— Time Out
In her seaside cottage, Beatrix Abberley bravely confronts an intruder moments before her life is brutally taken. The crime stuns the elderly spinster’s family—especially Beatrix’s niece, Charlotte Ladram. But Charlotte has little time to mourn the loss of her beloved aunt and little patience when police quickly arrest a man Charlotte believes is… See more details below
In her seaside cottage, Beatrix Abberley bravely confronts an intruder moments before her life is brutally taken. The crime stuns the elderly spinster’s family—especially Beatrix’s niece, Charlotte Ladram. But Charlotte has little time to mourn the loss of her beloved aunt and little patience when police quickly arrest a man Charlotte believes is innocent. For Charlotte, a harrowing quest for answers begins—one that will take her into the shadows of the past…and into the life and secrets of the dead woman’s brother, famed poet and casualty of the Spanish Civil War, Tristram Abberley.
Now, amid shattering revelations about her family, and in the aftermath of a second savage crime, Charlotte finds herself at the center of a widening storm. And for Charlotte, something extraordinary is beginning to happen. As fifty years of secrets begin to unravel, shy, cautious Charlotte is coming alive in the shadow of a mystery—uncovering a shocking tale of wartime greed and treachery, and a vendetta of violence seemingly without end….
From the Trade Paperback edition.
There it was: the same sound again. And this time she knew she was not mistaken. Sharp metal on soft wood: the furtive, splintering sound of the intrusion she had long foreseen. This, then, was the end she had prepared for. And also the beginning.
She turned her head on the pillow, squinting to decipher the luminous dial of the clock. Eight minutes to two. Darker--and deader--than midnight.
A muffled thump from below. He was in. He was here. She could no longer delay. She must meet him head-on. And at the thought--at the blurred and beaming clock-face before her--she smiled. If she had chosen--as in a sense she had--this would, after all, have been the way. No mewling, flickering fade from life. Instead, whatever was about to follow.
She threw back the covers, lowered her feet to the floor and sat upright. The drawing-room door had been opened--cautiously, but not cautiously enough to escape her. He would be in the hall now. Yes, there was the creak of the board near the cupboard under the stairs, abruptly cut short as he stepped back in alarm. "No need to worry," she felt like calling. "I am ready for you. I will never be readier."
She slid her feet into their waiting slippers and stood up, letting the night-dress recover its folds about her, letting the frantic pace of her heart slacken. There was probably still time to pick up the telephone and call the police. They would arrive too late, of course, but perhaps . . . No. It was better to let them believe she had been taken completely by surprise.
He was on the stairs now, climbing gingerly, keeping to the edges of the treads. An old trick. She had used it herself in times gone by. Another smile. What use was reminiscence now, far less regret? What she had done she reckoned, on the whole, she had done well.
She reached out and picked up the torch from the bedside cabinet. Its barrel was smooth and cold in her grasp, as smooth and cold as . . . She set off across the room, concentrating on action to deflect any doubts that these last moments might bring.
She had left the door ajar and now, raising it fractionally on its hinges, swung it open in absolute silence, then stepped out on to the landing. And froze. For he was already rounding the bend near the top of the stairs, a black hunched shadow visible only because she had known he would be there. Her heart pounded in her throat. For all the preparation--for all the rehearsal--she was frightened now. It was absurd. And yet, she supposed, it was only to be expected.
As he reached the landing, she raised the torch, holding it in both hands to stop it shaking, and pushed the switch with her thumb. And there, for an instant, like a rabbit in a headlamp, he was caught, dazzled and confused. She made out jeans and a black leather jacket, but could not see his face clearly past the object he was holding up to shield his eyes. Not that she needed to, because she knew very well who he was. Then she recognized what he had in his hand. One of the candlesticks from the drawing-room mantelpiece, his fingers entwined in its brass spirals. It was upside-down, with the heavy sharp-rimmed base held aloft.
"Hello, Mr Spicer," she said in as steady a voice as she could command. "It is Mr Spicer, isn't it?"
He lowered the candlestick an inch or so, struggling to adjust to the light.
"You see, I knew you were coming. I've been waiting for you. I could almost say you were overdue."
She heard him swear under his breath.
"I know what you've been paid to do. And I know who's paid you to do it. I even know why, which is more, I suspect, than--"
Suddenly, time ran out. The advantage of surprise expired. He launched himself across the landing and seized the torch from her grasp. He was stronger than she had supposed and she was weaker. At any rate, the disparity was greater. As the torch clattered to the floor, she realized just how frail and helpless she really was.
"It's no good," she began. "You can't--" Then the blow fell and she fell with it, crumpling to the foot of the balustrade before the lance of pain could reach her. She heard herself moan and made to raise her hand, dimly aware that he was about to strike again. But she would not look. Better to focus on the stars she could see through the uncurtained window, scattered like diamonds on jeweller's velvet. Tristram had died at night, she recalled. Had he glimpsed the stars, she wondered, as death closed in? Had he imagined what would become of her without him? If he had, this would surely not have been it, for this he could never have anticipated. Even though the makings of it were there, beside him, as he died. Even though--
"Charlie? This is Maurice."
