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Habemus Papam
     

Habemus Papam

by Sistine Chapel Choir
 
This recording is not a reconstruction of the music that accompanies the selection of a new pope, nor, thank goodness, the soundtrack to the 2012 film comedy with which it shares a title. Instead, it is an actual live recording of three masses, plus a litany and motet, as they were sung over three days when Francis I was chosen as Pope in 2013. Two of the masses were

Overview

This recording is not a reconstruction of the music that accompanies the selection of a new pope, nor, thank goodness, the soundtrack to the 2012 film comedy with which it shares a title. Instead, it is an actual live recording of three masses, plus a litany and motet, as they were sung over three days when Francis I was chosen as Pope in 2013. Two of the masses were recorded outdoors, in St. Peter's Square, and the music is liberally accompanied by late-winter coughing and by the clicking of camera shutters. It might be supposed from all this that the album is primarily intended as a souvenir of the occasion, and no doubt the sales to be reaped from that status explain its release on the venerable Deutsche Grammophon imprint. Yet it's interesting even for those with no particular connection to Francis and Catholicism. It's still rare to employ a mass for direct musical use rather than as a musical artifact, and it's interesting especially to hear the vast litany of saints chanted, like a tribal invocation of ancestors, as the cardinals enter the selection conclave. Further, the music as a whole, to quote the booklet note by Roberto Gabbiani, is "steeped in history and at the same time so much part of the present. It comes from the liturgy given out by the Second Vatican Council, which is pronounced to good purpose as a guarantee of the essential concern for the congregation, in an illuminating dialogue with contemporary culture and with a skillful inclusion of segments of tradition that are part of history, respecting the roots of its own identity." Thus, you hear pieces ranging from Gregorian chant to contemporary compositions and even, at the end of the Mass for the beginning of the Petrine Ministry (the office of the Pope), a fugue by the Lutheran Bach. Some of the music is a cappella, some accompanied by organ, some monophonic, some polyphonic. In the end, whatever you think of such a thing, the album represents a decent document revealing where the Catholic church stood musically at the beginning of Francis' papacy.

Product Details

Release Date:
12/09/2014
Label:
Deutsche Grammophon
UPC:
0028948113354
catalogNumber:
002240402
Rank:
10901

Tracks

Album Credits

Performance Credits

Sistine Chapel Choir   Primary Artist,Choir, Chorus
Massimo Palombella   Choir Master
Francis   Speech/Speaker/Speaking Part
Juan Paradell Solé   Organ
Students of the Pontifical Institute of Sacred Music   Choir, Chorus
Pentaphon   Brass Ensemble

Technical Credits

Giovanni Pierluigi da Palestrina   Composer
Francisco Guerrero   Composer
Johann Sebastian Bach   Composer
Domenico Bartolucci   Additional Music
Spoken Word   Composer
Luigi Molfino   Composer
Lorenzo Perosi   Composer
Franz Karl Prassl   Direction
Roberto Gabbiani   Liner Notes
Gregorian Chant   Composer
Massimo Palombella   Composer,Additional Music
Walter Marzilli   Direction

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