This well argued text on pantomime offers a fascinating investigation of a subgenre of British theater.
Grotesque Figures: Baudelaire, Rousseau, and the Aesthetics of Modernityby Virginia E. Swain
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's/i>… See more details below
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poème du hashisch" and the Petits Poèmes en prose, "Rousseau" gives the grotesque a human form.
Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.
A fresh context for looking at Baudelaire.
Swain's wonderful explication of 'La Corde' alone is worth the price of the book.
Her comparative analysis of Rousseau's writings and Baudelaire's prose poems are often breathtakingly original, themselves extraordinary hybrids of the social, the historical, the political, and the poetic.
Swain's reading of Baudelaire's reception of Rousseau is provocative and stimulating.
Grotesque Figures is an important work that rethinks the boundary between eighteenth and nineteenth century studies, offering nuanced interpretations of Rousseau, Baudelaire, and the modernity they represent.
Johnson Kent Wright
Patricia A. Ward
What People are saying about this
These readings are mature, astute, and beautifully written analyses of the poems shaped around the central conflict with Rousseau over allegory. They stand on their own as some of the strongest and most persuasive interpretations of the various prose poems that I have seen.
Meet the Author
Virginia E. Swain is professor of French at Dartmouth College.
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