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Marilyn StasioNine books into the series, Viets is still working clever variations on the theme of an emancipated woman making the most of her limited options. To fulfill the genre conventions, a real-estate developer's trophy wife is murdered in a dressing room. The real draw, though, is Viets's snappy critique of South Florida, especially her acid-etched sketches of the shop's clientele.
—The New York Times