The Hamburger: A History

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Overview

What do Americans think of when they think of the hamburger? A robust, succulent spheroid of fresh ground beef, the birthright of red-blooded citizens? Or a Styrofoam-shrouded Big Mac, mass-produced to industrial specifications and served by wage slaves to an obese, brainwashed population? Is it cooking or commodity? An icon of freedom or the quintessence of conformity?

This fast-paced and entertaining book unfolds the immense significance of the hamburger as an American icon. Josh Ozersky shows how the history of the burger is entwined with American business and culture and, unexpectedly, how the burger’s story is in many ways the story of the country that invented (and reinvented) it.

Spanning the years from the nineteenth century with its waves of European immigrants to our own era of globalization, the book recounts how German “hamburg steak” evolved into hamburgers for the rising class of urban factory workers and how the innovations of the White Castle System and the McDonald’s Corporation turned the burger into the Model T of fast food. The hamburger played an important role in America’s transformation into a mobile, suburban culture, and today, America’s favorite sandwich is nothing short of an irrepressible economic and cultural force. How this all happened, and why, is a remarkable story, told here with insight, humor, and gusto.

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Editorial Reviews

Library Journal

Cultural historian Ozersky (food editor/online, New York magazine) examines the hamburger-the bellwether, and later stalwart, of the fast-food establishment in America-as a cultural signpost for American cultural and social values. He includes meaty research on the personalities (e.g., Ray Kroc, Dave Thomas) and the corporations (e.g., McDonald's, White Castle, Big Boy) that not only perfected the delivery of the assembly-line sandwich to the masses but also profited from their ability to connect to the power of the individuality, ingenuity, and ambition inherent in the American dream, even as the shape of that dream has shifted throughout the 20th century to today-where McDonaldization and gourmet Kobe beef burgers coexist. Compelling reading, this clearly written book will attract a wide range of readers, from those with an academic interest in popular culture, U.S. history, sociology, or company histories to those generally interested in the American sociocultural landscape and the origins of McDonald's. Recommended for academic and public libraries.
—Courtney Greene

New York Daily News

"A sexy little volume on the history of the patty from its 18th-century beginnings to its postwar boom thanks to White Castle."—Rachel Wharton, New York Daily News

— Rachel Wharton

Midtown Lunch

"A must read for any like-minded eaters."—Midtown Lunch
The Economist

"This entertaining and informative book, which traces the burger's evolution from working man's snack during the Depression to symbol of American corporatism, is nothing less than a brief history of America in the 20th century."—The Economist
USA Today

"Lively, well-reported. . . . A tasty cultural history that appreciates the sizzle and symbolism of its subject."—Bob Minzesheimer, USA Today

— Bob Minzesheimer

The Atlantic Monthly

"Short but comprehensive, heavy with interesting detail about the habits of American diners and restaurateurs."—Graeme Wood, The Atlantic Monthly

— Graeme Wood

Fortune

"Hugely satisfying. . . . Both scholarly and witty."—Daniel Okrent, Fortune

— Daniel Okrent

Fiery Foods & BBQ

"Ozersky helps to put American history in the context of the hamburger''s life story. Or is it the other way around? No matter, it''s a fascinating look at one of our favorite things."—Gwyneth Doland, Fiery Foods & BBQ

— Gwyneth Doland

New York Magazine

"The book is more than an overview of the sandwich; it is an impassioned argument for its significance in American culture and a celebration of its power."—New York Magazine

Author Magazine

"Filled with anecdotes and enthusiasm, this book does what very few can do: it makes you hungry."—Kevin Lauderdale, Author Magazine

— Kevin Lauderdale

Diner's Journal

"Authoritative [and] impressively detailed."—Frank Bruni, Diners Journal

— Frank Bruni

San Francisco Chronicle

"Ozersky tells a taut tale of the sandwich''s Diaspora and hand-to-mouth existence. . . . Ozersky''s unusual blend of passion and common sense sets his book apart from others of its kind."—Ted Anthony, San Francisco Chronicle

