Hamlet: A Longman Cultural Edition / Edition 1

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Overview

This edition represents Shakespeare's text as it appears in the most authoritative of early editions, the Folio, published in 1623, and it supplies readers with useful footnotes to the interpretation of the text. It also includes brief samples of works by Shakespeare's contemporaries in a section entitled "Contexts"; these will help readers to understand the historical setting and the cultural ideas that helped shape the meaning of Shakespeare's play. By listening to these voices from the past, readers can approach the play with some knowledge of why Hamlet asks the questions he does and of why the character himself, the creation of a distant century, also seems so much a part of our own world.
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Product Details

  • ISBN-13: 9780321149220
  • Publisher: Longman Publishing Group
  • Publication date: 12/12/2003
  • Series: Longman Cultural Editions Series
  • Edition description: Older Edition
  • Edition number: 1
  • Pages: 256
  • Product dimensions: 5.51 (w) x 8.27 (h) x 0.16 (d)

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Hamlet

A Longman Cultural Edition
By William Shakespeare

Longman Publishing Group

Copyright © 2003 William Shakespeare
All right reserved.

ISBN: 032114922X

Chapter One

Act 3

* * *

SCENE I

The castle

enter Claudius, Gertrude, Polonius, Ophelia, Rosencrantz, and Guildenstern

Claudius And can you, by no drift of conference, Get from him why he puts on this confusion, Grating so harshly all his days of quiet With turbulent and dangerous lunacy?

5 Rosencrantz He does confess he feels himself distracted, But from what cause he will by no means speak.

Guildenstern Nor do we find him forward to be sounded, But with a crafty madness keeps aloof When we would bring him on to some confession Of his true state.

10 Gertrude Did he receive you well?

Rosencrantz Most like a gentleman.

Guildenstern But with much forcing of his disposition.

Rosencrantz Niggard of question, but of our demands Most free in his reply.

Gertrude Did you assay him 15 To any pastime?

Rosencrantz Madam, it so fell out thatcertain players We o'er-raught on the way. Of these we told him, And there did seem in him a kind of joy To hear of it. They are about the court 20 And, as I think, they have already order This night to play before him.

Polonius 'Tis most true, And he beseeched me to entreat your majesties To hear and see the matter.

Claudius With all my heart, and it doth much content me 25 To hear him so inclined. Good gentlemen, give him a further edge And drive his purpose into these delights.

Rosencrantz We shall, my lord.

exeunt Rosencrantz and Guildenstern

Claudius Sweet Gertrude, leave us too, For we have closely sent for Hamlet hither, 30 That he, as 'twere by accident, may here Affront Ophelia. Her father and myself, lawful espials, Will so bestow ourselves that, seeing, unseen, We may of their encounter frankly judge 35 And gather by him, as he is behaved, If 't be th' affliction of his love or no That thus he suffers for.

Gertrude I shall obey you. And for your part, Ophelia, I do wish That your good beauties be the happy cause 40 Of Hamlet's wildness. So shall I hope your virtues Will bring him to his wonted way again, To both your honors.

Ophelia Madam, I wish it may.

exit Gertrude

Polonius Ophelia, walk you here. - Gracious so please you, We will bestow ourselves. (to Ophelia) Read on this book, 45 That show of such an exercise may color Your loneliness. We are oft to blame in this: 'Tis too much proved that with devotion's visage And pious action we do sugar o'er The devil himself.

Claudius (aside) O, 'tis too true! 50 How smart a lash that speech doth give my conscience! The harlot's cheek, beautied with plastering art, Is not more ugly to the thing that helps it Than is my deed to my most painted word. O heavy burden!

