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The Half-Made World

The Half-Made World

3.8 32
by Felix Gilman

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A fantastical reimagining of the American West which draws its influence from steampunk, the American western tradition, and magical realism

The world is only half made. What exists has been carved out amidst a war between two rival factions: the Line, paving the world with industry and claiming its residents as slaves; and the Gun, a cult of terror


A fantastical reimagining of the American West which draws its influence from steampunk, the American western tradition, and magical realism

The world is only half made. What exists has been carved out amidst a war between two rival factions: the Line, paving the world with industry and claiming its residents as slaves; and the Gun, a cult of terror and violence that cripples the population with fear. The only hope at stopping them has seemingly disappeared—the Red Republic that once battled the Gun and the Line, and almost won. Now they're just a myth, a bedtime story parents tell their children, of hope.

To the west lies a vast, uncharted world, inhabited only by the legends of the immortal and powerful Hill People, who live at one with the earth and its elements. Liv Alverhyusen, a doctor of the new science of psychology, travels to the edge of the made world to a spiritually protected mental institution in order to study the minds of those broken by the Gun and the Line. In its rooms lies an old general of the Red Republic, a man whose shattered mind just may hold the secret to stopping the Gun and the Line. And either side will do anything to understand how.

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Editorial Reviews

Publishers Weekly
Gilman (Gears of the City) honors the beauty of the frontier while skewering the colonists who despoil it in this vivid wild west–flavored fantasy. At the western edge of the world, time and space behave oddly and monsters roam. Colonizers push west, enslaving the magic-using Hillfolk (a questionable stand-in for human natives) and bringing industry, religion, and war. The violence-loving followers of the Gun are slowly losing to the engine-worshippers of the Line; avoiding the conflict, psychologist Liv Alverhuysen treats and studies those driven mad by the Line's noise bombs. Then a wily agent of the Gun kidnaps Liv and her patient, the General, whose broken mind holds a secret that can destroy the gods of both forces. Line drudges and machines pursue the trio into the titular unfinished lands. Though the story moves slowly, the lyrical descriptions of the harsh, dramatic, and mystical frontier compel the reader onward. (Oct.)
From the Publisher

“Vivid and accurate prose, a gripping, imaginative story, a terrifically inventive setting, a hard-bitten, indestructible hero, and an intelligent, fully adult heroine---we haven't had a science-fiction novel like this for a long time.” —Ursula K. Le Guin, National Book Award--winning author of The Farthest Shore and The Left Hand of Darkness

“The Half-Made World is refreshingly unlike any other novel I've read. Felix Gilman writes like a modern-day Dickens drunk on rich invention and insane war.” —Stephen R. Donaldson, New York Times bestselling author of the Chronicles of Thomas Covenant

“A much-needed breath of fresh air in dystopian fiction. Utterly compelling. Trembling with invention and adventure. Reads as if it's the love child of McCarthy's The Road and Le Guin's The Dispossessed. Highly recommended!” —Eric Van Lustbader, New York Times bestselling author

“Felix Gilman's The Half-Made World takes the brutality of the Wild West and twists it into an epic fantasy that left me staggered. It brings the sense of wonder back to fantasy by creating a complex and visceral world unlike anything I've read. This is a stunning novel.” —Mary Robinette Kowal

New York Times bestselling author of the Chronicle Stephen R. Donaldson

The Half-Made World is refreshingly unlike any other novel I've read. Felix Gilman writes like a modern-day Dickens drunk on rich invention and insane war.