— Ted Anthony

Jewish Exponent

"Ozersky''s little ode to joy on a bun is social history at its most flexible. . . .Ozersky''s inquisitive mind and evocative prose will get the juices flowing and your mouth watering."—Robert Leiter, Jewish Exponent

— Robert Leiter

Boston Globe

"[S]erves up a fast-paced and amusing account of how German ''hamburg steak'' evolved into hamburgers for urban factory workers, became an irrepressible economic and cultural force, and played a role in the suburbanization of America."—Joshua Glenn, Boston Globe (Brainiac Summer Reading)

— Joshua Glenn

Boston Sunday Globe

"A short, utterly brilliant chronicle of this
— Katherine A. Powers

New York Times Magazine

"Colorful reading. . . . This is a country that needed something to unite it, and, however improbably, Ozersky convinces us that the hamburger has done just that. " —Holly Brubach, New York Times Magazine

— Holly Bruback

Belles Lettres

"Ozersky''s book is part biographical sketches of the great hamburger men and part American culture. . . . [H]e attempts to answer why the hamburger caught on in America and what kind of icon the burger business and the burger provide."—Rosalind Early, Belles Lettres

— Rosalind Early

Andrew Smith

“There have been many books written about hamburgers, but none have placed hamburger mania into an American cultural context as does Josh Ozersky’s The Hamburger.”—Andrew Smith, editor, Oxford Companion to American Food and Drink

Morgan Spurlock

"When I want to know about hamburgers, Josh Ozersky is the man I turn to."—Morgan Spurlock, director of Super Size Me

David Kamp

"This book is too good and too smart to be categorized as mere 'food writing.' It's like a meeting between Jane & Michael Stern and Ken Burns: bright, funny pop commentary mixed with vivid, rigorously reported American history. All compactly served on a golden-brown bun!"—David Kamp, author of The United States of Arugula

Daniel Boulud

"Josh Ozersky is a cultural historian whose appetite for life and passion for eating have landed him in the heart of the food world. When he focuses on a single American icon, like the hamburger, we can trust him to take us on a delicious journey. This is my favorite book about the burger to come along!"—Daniel Boulud, Chef/Restaurateur

New York Daily News - Rachel Wharton

"A sexy little volume on the history of the patty from its 18th-century beginnings to its postwar boom thanks to White Castle."—Rachel Wharton, New York Daily News
USA Today - Bob Minzesheimer

"Lively, well-reported. . . . A tasty cultural history that appreciates the sizzle and symbolism of its subject."—Bob Minzesheimer, USA Today
The Atlantic Monthly - Graeme Wood

"Short but comprehensive, heavy with interesting detail about the habits of American diners and restaurateurs."—Graeme Wood, The Atlantic Monthly
Fortune - Daniel Okrent

"Hugely satisfying. . . . Both scholarly and witty."—Daniel Okrent, Fortune
Fiery Foods & BBQ - Gwyneth Doland

"Ozersky helps to put American history in the context of the hamburger's life story. Or is it the other way around? No matter, it's a fascinating look at one of our favorite things."—Gwyneth Doland, Fiery Foods & BBQ
Author Magazine - Kevin Lauderdale

"Filled with anecdotes and enthusiasm, this book does what very few can do: it makes you hungry."—Kevin Lauderdale, Author Magazine

Diner's Journal - Frank Bruni

"Authoritative [and] impressively detailed."—Frank Bruni, Diners Journal

San Francisco Chronicle - Ted Anthony

"Ozersky tells a taut tale of the sandwich's Diaspora and hand-to-mouth existence. . . . Ozersky's unusual blend of passion and common sense sets his book apart from others of its kind."—Ted Anthony, San Francisco Chronicle

Jewish Exponent - Robert Leiter

"Ozersky's little ode to joy on a bun is social history at its most flexible. . . .Ozersky's inquisitive mind and evocative prose will get the juices flowing and your mouth watering."—Robert Leiter, Jewish Exponent