55 Polonius I hear him coming. Let's withdraw, my lord.

exeunt Claudius and Polonius

enter Hamlet (thinking himself alone)

Hamlet To be, or not to be: that is the question. Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, 60 And by opposing end them? To die, to sleep No more, and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to. 'Tis a consummation Devoutly to be wished. To die, to sleep - 65 To sleep, perchance to dream: ay, there's the rub, For in that sleep of death what dreams may come When we have shuffled off this mortal coil Must give us pause. There's the respect That makes calamity of so long life - 70 For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despishd love, the law's delay, The insolence of office and the spurns That patient merit of th' unworthy takes, 75 When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn 80 No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution 85 Is sicklied o'er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action. - Soft you now, The fair Ophelia! - Nymph, in thy orisons Be all my sins remembered.

90 Ophelia Good my lord, How does your honor for this many a day?

Hamlet I humbly thank you. Well, well, well.

Ophelia My lord, I have remembrances of yours, That I have longhd long to re-deliver. I pray you now receive them.

95 Hamlet No, not I I never gave you aught.

Ophelia My honored lord, you know right well you did, And with them words of so sweet breath composed As made the things more rich. Their perfume lost, 100 Take these again, for to the noble mind Rich gifts wax poor when givers prove unkind. There, my lord.

SHE GIVES HIM BACK HIS GIFTS

Hamlet Ha, ha! Are you honest?

Ophelia My lord?

105 Hamlet Are you fair?

Ophelia What means your lordship?

Hamlet That if you be honest and fair, your honesty should admit no discourse to your beauty.

110 Ophelia Could beauty, my lord, have better commerce than with honesty?

Hamlet Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but now the time gives it proof. I did love you 115 once.

Ophelia Indeed, my lord, you made me believe so.

Hamlet You should not have believed me, for virtue cannot so inoculate our old stock but we shall relish of it. I loved you not.

120 Ophelia I was the more deceived.

Hamlet Get thee to a nunnery Why wouldst thou be a breeder of sinners? I am myself indifferent honest, but yet I could accuse me of such things that it were better my mother had not borne me. I am very proud, revengeful, ambitious, with 125 more offences at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in. What should such fellows as I do, crawling between earth and heaven? We are arrant knaves, all: believe none of us. Go thy ways to a nunnery. Where's your father?

130 Ophelia At home, my lord.

Hamlet Let the doors be shut upon him, that he may play the fool nowhere but in's own house. Farewell.

Ophelia O, help him, you sweet heavens!

Hamlet If thou dost marry, I'll give thee this plague for thy 135 dowry: be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, go: farewell. Or, if thou wilt needs marry, marry a fool, for wise men know well enough what monsters you make of them. To a nunnery, go, and quickly too. Farewell.

140 Ophelia O heavenly powers, restore him!

Hamlet I have heard of your paintings too, well enough. God has given you one face, and you make yourselves another. You jig, you amble, and you lisp, and nickname God's creatures, and make your wantonness your ignorance. Go 145 to, I'll no more on't; it hath made me mad. I say, we will have no mo marriage. Those that are married already - all but one - shall live. The rest shall keep as they are. To a nunnery, go.

exit Hamlet

Ophelia O, what a noble mind is here o'erthrown! 150 The courtier's, soldier's, scholar's, eye - tongue - sword, Th' expectancy and rose of the fair state, The glass of fashion and the mold of form, Th' observed of all observers, quite, quite down! And I, of ladies most deject and wretched, 155 That sucked the honey of his musicked vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh, That unmatched form and feature of blown youth Blasted with ecstasy. O, woe is me, 160 T' have seen what I have seen, see what I see!

enter Claudius and Polonius

Claudius Love? His affections do not that way tend, Nor what he spake, though it lacked form a little, Was not like madness. There's something in his soul, O'er which his melancholy sits on brood, 165 And I do doubt the hatch and the disclose Will be some danger, which for to prevent I have in quick determination Thus set it down. He shall with speed to England, For the demand of our neglected tribute. 170 Haply the seas and countries different, With variable objects, shall expel This something-settled matter in his heart, Whereon his brains still beating puts him thus From fashion of himself. What think you on't?

175 Polonius It shall do well. But yet do I believe The origin and commencement of his grief Sprung from neglected love. (to his daughter) How now, Ophelia! You need not tell us what Lord Hamlet said: We heard it all. (to the King) My lord, do as you please, 180 But, if you hold it fit, after the play Let his queen mother all alone entreat him To show his grief. Let her be round with him; And I'll be placed, so please you, in the ear Of all their conference. If she find him not, 185 To England send him, or confine him where Your wisdom best shall think.