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~ 1889 ~
One fine spring afternoon, when the roses in the gardens of the Koenigswald Academy were in bloom, and the lawns were emerald green, and the river was sapphire blue, and the experimental green-houses burst with weird life, the professors of the Faculty of Psychological Sciences met in the Faculty’s ancient August Hall, in a handsomely appointed upstairs library, where they stood in a little group drinking sherry and saying their good-byes to their colleague Dr. Lysvet Alverhuysen—Liv to her friends—who was, against all reasonable advice, determined to go west.“You’ll fall behind, Dr. Alverhyusen.” Dr. Seidel shook his head sorrowfully. “Your work will suffer. There are no faculties of learning in the West, none at all. None worth the name, anyway. Can they even read? You won’t have access to any of the journals.”
“Yes,” Liv said. “I believe they can read.”
“Seidel overstates his argument,” Dr. Naumann said. “Seidel is known for overstating his arguments. Eh, Seidel? But not always wrong. You will lose touch with science. You will rip yourself from the bosom of the scientific community.”
He laughed to show what he thought of the scientific community. Handsome and dark of complexion, Dr. Naumann was the youngest of the Faculty’s professors and liked to think of himself as something of a radical. He was engaged in a study of the abnormal or misdirected sexual drive, which he regarded as fundamental to all human activity and belief.
Liv smiled politely. “I hope you’ll write to me, gentlemen. There are mail coaches across the mountains, and the Line will carry mail across the West.”
“Hah!” Dr. Naumann rolled his eyes. “I’ve seen the maps. You’re going to the edge of the world, Dr. Alverhuysen. Might as well hope to send mail to the moon, or the bottom of the sea. Are there mail coaches to the moon?”
“They’re at war out there,” Dr. Seidel said. “It’s very dangerous.” He twisted his glass nervously in his hands.
“Yes,” Liv agreed. “So I’ve heard.”
“There are wild men in the hills, who are from what I hear only very debatably human. I saw a sketch of one once, and I don’t mind admitting it gave me nightmares. All hair and knuckles, it was, white as death, and painted in the most awful way.”
“I won’t be going into the hills, Doctor.”
“The so-called civilized folk are only marginally better. Quite mad. I don’t make that diagnosis lightly. Four centuries of war is hardly the only evidence of it. Consider the principal factions in that war, which are from what I hear not so much political entities as religious enthusiasms, not so much religion as forms of shared mania. . . . Cathexis, that is, a psychotic transference of responsibility from themselves to objects that—”
“Yes,” she said. “Perhaps you should publish on the subject.”
If she listened to another moment of Dr. Seidel’s shrill voice, she was in danger of having her resolve shaken.
“Will you excuse me, Doctors?” She darted quickly away, neatly interposing Dr. Mistler between herself and Seidel.
It was stuffy and dusty in the library; she moved closer to the windows, where there was a breeze and the faint green smell of the gardens, and where Liv’s dear friend Agatha from the Faculty of Mathematics was making conversation with Dr. Dahlstrom from the Faculty of Metaphysics, who was terribly dull. As she approached, Agatha waved over Dahlstrom’s shoulder and her eyes said, Help! Liv hurried over, sidestepping Dr. Ley, but she was intercepted by Dr. Ekstein, the head of her own Faculty, who was like a looming stone castle topped with a wild beard, and who took both her hands in his powerful ink-stained hands and said: “Dr. Alverhuysen—may I abandon formality—Liv—will you be safe? Will you be safe out there? Your poor late husband, rest his soul, would never forgive me if I allowed . . .”
Dr. Ekstein was a little sherry-drunk and his eyes were moist. His life’s work had been a system of psychology that divided the mind into contending forces of thesis and antithesis, from the struggle of which a peaceful synthesis was derived, the process beginning again and again incessantly. Liv considered the theory mechanical and unrealistic.
“I have made my decision, Doctor,” she reminded him. “I shall be quite safe. The House Dolorous is in neutral territory, far from the fighting.”
“Poor Bernhardt,” Dr. Ekstein said. “He would haunt me if anything were to happen to you—not, of course, that I would expect that it would, but if anything were to happen—”
Dr. Naumann insinuated himself. “Hauntings? Here? Sounds like you’ll miss all the real excitement, Dr. Alverhuysen.”
Ekstein frowned down on Naumann, who kept talking: “On the other hand, you won’t be bored—oh my no. No place out there is neutral for long. No matter how remote your new employer may be, soon enough you-know-what will come knocking.”
“I’m afraid I don’t know, Dr. Naumann. I understand things are very turbulent out there. Excuse me, I must—”
“Turbulent! A good word. If you cut into the living brain of a murderer or sex criminal, you might say what you saw was turbulent. I mean the forces of the Line.”
“Oh.” She tried to look discreetly around Dr. Ekstein’s mass for sight of Agatha. “Well, isn’t that for the best? Isn’t the Line on the side of science and order?”
Dr. Naumann raised an eyebrow, which Liv found irritating. “Is that right? Consider Logtown, which they burned to the ground because it harbored Agents of the Gun; consider the conquest of Mason, where . . .” He rattled off a long list of battles and massacres.
