deliver perfect babies here."

Decker shifted his attention from his daughter to his wife. Rina's eyes were red-rimmed, her lips moving in silent prayer. Damp black tresses lay across her forehead. Never had she looked so beautiful.

"She's perfect, Rina." Decker's throat was clogged. "Just like you."

Rina gave him a weak smile, and Decker suddenly became aware of her exhaustion. But he knew such fatigue was normal after childbirth.

"You did great, Madame Decker!" Georgina's stubby finger stroked Rina's arm. "Just hang in a little bit more, and then you take thatmuch deserved nap."

"Close your eyes, Rina," Decker said.

She nodded as her lids fell shut. Then she jerked them open and started breathing rapidly.

"Everything okay, Dr. Hendricks?" Decker asked.

"So far," the obstetrician answered. "She's expelling the afterbirth now. The contractions won't go away until she does."

Then Rina stopped panting as suddenly as she'd started. Decker watched Hendricks as he tended to Rina. Most of the doctor's face was hidden behind the surgical mask, but his eyes were visible and clouded with concentration. He placed his palms on her abdomen and pushed down. "Rina, do you feel strong enough to nurse the baby?"

Rina whispered yes. So frail.

"That's great, doll," Hendricks said. "Let Nature help us along."

"Help with what?" Decker asked.

The doctor didn't answer. Georgina took the baby from Decker's arms and placed her on Rina's chest. Cradling the infant, Rina watched a little wet mouth bob along her breast until it found the nipple. With a little encouragement, the baby pursed her lips and began to suckle.

Rina closed her eyes again, beads of sweat dotting her brow. At the bedside, Decker dabbed her face with a washcloth. He glanced around the labor room, taking in the surroundings for the first time. The place was papered in a chintz print—some sort of small vining flower. A handloomed rug had been thrown over an institutional tiled floor. The hospital bed was framed in wood, stained to match the wicker of a Sydney Greenstreet chair planted across the room. The homey decor was supposed to give the illusion that the woman was giving birth in her bedroom. But Decker couldn't block out all the medical machinery standing idle against the wall, the I.V. stand tucked into the left-hand corner.

Definitely a hospital.

He had been there for nineteen hours that had somehow been compressed into minutes. Now time was moving in slo-mo. The hands of the wall clock showed him only ten minutes had passed since his daughter had been born. The baby was still sucking on Rina's breast, but her eyes were closed—nursing in her sleep. Pink heart-shaped lips working Mama's nipple as thread-sized veins pulsed in her temple. Decker knew he was biased, but she was a beautiful baby.

His eyes drifted to Rina's face. Her lips were pale and parched.

"Can Rina have something to drink?" he asked.

"Not quite yet," Hendricks said, talking under his mask. Once more he pressed on Rina's stomach.

"Can she at least suck on some ice?"

This time the doctor didn't answer. Decker felt a headache coming on. Maybe he was just hungry—ten hours since he'd last eaten. Again Rina went into her Lamaze breathing. Decker held her hand, offered words of encouragement. Before the arrival of the doctor, he'd felt particularly needed. Now he was an appendage—useful but not indispensable. Rina stopped her labored breathing and wearily closed her eyes. Her voice was a whisper.

"I'm very tired."

"I bet you are," Hendricks said. "How about we give you a rest? Georgina, put the baby in the incubator and wheel her into Infant Recovery." He looked at Decker, and smile lines appeared at the corners of his eyes. "You've got a beautiful, healthy daughter, folks. She shouldn't be in Recovery more than an hour or so. Then they'll move her to the nursery and you'll be able to show her off to the family."

"That'd be nice," said Decker, smiling.

"Grandparents all excited?" Hendricks asked.

"Yeah, they haven't held a newborn in a while."

Neither had he, he thought. Nineteen years. My God, it seemed like yesterday since Cindy was born. And then, sometimes, it seemed like a thousand years. Georgina loaded the baby in the incubator. "Be back in a minute."

Decker nodded, and the room turned quiet. Rina's eyes were closed, her mouth slightly agape. Decker wanted to tell her how much he loved her, but he didn't want to disturb her rest. A few minutes later, Georgina returned. She placed a hand on Decker's shoulder.

"How're you holding up, Pop?"

"Not too bad for an old guy," Decker said. "Mom's resting."

"Yeah, she needs some peace and quiet."

Hendricks said, "Georgina, set up a twenty-milligram Pitocin drip, please."

Grievous Sin. Copyright © by Faye Kellerman. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Table of Contents

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  • Anonymous

    Posted October 1, 2008

    not very good

    This is definitely not one of Kellerman's best works. The plot is extremely convoluted and rather hard to believe, and a great deal of the book deals with Rina's medical problems and Cindy's observation of the nurses. Perhaps this is intended to point out abuses in the hospital system or to educate the reader about hysterectomies, but in the end, these elements just clutters up the book and makes it rather boring.

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