Boston Globe - Joshua Glenn

"[S]erves up a fast-paced and amusing account of how German 'hamburg steak' evolved into hamburgers for urban factory workers, became an irrepressible economic and cultural force, and played a role in the suburbanization of America."—Joshua Glenn, Boston Globe (Brainiac Summer Reading)

Boston Sunday Globe - Katherine A. Powers

"A short, utterly brilliant chronicle of this storied American morsel. . . . Ozersky himself brings the story on to the brothers McDonald, Ray Kroc, the hamburger wars, and down to today, briskly, astutely, and engagingly."—Katherine A. Powers, Boston Sunday Globe
New York Times Magazine - Holly Bruback

"Colorful reading. . . . This is a country that needed something to unite it, and, however improbably, Ozersky convinces us that the hamburger has done just that. " —Holly Brubach, New York Times Magazine

Belles Lettres - Rosalind Early

"Ozersky's book is part biographical sketches of the great hamburger men and part American culture. . . . [H]e attempts to answer why the hamburger caught on in America and what kind of icon the burger business and the burger provide."—Rosalind Early, Belles Lettres

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Product Details

  • ISBN-13: 9780300151251
  • Publisher: Yale University Press
  • Publication date: 5/26/2009
  • Series: Icons of America
  • Pages: 160
  • Sales rank: 1,003,722
  • Product dimensions: 5.40 (w) x 8.10 (h) x 0.60 (d)

Meet the Author

An American cultural historian and recognized authority on food, Josh Ozersky is food editor/online for New York Magazine. He has written for The

New York Times, the New York Post, Saveur, and many other publications. His books include Meat Me in Manhattan: A Carnivore’s Guide to New York and Archie Bunker’s America: TV in an Era of Changing Times. He lives in New York City.

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Read an Excerpt

The Hamburger

A HISTORY
By Josh Ozersky

YALE UNIVERSITY PRESS

Copyright © 2008 Josh Ozersky
All right reserved.

ISBN: 978-0-300-15125-1


Chapter One

The Hamburg-American Line

First, let's get one thing straight. The hamburger is an American invention. It doesn't matter that it is named after a German city. It doesn't matter if Mongols used to ride around with minced horsemeat under their saddles, on their way to some hamburger-fueled havoc in the thirteenth century. These and other historical factlets figure prominently in most informal histories of the hamburger, both in print and on the Web. But the hamburger matters precisely because it is a universally understood food, a compact icon that has resisted all centrifugal pressure as it has moved around the world. Everywhere you go, a hamburger means a ground beef patty served on a white enriched bun. Occasionally, middlebrows replace the bun with a kaiser roll or some other unorthodox support. Here and there minor variations like the Oklahoman onion burger or the Mississippian slugburger appear and attain a local prominence. But the hamburger has resisted absorption nearly everywhere it goes, and a hundred years after its invention, it remains essentially the same object. Once that ground patty of browned beef was laid on a bun for the first time, the hamburger shimmered into existence philosophically. Because theburger has a kind of inevitability to it; it is a gastronomic endpoint, like sashimi or a baked potato. Its basic design cannot be improved upon.

* * *

It was a long time coming. The earliest reference to a proto-hamburger ancestor comes in 1763, in that year's edition of Hannah Glasse's Art of Cookery, Made Plain and Easy. This English cookbook describes a Hamburg sausage: "Take a pound of Beef, mince it very small, with half a Pound of the best Suet; then mix three Quarters of a Pound of Suet cut in large Pieces; then season it with Pepper, Cloves, Nutmeg, a great Quantity of Garlic cut small, some white Wine Vinegar, some Bay Salt, a Glass of red Wine, and one of Rum; mix all these very well together, then take the largest Gut you can find, stuff it very tight; then hang it up a Chimney, and smoke it with Saw-dust for a Week or ten Days; hang them in the Air, till they are dry, and they will keep a Year. They are very good boiled in Peas Porridge, and roasted with toasted Bread under it, or in an Amlet."