Dr. Alverhuysen looked at him in surprise. “You know a lot about the subject.”
He shrugged. “I take an interest in their affairs. A professional interest, you might say.”
“I’m afraid I don’t follow their politics closely, Dr. Naumann.”
“You will. You will.” He leaned in close and whispered to her, “They’ll follow you, Liv.”
She whispered back, “Perhaps you should travel that way yourself, Philip.”
“Absolutely under no circumstances whatsoever.” He straightened again and consulted his watch. “I shall be late for my afternoon Session!” He left his glass on a bookshelf and exited by the south stairs.
“Unhealthy,” Ekstein said. “Unhealthy interests.” He glanced down at Liv. “Unhealthy.”
“Excuse me, Dr. Ekstein.”
She stepped around him, exchanged a polite good luck, good luck to you, too, with a gray-haired woman whose name she forgot, passed through a cool breeze and shaft of dusty afternoon sunlight that entered through the oriel window, heard and for nearly the last time was delighted by the sound of the peacocks crying out on the lawns, and deftly linked arms with Agatha and rescued her from Professor Dahlstrom’s droning. Unfortunately, Agatha turned out to be a little too drunk and a little too maudlin, and did not share any of Liv’s nervous excitement. She blinked back tears and held Liv’s hand very tightly and damply and said, “Liv—oh, Liv. You must promise you’ll come back.”
Liv waved a hand vaguely. “Oh, I’m sure I will, Agatha.”
“You must come back soon.”
In fact, she hadn’t given a moment’s thought to when she might return, and the demand rather annoyed her. She said, “I shall write, of course.”
To Liv’s relief then, Dr. Ekstein tapped on a glass for silence, and quickly got it, because everyone was by now quite keen to return to their interrupted afternoon’s work. He gave a short speech, which did not once mention where Liv was going or why, and rather made it sound as if she were retiring due to advanced senility, which was the Faculty’s usual procedure. Finally he presented her with a gift from the Faculty: a golden pocket watch, heavy and overly ornate, etched with sentimental scenes of Koenigswald’s mountains and pine forests and gardens and narrow high-peaked houses. The occasion was complete, and the guests dispersed by various doors and into the stacks of the library.The Academy stood on a bend in the river a few miles north of the little town of Lodenstein, which was one of the prettiest and wealthiest towns of Koenigswald, which was itself one of the oldest and wealthiest and most stable and peaceful nations of the old and wealthy and stable and peaceful nations of the old East.
Six months ago, a letter had arrived at the Academy from out of the farthest West. It was battered and worn, and stained with red dust, sweat, and oil. It had been addressed to The Academy—Koenigswald—Of the Seven. Koenigswald’s efficient postal service had directed it to Lodenstein without too much difficulty. “Of the Seven” was a strange affectation, initially confusing, until Dr. Nau-mann remembered that four hundred years ago, Koenigswald had—in an uncharacteristic fit of adventurism—been one of the Council of Seven Nations that had jointly sent the first expeditions West, over the World’s End Mountains, into what was then un-made territory. Perhaps that fact still meant something to the westerners; Koenigswald had largely forgotten it.
Strictly speaking, the letter was addressed not to Liv, but to a Mr. Dr. Bernhardt Alverhuysen, which was the name of her late husband, who was recently deceased; but her husband had been a Doctor of Natural History, and the letter sought the assistance of a Doctor of Abnormal Psychology, a title that more accurately described Liv herself. Therefore, Liv opened it.
Dear Dr. Alverhuysen,
I hope this letter finds you well. No doubt you are surprised to receive it. There is little commerce these days between the new world and the old. We do not know each other, and though I have heard great things of your Academy, I am not familiar with your work; my own House is in a very remote part of the world, and it is hard to keep up with the latest science; and therefore I write to you.
I am the Director of the House Dolorous. The House was founded by my late father, and now it has fallen into my care. We can be found on the very farthest western edge of the world, nestled in the rocky bosom of the Flint Hills, northwest of a town called Greenbank, of which you no doubt have not heard. West of us, the world is still not yet Made, and on clear days, the views from our highest windows over Uncreation are unsettled and quite extraordinary.
Are you an adventurous man, Dr. Alverhuysen?
We are a hospital for those who have been wounded in our world’s Great War. We take those who have been wounded in body, and we take those who have been wounded in mind. We do not discriminate. We are in neutral territory, and we ourselves are neutral. The Line does not reach out to the Flint Hills, and the agents of its wicked Adversary are not welcome among us. We take all who suffer, and we try to give them peace.
We have able field doctors and sawbones in residence, and we know how to treat burns and bullet wounds and lungs torn by poison gas. But the mind is something of a mystery to us. We are ignorant of the latest science. There are mad people in our care, and there is so little we can do for them.
