Hadrian the Seventh

by Frederick Rolfe

Overview

One day George Arthur Rose, hack writer and minor priest, discovers that he has been picked to be Pope. He is hardly surprised and not in the least daunted. "The previous English pontiff was Hadrian the Fourth," he declares. "The present English pontiff is Hadrian the Seventh. It pleases Us; and so, by Our own impulse, We command."Hadrian is conceived in the image of his creator, Fr. Rolfe, whose aristocratic pretensions (he called himself Baron Corvo), religious obsession, and anarchic and self-aggrandising sensibility have made him known as one of the great English eccentrics. Fr. Rolfe endured a lifetime of indignities and disappointments. However, in the hilarious and touching pages of this, his finest novel, he triumphs. (Goodreads)

Product Details

ISBN-13:	9783987440083
Publisher:	Otbebookpublishing
Publication date:	04/06/2022
Series:	Classics To Go
Sold by:	Bookwire
Format:	eBook
Pages:	320
File size:	765 KB

About the Author

Frederick William Rolfe, better known as Baron Corvo, and also calling himself Frederick William Serafino Austin Lewis Mary Rolfe (22 July 1860 – 25 October 1913), was an English writer, artist, photographer and eccentric.

Editorial Reviews

Rolfe, who was neither a priest nor an aristocrat, though his names might suggest so, was in fact something of a crackpot genius, as Alexander Theroux notes in his new introduction to this eccentric masterpiece, a fantasy of colossal wish fulfillment that shares with Theroux's books a love of baroque sentence structure, a passion for unusual and nonce words, and delight in an orgy of color. A failed Roman Catholic priest, Frederick Rolfe (1860-1913) translated his sense of failure into this amazing story of George Arthur Rose, a hack writer, much like Rolfe, who is suddenly accepted into the priesthood and through a series of bizarre events becomes the second English-born pope. He's an admitted misanthrope ("and "altruist), and Rose's "feline" nature serves him well in Rome, where he proceeds to remake the Church in his own image: liturgically conservative but open, honest and ecumenical. His reforms startle his cardinals, and his vision for world history is equally odd. He indulges in a taste for astrology, designs a new cross, and vents constantly about ugly and ill-mannered socialists. While Rolfe's Hadrian speaks in purple prose, with a distinct level of inspired pomposity, the novel in general displays an unerring skill in Latin and Greek and a dazzling ease with canon law, scripture, and Church esoterica. Arch, campy, but not as froufrou as Ronald Firbank, Rolfe's mind-boggling tale exists somewhere between reverence and heresy: be grateful it's back.

Kirkus Reviews