They may have been good in an amlet, but they obviously were not hamburgers. Glasse's recipe is the Australopithecus of the hamburger family, a barely recognizable progenitor, primitive and inauspicious, but the missing link nonetheless-the earliest shared ancestor. And mark that last line: a sausage is far in spirit from a burger, and a beef sausage, roasted and served on toasted bread-that is something else again.

Hannah Glasse's afterthought, however, was a rare glimpse into the future: the nineteenth century would be an era of Hamburg steaks, minced or scraped beefsteaks, usually taken from a tough economy cut like the round and jazzed up with onions and a little nutmeg. Some recipes call for an egg as a binder; others, thriftier, add in some form of starchy filler. A reliable home meat grinder wasn't commonly available until the middle of the nineteenth century, so the home cooks of the period turned out something much closer to what we might call cube steak than a modern meat loaf, with its fine grain. Like meat loaf, though, these were meant to be served with gravy. Most cookbooks of the nineteenth century contain some variation; by the time of Fannie Farmer's definitive Boston Cooking-School Cook Book (1896), the recipe was considered so common that it hardly required elaboration. "Shape, cook, and serve as meat cakes," the Martha Stewart of her time says laconically. Hamburg steak was old hat, even by then-déclassé, a staple item.

Given the dish's provenance, it's not surprising. In Hamburg, particularly in the nineteenth century (and even to some extent today) beef was commonly served minced or chopped, a dish supposedly picked up from the Russians (Tatars). Hamburg was an important port city and one of the major embarkation points for emigrants headed for the United States. Often these migrants were German. Hamburg steak was for them as familiar as Texas chili or Boston clam chowder, and about as prestigious. Cheap and nourishing and cooked up in a gratifying bath of butter, Hamburg steak was exactly the kind of street food you might expect to find in a port city where bustling people eat standing up. New York City was, even in colonial times, famously busy, and although restaurants per se were few, an ad hoc array of oyster stands, cookshops, coffeehouses, and freestanding food vendors accommodated local tastes. When the first real restaurants appeared, it was inevitable that hamburger steak would be present. Everyone liked it, for one thing; for another, it allowed for a big retail markup. Delmonico's, whose first printed menu appeared in 1837, lists the hamburger steak as its most expensive item at ten cents, twice the price of roast beef, pork chops, or a veal cutlet. Ten cents for a hamburger steak? The gravy train was rolling even then.

Interestingly, the chopped or minced or scraped Hamburg steak was itself a dressed-up version of a dish even lower on the culinary scale: salt beef. This makes sense on several levels. In the nineteenth century, fresh meat was a rarity in any city; this was the golden age of jerky, and an adulterated product like Hamburg steak is an obvious answer to the age-old dilemma of perishable meat. The recipe's English origin makes sense, too: obviously, people from Hamburg wouldn't call their own brand of minced beefsteak Hamburg steak any more than a coffee shop in Dallas serves Texas chili. Culinary historians like Theodora Fitz-Gibbon, in her Food of the Western World, are therefore wrong, in assuming that the dish comes from Germany via the Hamburg-American Line. That route didn't start until 1847, and anyway, the waves of German immigrants who flooded to America in the 1850s, refugees from political turmoil, arrived in America to find Hamburg steak ready to greet them.

What was a Hamburg steak like, through its long prehistory? It's clear from almost all extant nineteenth-century recipes that the gnarly, semicured beef patty clutched in the fingers of starving immigrants soon gave way to something resembling what we would think of today as Salisbury steak-the familiar, deliciously inorganic Swanson frozen dinner, with the brown greasy gravy and a few grim, gray onions on top. The dish was popular: it shows up in nearly every cookbook from Mary Lincoln's Boston Cooking School Cook Book in 1844 onward. But Hamburg steak never ascended to the level of the hot dog, a staple item whose Germanic origin was soon forgotten. It never became "steak" or even "meat loaf"; it remained "Hamburg steak" until it retreated forever into tinfoil trays and a few fugitive, dismal Pennsylvania roadhouses.