"Maurice? What a lovely surprise. How--"
"Not lovely at all, old girl. I've got bad news. It's Beatrix."
"Dead, I'm afraid. Mrs. Mentiply found her at the cottage this afternoon."
"Oh, God. What was it? Her heart?"
"No. Nothing like that. It seems . . . According to Mrs. Mentiply, there'd been a break-in. Beatrix had been . . . well . . . done to death. I don't have any details. The police will be there by now, I imagine. I'm going straight down. The thing is . . . Do you want me to pick you up on the way?"
"Yes. All right. Yes, perhaps you could. Maurice--"
"I'm sorry, Charlie, really I am. You were fond of her. We all were. But you especially. She'd had a good innings, but this is . . . this is a God-awful way to have gone."
"She was murdered?"
"In the furtherance of theft, I suppose. Isn't that how the police phrase it?"
"Mrs. Mentiply said there were things taken. But let's not jump the gun. Let's get there and find out exactly what happened."
"How was she killed?"
"According to Mrs. Mentiply . . . Look, let's leave it, shall we? We'll know soon enough."
"I'll be with you as soon as I can."
"Have a stiff drink or something, eh? It'll help, believe me."
"Perhaps you're right."
"I am. Now, I'd better get on the road. See you soon."
"I will. 'Bye."
Charlotte put the telephone down and walked back numbly into the lounge. The house seemed even larger and emptier than usual now this latest sadness had come to add its weight to the silence. First her mother, with lingering slowness. Now, with sudden violence, Beatrix too. Tears filled her eyes as she looked around the high-ceilinged room and remembered them gathered there, in paper hats, to celebrate one of her childhood birthdays. Her father would have been present too, of course, grinning and tickling and casting animal shapes on the wall with the shadows of his clenched fingers in the firelight. Now, thirty years later, only her shadow moved as she turned towards the drinks cabinet, then stopped and slowly turned away.
She would not wait. She had done enough of that over the years, more than enough. Instead, she would leave a note for Maurice and drive herself to Rye straightaway. No doubt there was nothing to gain by it, except the relief that mobility might bring. It would stop her moping, at all events. That is what Beatrix would have said, in her brisk no-nonsense way. And that, Charlotte supposed, was the least she owed her.
It was a still June evening of hazy sun, mocking her grief with its perfection. A sprinkler was swishing on the neighbouring lawn as she went out to the garage, a dove cooing in the trees that screened the road. Death seemed preposterously remote in the perfumed air. Yet death, she knew, was here to dog her steps once more.
As if to outrun it, she drove with reckless speed down across the Common and out along the Bayham road, past the cypress-fringed cemetery where her parents lay, south and east through the somnolent woods and fields where she had played and picnicked as a girl.
She was thirty-six years old, materially better off than she had ever been in her life, but emotionally adrift, assailed by loneliness and barely suppressed desperation. She had given up work--one could hardly call it a career--in order to nurse her mother through her final illness and thanks to what she had inherited did not need to resume it. Sometimes, she wished she were not so independent. Work--however humdrum--might introduce her to new friends. And economic necessity might force her to do what she knew she ought: sell Ockham House. Instead of which, since her mother's death seven months before, she had departed mournfully for a long holiday in Italy and had returned from it none the surer what she wanted from life.
Perhaps she should have asked Beatrix. After all, she had seemed happy--or at least content--in her solitude. Why could Charlotte not be the same? She was younger, of course, but Beatrix had been her age once and even then had been a woman alone. She overtook a tractor and trailer, calculating as she did so in what year Beatrix had been thirty-six.
Nineteen hundred and thirty-eight. Of course. The year of Tristram Abberley's death. A young man of artistic temperament carried off by septicaemia in a Spanish hospital, little realizing the fame posterity would heap upon him or the fortune it would confer upon his heirs. Behind him, in England, he had left a young widow, Mary--of whose subsequent remarriage Charlotte was the issue; a one-year-old son, Maurice; a solitary sister, Beatrix; and a slender body of avant-garde poetry destined to be enshrined by the post-war generation in A level syllabuses up and down the land. It was Tristram Abberley's posthumous royalties that had set up Charlotte's father in business, that had paid for Ockham House and Charlotte's education, that had left her as free and friendless as she currently was.
For this, she realized with a sudden drying of the throat, was what Beatrix's death represented: the loss of a friend. She was old enough to have been Charlotte's grandmother and in the absence of a real one had happily filled the role. During her schooldays, Charlotte had spent most of every August with Beatrix, exploring Rye's cobbled alleyways, building castles on Camber Sands, falling asleep to the strange and comforting mew the wind made in the chimneys of Jackdaw Cottage. All so long, so very long ago. Of late--especially since her mother's death--she had seen little of Beatrix, which now, of course, she could do no more than bitterly regret.