Will you help us, Dr. Alverhuysen? Will you bring the benefit of your learning to our House? I understand that it is a long journey, rarely undertaken; but if you are not moved by the plight of our patients, then consider that we have all manner of mad folk here, wounded in ways that you will not find in the peaceful North—not least those who have been maddened by the terrible mind-shattering noise-bombs of the Line—and that your own studies may prosper in a House that provides such ample subject matter. If that does not move you, consider that our House is generously endowed. My father owned silver mines. I enclose a promissory note that will cover your travel by coach and by river-boat and by Engine of the Line; I enclose a map, and letters of introduction to all necessary guides and coachmen on this side of the World; and finally I enclose my very best wishes,
Yours in Brotherhood,
Director Howell, Jr., the House Dolorous.
She had shown the letter to her colleagues. They treated it as a joke. Out of little more than a spirit of perversity, she wrote back requesting further information. All winter she busied herself with teaching, with her studies, with the care of her own subjects. She received no reply; she didn’t expect to. On the first day of spring, rather to her own surprise, she wrote again, to announce that she had made her decision and that she would be traveling West at the first opportunity.Now she couldn’t sleep. The golden watch ticked noisily at her bedside and she couldn’t sleep, and her head was full of thoughts of distance and speed. She’d never seen one of the Engines of the Line and could not picture what they looked like; but last year she had seen, in one of the galleries in town, an exhibition of paintings of the West’s immense vistas, its wide-open plains like skies or seas. Perhaps it was two years ago—Bernhardt had been alive. The paintings had been huge, wall-to-wall, mountains and rivers and tremendous skies, some blue and unclouded and others tempestuous. Forests and valleys. The panorama: that was what they painted in the West. Geography run wild and mad. There’d been several with bloody battles going on at the bottom of the frame: Fall of the Red Republic, or something like that, was especially horrible, with its storm clouds of doom clenched in the sky like sick hearts seizing, thousands of tiny men struggling in a black valley, battle standards falling in the mud. They always seemed to be fighting about something, out in the West. There’d been half a dozen depicting nature bisected by the Line; high arched rail bridges taming the mountains or railroads shaving the forests away; the black paint blots that were the Engines seeming to move, to drag the eye across the canvas. There were even a few visions of the very farthest West, where the world was still entirely uncreated and full of wild lights and lightning storms and land that surged like sea and strange beautiful demonic forms being born in the murk. . . . Liv remembered how Agatha had shuddered and held herself tight. She remembered, too, how Bernhardt had held her in his heavy tweed-clad arm, and droned about Faculty politics, and so she had not quite lost herself in the paintings’ wild depths.
Now those scenes rushed through her mind, blurred with speed and distance. The House was a world away. She could not picture traveling by Line, but she imagined herself leaving town by coach, and the wheels clattering into sudden unstoppable motion, and the horses rearing, and the coach lurching so that all her settled life spilled out behind her in a cascade of papers and old clothes and . . .
It was not an unpleasant sensation, she decided; it was as much exhilaration as terror. Nevertheless she needed to sleep, and so she took two serpent-green drops of her nerve tonic in a glass of water. As always, it numbed her very pleasantly.Liv settled her affairs. Her rooms were the property of the Faculty—she ensured that they would be made available to poor students during her absence. She consulted a lawyer regarding her investments. She dined almost nightly with Agatha and her family. She canceled her subscriptions to the scholarly periodicals. The golden watch presented an unexpected problem, because of course her clothes had no pockets suitable for such a heavy ugly thing, nor was she sufficiently unsentimental to leave it behind; eventually she decided to have a chain made and wear it around her neck, where it beat against her heart.
She visited her subjects and made arrangements for their future. The Andresen girl she transferred into Dr. Ekstein’s care; the girl’s pale and fainting neurasthenic despair might, she hoped, respond well to Ekstein’s gruff cheerfulness. The Fussel boy she bequeathed to Dr. Naumann, who might find his frequent sexual rages interesting. With a satisfying stroke of her pen, she split the von Meer twins—who suffered from cobwebbed and romantic nightmares—sending one girl to Dr. Ekstein and the other to Dr. Lenkman. An excellent idea, as they only encouraged each other’s hysteria. She wondered why she hadn’t done it years ago! The Countess Romsdal had nothing at all wrong with her, in Liv’s opinion, other than being too rich and too idle and too self-obsessed; so she thought Dr. Seidel might as well humor her. She gave Wilhelm and the near-catatonic Olanden boy to Dr. Bergman. She sent sweet little Bernarda, who was scared of candles and shadows and windows and her husband, to a rest cure in the mountains. As for Maggfrid . . .