Why not? Part of it can surely be ascribed to bad luck. Many foods have aspired to iconic status, and one cannot help but project a rueful, thwarted mood to such once-beloved standards as roast ox, suckling pig, fish sticks, oyster pan roasts, and the rest. They started out so well. Everyone loved them, and yet they made hardly any impression on the twentieth century. If you could figure out why not, you might have a better bead on the fault lines between their time and ours. For example, it's obvious that in the case of roast oxen, suckling pigs, venison haunches, and to some extent even roast turkey, these animals were just too big to cook in an ordinary household kitchen. Either they were relics of a rural age and couldn't fit in an oven, or (in the case of turkey) were simply too big to feed an average urban family and so were relegated to ceremonial appearances, like a retired comedy star who comes out once a year to accept a lifetime achievement award. People in the twentieth century more and more tended to live in cities rather than in the country, as the 1920 census announced. It's hard to manage an ox or a litter of squealing pigs in a modern city.

Talk of pigs brings up a larger question. If one were taking bets, circa 1850, as to what would eventually become the iconic American food, only a Nostradamus could have predicted that it would be made of beef. Pork was the American meat par excellence, and it was consumed on such a scale, and with such voracious appetite, that visitors frequently commented on it: pork was the perfect American commodity meat in every way. Pigs, like the people who owned them, were independent and self-willed, and more or less took care of themselves, eating whatever happened to be around. Pigs are cheap to keep, and a good investment, too: in a time before effective overland transportation, it cost too much to market corn, which weighs a lot in proportion to its value. But turn that corn into whiskey or pork, and now you have something that can bring cash into even the most remote economy. And most Americans lived in remote economies. Nor did this change if you lived in New York City right next door to Andrew Hamilton: cattle were a major investment, and you needed a lot of room and a lot of money to make them pay. (Cattle and capitalism are, not coincidentally, drawn from the same linguistic root, generative wealth being measured in herds for most of human history.) The economics of meat by the nineteenth century had long ago left sustenance farming far behind. The meat packers of Ohio, by midcentury, had "originated and perfected the system which packs 15 bushels of corn into a pig and packs that pig into a barrel, and sends him over the mountains and over the ocean to feed mankind."

Moreover, as anyone who ever ate beef jerky will attest, pork is infinitely superior to beef as a preserved meat. Bacon, sausage, ham, salt pork-these were the staple items, and in some cases, the only nourishment, of generations of rural Americans, enslaved and free. Pork, writes Richard Osborn Cummings, in The American and His Food: A History of Food Habits in the United States (1940), "actually improves as a result of preservative processes. ... It is said that because of its flavor value, a pound of bacon goes as far as three pounds of beef-steak."

What changed in America was the opening of the Great Plains and the development of a massive meatpacking industry to accommodate cattle. This is one area of American life in which capitalism and the myth of the frontier cohere. In the early Republic, the plains had been considered a dead zone, the Great American Desert. But those sparse grasslands were just right for feeding vast herds of cattle. Nobody needs to be told about the resulting moment in American history; our heroes have always been cowboys. "Ten years and I'll have the Red River D on more cattle than you've looked at anywhere," John Wayne says, squinting into the future in Howard Hawks's Red River (1948). "I'll have that brand on enough beef to feed the whole country. Good beef for hungry people. Beef to make 'em strong, make 'em grow."

Though heavily mythologized, this wasn't too far from the truth. And Wayne's Tom Dunson is accurate in another way, too: he was in it for the money. Cowboys tamed the West, and cowboys were wage-earning functionaries employed by well-capitalized industrialists whose stated goal was to build mercantile empires. The inexorable western movement known as Manifest Destiny had as its object the acquisition of territory for Americans to live on, but the most active players in that movement were real estate speculators and others with commercial goals in mind, Babbitts rather than Bumpos. By the late nineteenth century, the opening of the vast, oceanic grasslands of the Great Plains to cattle ranching had made it possible for every American to enjoy beef more or less every day. In the 1880s dawned the Golden Age of Beef, when Gustavus Swift developed an infrastructure that linked Chicago's vast meatropolis with the East Coast via refrigerated railroad cars. For the first time these arterial lines carried fresh beef to cities overflowing with immigrant populations. Immigrants who liked to stretch a dollar, and make even newly cheap beef go a little bit farther. Immigrants who ate and bought a lot of Hamburg steak.