Why, she wondered, had she taken to avoiding the old lady? Because Beatrix would not have hesitated to tell her she was wasting her life? Because she would have said guilt and grief should never be indulged lest they take too strong a hold? Perhaps. Perhaps because she did not wish to confront herself, and knew Beatrix Abberley had the discomforting knack of obliging one to do precisely that.
When Charlotte arrived, the day-trippers and souvenir-hunters had left and Rye was settling into a drained and drowsy Sunday evening. She drove up the winding cobbled streets to St Mary's Church, where a few worshippers were still wandering away after Evensong. Then, as she turned towards Watchbell Street, she was confronted by a trio of police cars, one with light flashing, a cordon of striped tape round the frontage of Jackdaw Cottage and a huddle of idle onlookers.
She parked in Church Square and walked slowly towards the cottage, remembering all the hundreds of times she must have come this way knowing she would find Beatrix waiting--tall, thin, keen-eyed and intent. But not this time. Not this time nor ever again.
The constable who was on duty directed her inside. There she found, seemingly in every doorway, plastic-gloved men in boiler suits, armed with powder and tiny brushes. In the drawing room stood one man distinct from the rest, grey-suited and frowning, picking his way through the tea cups and sugar bowls displayed in one of Beatrix's glass-fronted cabinets. He glanced up at Charlotte's approach.
"Can I help you, miss?"
"I'm a relative. Charlotte Ladram. Miss Abberley's--"
"Ah, you'd be the niece. The housekeeper mentioned you."
"Not a niece, exactly. But never mind."
"No. Right." He nodded wearily and made a visible effort to summon a greater degree of attentiveness. "Sorry about this. Must be a dreadful shock."
"Yes. Is . . . Is Miss Abberley . . ."
"The body's been removed. Actually . . . Look, why don't you sit down? Why don't we both sit down?" He shooed a stooping figure away from the fireplace and led Charlotte towards one of the armchairs on either side, then sat down in the other one. It was Beatrix's, as Charlotte could easily tell by the jumble of cushions and the crooked pile of books on the floor beside it, where the old lady's questing left arm could easily reach. "Sorry about all these people. It's . . . necessary."
"I quite understand."
"My name's Hyslop. Chief Inspector Hyslop, Sussex Police." He looked about forty, with thinning hair combed forward in a style Charlotte disliked, but there was a winning edge of confusion to his features and a schoolboyish clumsiness about his dress that made her feel it should be her putting him at his ease, not the other way about at all. "How did you hear about this?"
"Maurice--Maurice Abberley, that is, my half-brother--telephoned me. I gather Mrs. Mentiply found . . . what had happened."
"Yes. We've just sent her home. She was a bit upset."
"She'd worked for Miss Abberley a long time."
"Can you tell me . . . what you've learned?"
"Looks like a thief broke in last night and was disturbed while helping himself to the contents of"--he pointed across the room--"that cabinet."
Turning, Charlotte saw for the first time that the glass-fronted cabinet in the corner was empty and that its doors were standing open, one of them sagging on its hinges.
"Full of wooden trinkets, according to Mrs. Mentiply."
"Tunbridge Ware, actually."
"It's a special form of mosaic woodwork. The craft has long since died out. Beatrix--Miss Abberley--was an avid collector."
"I should say so. She had some pieces by Russell. He was just about the foremost exponent of . . . Ah, the work-table is still here. That's something, I suppose."
From the Trade Paperback edition.
Robert Goddard’s first novel Past Caring was an instant bestseller. Since then his books have captivated readers worldwide with their edge-of-the-seat pace and labyrinthine plots.
From the Trade Paperback edition.
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In England elderly wealthy Beatrix Abberly greets the intruder into her home as Mr. Spicer whom she says to him that she was expecting him. She recognizes the candlestick holder he carries and uses to kill her. Her niece Charlotte grieves her loss in what seems like a robbery gone bad. The police arrest antique dealer Colin Fairfax whose motive was to steal Beatrix¿ priceless artifacts to sell. --- Colin's brother Derek firmly believes he is innocent and plans to prove that though it means finding courage he does not possess. At the same time, Charlie also believes that the motive was not robbery she assumes the few items purloined were to cover a more sinister crime especially after she finds letters between Beatrix and her brother, highly regarded poet Tristram who died fighting on the Republican side during the Spanish Civil War five decades ago. Charlie and Derek team up as both believe the homicide ties back to the war on the Peninsular in the late 1930s, but neither expected that they could be next. --- This terrific international amateur sleuth tale grips the audience from the moment the calm Beatrix says hello to Mr. Spice and never slows down until the final believable twist. The action-packed story line works because of the lead pairing Derek is shy and struggles to be a hero while Charlie grieves and is a bit overweight while also strains to accomplish something way out of character for her. Part of Robert Goddard¿s genius is to take everyday people placed in arenas outside their norm performing extraordinary but plausible deeds. HAND IN GLOVE is a superb thriller by an English grandmaster. --- Harriet Klausner