Claudius It shall be so: Madness in great ones must not unwatched go.

EXEUNT

Chapter Two

SCENE 2 The castle

enter Hamlet and Players

Hamlet Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue. But if you mouth it as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand - thus - but 5 use all gently, for in the very torrent, tempest, and - as I may say - the whirlwind of passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of 10 the groundlings, who for the most part are capable of nothing but inexplicable dumbshows and noise. I would have such a fellow whipped for o'erdoing Termagant. It out-herods Herod. Pray you, avoid it.

First Player I warrant your honor.

15 Hamlet Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action-with this special observance, that you o'erstep not the modesty of nature. For anything so o'erdone is from the purpose of playing, whose end, both at the first and now, 20 was and is, to hold, as 'twere, the mirror up to nature, to virtue her own feature, scorn her own image, and the very age and of the time his form and pressure. Now this overdone, or come off, though it make the unskilful laugh cannot but make the judicious grieve - the censure of the which 25 one must in your allowance o'erweigh a whole theater of others. O, there be players that I have seen play, and heard others praise, and that highly - not to speak it profanely - that, neither having th' accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that 30 I have thought some of nature's journeymen had made men, and not made them well, they imitated humanity so abominably.

First Player I hope we have reformed that indifferently with us, sir.

35 Hamlet O, reform it altogether. And let those that play your clowns speak no more than is set down for them, for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though, in the meantime, some necessary question of the play be then to be 40 considered. That's villanous, and shows a most pitiful ambition in the fool that uses it. Go, make you ready.

exeunt Players

enter Polonius, Rosencrantz, and Guildenstern

(to Polonius) How now, my lord! Will the king hear this piece of work?

Polonius And the queen too, and that presently.

45 Hamlet (to Polonius) Bid the players make haste.

exit Polonius

Will you two help to hasten them?

Rosencrantz Ay, my lord.

exeunt Rosencrantz and Guildenstern

Hamlet What ho! Horatio!

enter Horatio

Horatio Here, sweet lord, at your service.

50 Hamlet Horatio, thou art e'en as just a man As e'er my conversation coped withal.



Continues...


Excerpted from Hamlet by William Shakespeare Copyright © 2003 by William Shakespeare. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

About the Cover Illustration
List of Illustrations
About Longman Cultural Editions
About This Edition
Introduction
Table of Dates
Introduction to William Shakespeare 1
Hamlet, Prince of Denmark 5
Contexts 139
from Meditations and Vows and The Invisible World (1609) 142
from of Ghosts and Spirits Walking by Night (1572) 144
from A Treatise of Melancholy (1586) 148
from The Anatomy of Melancholy (1628) 152
from A Supplication for the Beggars (1529) 159
from The Institution of Christian Religion (1536) 161
from the Hunting of Purgatory to Death (1561) 165
from A Defense and Declaration of the Catholic Church's Doctrine Touching Purgatory (1577) 167
from The Art of Dying Well (1622) 171
from Genesis 4.9-15 and Romans 12.19 (1560) 174
from The King's Right (1619) 175
from The Theater of God's Judgments (1597) 177
"Of Revenge," "Of Delays," and "Of Suspicion" from Essays (1858) 178
"A custom of the Isle of Cea," from The Essays of Michael Lord of Montaigne, trans. John Florio (1603) 183
from Life's Preservative against Self-Killing (1637) 186
from Historia Danica, trans. Oliver Elton (1894) 189
from The History of Tom Jones: A Founding (1749) 202
from Notes on Some Other Plays of Shakespeare (1806-1808) 207
from Characters of Shakespeare's Plays (1818) 210
from Great Expectations (1860-1861) 216
from The Adventures of Huckleberry Finn (1885) 219
from Shakespearean Tragedy (1905) 221
Further Reading 233
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