From the Publisher
Gorgeous new Shakespeare paperbacks.”
—Marlon James, author of A Brief History of Seven Killings
“I have been using the Pelican Shakespeare for years in my lecture course—it's invaluable, the best individual-volume series available for students.”
—Marjorie Garber, William R. Kenan, Jr. Professor of English and Visual and Environmental Studies, Harvard University
Library Journal
★ 01/01/2014
For individual plays, these editions are appealing in their presentation of easy-to-read text with footnotes on alternate pages, next to the text, instead of buried in small print at the bottom of every page. The notes are precise and often feature contemporary illustrations. Supplemental essays convey modern perspectives on the plays, which are likely to be of interest to students.
MAY 2012 - AudioFile
This American-accented HAMLET is a churning, turbulent production with many fine moments resulting from its fast pace. This energy may inevitably lead to a few missed opportunities for quiet and meditation (or for the listener to have a respite), but the overall effect is satisfying. The greatest range is shown by Emily Swallow as Ophelia. Stacy Keach is also excellent—imposing, chilling, and nuanced as the ghost. Josh Stamberg plays Hamlet as tormented and confrontational. One of his finest touches enhances the outset of the recorder scene with restraint and calm. Listeners who follow along with a text of the play will best keep up with the rapid pace. G.H. © AudioFile 2012, Portland, Maine
Kirkus Reviews
2019-07-13
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father's untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare's text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned "to be or not to be" soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)
