Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost [NOOK Book]

Overview

For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the...

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Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost

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Overview

For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the "to be or not to be" politics that have turned Shakespeare's tragedy into the essential Arab political text, cited by Arab liberals, nationalists, and Islamists alike.

On the Arab stage, Hamlet has been an operetta hero, a firebrand revolutionary, and a muzzled dissident. Analyzing productions from Egypt, Syria, Iraq, Jordan, and Kuwait, Litvin follows the distinct phases of Hamlet's naturalization as an Arab. Her fine-grained theatre history uses personal interviews as well as scripts and videos, reviews, and detailed comparisons with French and Russian Hamlets. The result shows Arab theatre in a new light. Litvin identifies the French source of the earliest Arabic Hamlet, shows the outsize influence of Soviet and East European Shakespeare, and explores the deep cultural link between Egypt's Gamal Abdel Nasser and the ghost of Hamlet's father.

Documenting how global sources and models helped nurture a distinct Arab Hamlet tradition, Hamlet's Arab Journey represents a new approach to the study of international Shakespeare appropriation.

Some images inside the book are unavailable due to digital copyright restrictions.

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Editorial Reviews

Choice
Studying productions of Hamlet across the Arab world, including performances in Jordan, Kuwait, Iraq, Egypt, and Syria, Litvin draws broad parallels between the struggles of Shakespeare's protagonist and the frustrated political and cultural hopes of Arab intellectuals. Citing an interesting variety of sources—from videos and reviews to scripts and interviews—the author provides a new perspective on how Shakespearean drama has been appropriated in various international and political contexts.
From the Publisher
"Studying productions of Hamlet across the Arab world, including performances in Jordan, Kuwait, Iraq, Egypt, and Syria, Litvin draws broad parallels between the struggles of Shakespeare's protagonist and the frustrated political and cultural hopes of Arab intellectuals. Citing an interesting variety of sources—from videos and reviews to scripts and interviews—the author provides a new perspective on how Shakespearean drama has been appropriated in various international and political contexts."—Choice

"An exceptional work that crosses many disciplinary boundaries, Margaret Litvin's Hamlet's Arab Journey not only provides a new approach to the study of international Shakespeare appropriation, but also promises an engaging and narrative-rich point of access to the operations of Arab cultural and political identities."—Lobna Ismail, Theatre Research International

"Remarkable and deserving of particular mention, Margaret Litvin's monograph Hamlet's Arab Journey presents far-reaching and unexpected outcomes. . . . Litvin's study, conducted with acumen and passion, uniquely emphasizes the potential impact of translating literature."—Federico Federici, Translation Studies

"Hamlet's Arab Journey is an elegantly written, strongly argued book that would enrich courses in Arabic literature, cultural studies, and Middle East history."—Sonali Pahwa, International Journal of Middle East Studies

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Product Details

  • ISBN-13: 9781400840106
  • Publisher: Princeton University Press
  • Publication date: 10/3/2011
  • Series: Translation/Transnation
  • Sold by: Barnes & Noble
  • Format: eBook
  • Edition description: Core Textbook
  • Pages: 296
  • File size: 3 MB

Meet the Author

Margaret Litvin is assistant professor of Arabic and comparative literature at Boston University.
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Table of Contents

List of Illustrations ix
Preface and Acknowledgments xi
Note on Transliteration and Translation xvii

Introduction 1
"When Shakespeare Travels Abroad" 3
The Global Kaleidoscope 6
Hamlet and Political Agency 8

Chapter 1: Hamlet in the Daily Discourse of Arab Identity 13
"Time Out of Joint": Coming to Terms with History 16
"Shall We Be or Not Be?": Personifying the Group 23
"Words, Words, Words": Forging an Identity 29
"The Play's the Thing" 33

Chapter 2: Nasser's Dramatic Imagination, 1952-64 35
Revolutionary Drama 37
Theatre Joins the Battle 44
Shakespeare on the Sidelines 50

Chapter 3: The Global Kaleidoscope: How Egyptians Got Their Hamlet, 1901-64 53
Beyond Caliban 54
"Bend Again toward France" 59
"Do It, England!" 70
Independence and Soviet Shakespeare 75
Bidayr's "Cruel Text" 85

Chapter 4: Hamletizing the Arab Muslim Hero, 1964-67 91 In Search of Social Justice 93
Psychological Interiority as a Ground for Political Agency 95
Sulayman: "Justice or Oppression? That Is the Puzzle" 95
Al-Hallaj: "Who Will Give Me a Seeing Sword?" 103
De-Hamletized Revivals 111

Chapter 5: Time Out of Joint, 1967-76 114
"Something Is Rotten": Theatre and the 1967 Defeat 116
M artyrs for Justice: "Abstract and Brief Chronicles" of the 1970s 124
Sadat's Open Door: "To Cook or Not to Cook?" 134
A Dilemma 140

Chapter 6: Six Plays in Search of a Protagonist, 1976-2002 142
Silencing Hamlet 144
"A Play Can't Stab" 147
"His Sword Kept Sticking Up" 163
A Prodigal Cousin 173
Post-Political Laughs 179

Epilogue: Hamlets without Hamlet 183
Notes 189
Bibliography 237
Index 257

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