It was in cities, among the lower classes, that the Hamburg steak found its path to primacy. Pigs may have been okay for settlers in the rude woods. But modern America was to be urban, industrial, and capitalistic. It had workers to feed, and they wanted cheap and nourishing beef lunches. More important, it had a "beef trust" in place by the 1880s that controlled the burgeoning traffic from the Midwest to the cities of the East. The "beef trust" would come in for much public criticism early in the next century, when Upton Sinclair published The Jungle; but in the years of industrialization, the availability of beef to even the poorest workers was a feat of which many Americans were justly proud.

There was, and is, no symbol of bounty to compare to fresh beef. Americans followed their British forebears in regarding it as a peerless sign of health and prosperity. There was no question about its supremacy. "Instinctively most persons prefer beef, as an habitual article of diet, to any other variety of meat," wrote Dr. Austin Flint confidently in 1866's Physiology of Man. And the fact that America boasted so much of it was always an article of patriotic pride, long before beef was available to even the poorest city dwellers. Americans ate beef as a birthright. "Our chief article of food was beef," boasted Richard Henry Dana earlier in the century in Two Years before the Mast (1840). "What one man ate over a hearty man's allowance would have made an English peasant's heart leap in his mouth."

Hamburg steak was the cheapest way for the poorest Americans to eat beef. It was the rock-bottom entry point to the American beef dream. And as such, it contains the essence of the hamburger story. Hamburgers don't taste better than beefsteaks, nor are they more native to these shores than a hundred other American dishes, from burgoo to barbecue. They are popular because they are made of the substance all people love most, if Dr. Flint is to be believed, and available everywhere in more or less the same form for very little cash. There is an inevitability to the hamburger: it is the most concentrated way a person can cheaply eat everything that people like about beef. As food historian Elisabeth Rozin has written with lyrical precision, "The meaning of the burger is as a kind of common denominator of the beef experience, with all the flavor, aroma, tenderness, and juiciness in a cheap and accessible form. The meatiness, the beefiness, the succulence of the fat are all there in that unassuming patty. For perhaps the first time ever, the hunger for all that beef represents, [could] easily be satisfied, available to almost anyone."

But not yet. The hamburger dream was still mired in the chaos of the nineteenth century. Here was an immigrant dish whose origin nobody was sure of, whose preparation varied from cook to cook, that was unwieldy to eat and complicated to prepare, with its elaborate requirements of grinding or scraping or mincing and folding in minced onions, that required a greasy pan gravy, and a fork and knife to eat, not to mention a plate, which then required a table and chair, and, like its closest living descendant, meat loaf, had to be served cooked all the way through.

None of that mattered, of course, if you were making it at home. But dishes don't become iconic by being served at the dinner table. Totems exist in the public space. And until the Hamburg steak could be standardized, commercialized, and exploited for profit by Americans everywhere, it would never become the universal American food. It would eventually get its Edisons and Fords, but the path this strange "meat cake" took through what historian Robert Wiebe has called America's "search for order" remains a strange one. That it finally arrived, on a bun and called by its proper name, by the early twentieth century, is certain. But what a long and twisted route it took!

(Continues...)



Excerpted from The Hamburger by Josh Ozersky Copyright © 2008 by Josh Ozersky. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Contents

Acknowledgments....................ix
INTRODUCTION Sizzle and Symbolism....................1
ONE The Hamburg-American Line....................5
TWO "All This from a Five-Cent Hamburger!"....................21
THREE The Organization Man....................50
FOUR Have It Your Way....................84
FIVE The Hamburger in Power....................114
Notes....................135
Illustration Credits....................141
Index....................143
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