Guerolito

Editorial Reviews

Barnes & Noble - David Sprague
Since he's always swung through his own compositions like a kid playing on a set of monkey bars, it's not all that surprising that Beck would be ready, willing, and able to let a passel of remixers loose in his catalog -- as he does on this song-by-song deconstruction of 2005's Guero. There's not a lot of reverence in play here, which leads to plenty of sonic hijinks -- from the space-age groove that Beastie Boy Ad-Rock adds to "Shake Shake Tambourine" the revised version of "Black Tambourine" to the oddly countrified Casio cloak that Homelife drapes over "E-Pro Ghost Range." The degree to which folks are willing to discard huge chunks of Beck's original blueprint is ...
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Editorial Reviews

Barnes & Noble - David Sprague
Since he's always swung through his own compositions like a kid playing on a set of monkey bars, it's not all that surprising that Beck would be ready, willing, and able to let a passel of remixers loose in his catalog -- as he does on this song-by-song deconstruction of 2005's Guero. There's not a lot of reverence in play here, which leads to plenty of sonic hijinks -- from the space-age groove that Beastie Boy Ad-Rock adds to "Shake Shake Tambourine" the revised version of "Black Tambourine" to the oddly countrified Casio cloak that Homelife drapes over "E-Pro Ghost Range." The degree to which folks are willing to discard huge chunks of Beck's original blueprint is striking, but it's not as if the recruits are simply affecting change for the sake of change. French minimalists Air seem to genuinely believe that replacing the lounge groove of "Missing" with a metronomic pulse, for what's now called "Heaven Hammer," is a good idea -- and doggone if they don't make their case. A similar sense of adventure permeates just about all of Guerolito's cuts, making it less a companion piece to Guero than a work of art in its own right.
All Music Guide - Stephen Thomas Erlewine
When all is said and done, Beck's Guero might be the quintessential album of 2005. Not the best, nor the one that captured the sound of the year, but the album that illustrates that in 2005, there was no such thing as a finished album -- that a set of songs could be packaged and repackaged in so many forms, it never really seems to exist as a finished work. That's because in the course of the year there were roughly five different incarnations of the album. At the beginning of the year, the unfinished album was leaked on the Internet, causing such a commotion that it was reviewed on the front page of Salon. A couple months later, the album was officially released as a 13-track edition, along with a greatly expanded 20-track special edition, containing a few remixes and several songs that didn't appear on the 13-track album but did appear on the leaked bootleg. Then, after a couple of import editions containing various bonus tracks, Guerolito appeared at the end of the year. Guerolito is a remix of the entire album, with each track being remixed by a different act, including Air, Boards of Canada, Octet, and Ad-Rock. Sometimes these songs bear different titles than their source material -- "E-Pro" became "Ghost Range," for instance; this practice was in place for the deluxe version of Guero as well -- and Guerolito itself had its own alternate edition, which was packaged and sequenced slightly different from its main edition, plus an import with a bonus track. All this packaging and repackaging, mixing and remixing, titling and retitling has the effect of diluting a good set of songs by Beck -- there may be many ways of enjoying these songs, but having them exist in different physical and musical forms makes them harder to grasp, not easier to appreciate. And while the mixes on Guerolito are, by and large, good, they neither illuminate the original songs, nor do they offer much new -- they don't expand the songs, they still try to keep the basic structure in place, so it's not a good showcase for the remixers. Instead, they just reconfirm the suspicion that this set of songs was never quite finished or sequenced, it was just released. And while that may be a very 2005 experience, that doesn't mean that each grouping makes for satisfying listen. After all, given all the capabilities you have at home these days, why not make your own mixes and play lists of the Guero material? The deluxe edition of Guero even gives you the ability to remix it on your computer -- which means there may be many more versions than five of this album floating out there in the ether.
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Product Details

  • Release Date: 12/13/2005
  • Label: Interscope Records
  • UPC: 602498878613
  • Catalog Number: 000565001
  • Sales rank: 26,154

Album Credits

Performance Credits
Beck Primary Artist, Guitar, Keyboards, Vocals
Petra Haden Vocals
Tim Kramer Upright Bass
The Dust Brothers scratching, Hand Clapping
Paddy Steer Bass, Guitar, Harmonica, Drums, Bass Guitar, Xylophone, Clavinet
Tony Burnside Banjo, Guitar, Vocal Percussion
Semay Wu Cello
Brad Breeck Synthesizer
Natalie Alcorn French Horn
Patrick Gregoire Bass Clarinet
Justin Lingard Viola
John Spiker Guitar
Justin Lingard Viola
Nick Diamonds Synthesizer, Acoustic Guitar, Background Vocals
J'aime Clarinet, Drums, Glockenspiel
Technical Credits
John King Remixing
Jean-Benoît Dunckel Arranger, Producer
Nicolas Godin Arranger, Producer
Ad-Rock Engineer, Remixing
Paddy Steer Programming
El-P Remixing
Jon Weiner Engineer
Marcus Eoin Producer, Remixing
Michael Sandison Audio Production
Jordan Dalrymple Remixing
Dax Pierson Remixing
Subtle Remixing
Alexander Kort Remixing
Suzanne Thoma Producer
Benjamin Morando Producer, Audio Production
Brad Breeck Programming, Producer, Engineer, drum machine
Marty Dowers Remixing
Octet Remixing
John Spiker Modulator
Suzanne Thoma Audio Production
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