Meet the Author

FELIX GILMAN has been nominated for the John W. Campbell Award and the Crawford Award for best new writer and the Locus Award for best first novel. He is the author of the critically acclaimed Thunderer and Gears of the City. He lives with his wife in New York City.

FELIX GILMAN has been nominated for the John W. Campbell and Locus awards for best new writer. He is the author of the critically acclaimed Thunderer and Gears of the City, and The Half-Made World, which was listed by Amazon as one of the ten best SFF novels of 2010. He lives with his wife in New York City.

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The Half-Made World 3.8 out of 5 based on 0 ratings. 32 reviews.
rabidreaderWS More than 1 year ago
The Half-Made World kept me interested throughout the whole novel. I didn't have one ho-hum moment while reading, not one moment when I was bored. Set in a world that resembles the wild west of America, but isn't quite there, there are aboriginal peoples, who contain a certain type of magic. There are at two main "god" factions who are at war. One of the factions is the Guns, and seems to consist of demon like entities that possess people through a gun. It rides them, telling them what to do, and causing havoc and mayhem, and rebellion. On the other hand, there is something called the Line - which is the other faction. This one has its own type of evil. It's all about machines, and progress and taking over towns like a bulldozer. There is absolutely NO mercy for those who stand in the way and they develop the most horrific weapons that can devastate people and places. This story is told from three points of view - Creedmoore is an agent of The Gun, Lowry is an agent of The Line and the third point of view is Liv - a doctor who is from a nuetrual territory. All three stories converge and throughout, it's clear that all three have some issues. However, I found myself really rooting for Creedmoor, even though he clearly is no saint. I enjoyed his talk, his attitude even though he clearly was working for demons. The two factions are both after the same thing and Liv kind of gets stuck in the middle. I don't want to say anymore - spoilers. But This is a damn good book - with some humor, some thrills, lots of mayhem and some damn good gadgets! As soon as I was finished reading it, I wanted more. Thankfully, Felix Gilman will be writing a sequel
Melhay More than 1 year ago
Dr. Liv Alverhuysen, a young widowed psychology doctor is going to the edge of the made world, or close to it. Out West. To help with victims of the four century war between The Guns, The Engines, and Hill Folk. All of the victims including the ones who had their minds shattered. Creedmoor, we meet while he is traveling on a gambling boat. To the edged of the world he is sent by his masters, The Guns, in search of a mad man. Creedmoor's character will have you curious of his history right away. Lowry, a Sub-Invigilator for the Line and servant to the Engines, is sent to extract the General, from the West. Lowry will not stop for anything and will not fail his mission and the only thing at the end of failure is death. This is a hard one for me to review as I have mixed feelings on this book. I enjoyed the blend of demons and guns, the engines and demons (which may be what many consider steampunk), and the un-made world not yet ready for time and so many new creatures - the Wild West we could say. This idea and world was unique to me, and made me curious about the connection of the two. I even liked the idea of the general having a knowledge that could end all, but felt that I never got any more information to move the story plot further forward. I felt it kind of stalled in the plot movement for me. The story telling style reminds me of a similarity to Joe Abercrombie, yet different as it's not as abrupt with battles nor character drawing for me. I enjoyed two of the characters out of the whole cast: John Creedmoor and the General. Yet, as much as I enjoyed reading of the scenes with John Creedmoor or seeing if the General will get better, they seemed to be the only characters I could get into. John Creedmoor and his attachment to the Guns was one of darkness and yet almost feel as he's fighting for something that just might be good. In the end I new more of the world and characters created here, but nothing more of the happenings of the story plot. I might pick up the next book to see if I can find more out.
Anonymous More than 1 year ago
It is a struggle to read. There just arent enough exciting parts to keep you wanting to see what happens next when it becomes slow. You get a five pages of interesting read and then fifty pages of mind-numbing-i-couldnt-care-less. I couldnt make it past 300 nook pages...and it was a constant struggle to get that far. I really wanted to like it, as I love the genre, but no such luck.
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I loved the old west and new world blend
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I couldn't put it down.
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