Handel's Oratorios and Eighteenth-Century Thoughtby Ruth Smith
Pub. Date: 10/28/2005
Publisher: Cambridge University Press
In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel>'s oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel>'s texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.
- Cambridge University Press
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- 5.98(w) x 8.98(h) x 1.10(d)
Table of Contents
Introduction; Part I. English Origins of English Oratario: 1. Artistic norms; 2. The purpose of art; 3. Music, morals and religion; 4. The biblical sublime; 5. The survival of the epic; 6. The defence of Christianity; 7. Towards oratorio; Part II. The Patriot Libretto from the Excise Bill to the Jew Bill: Israelite Oratarios and English Politics: 8. Political events and political thought; 9. Allegorical politics; 10. Moral politics; 11. Esther to Athalia; 12. In time of war; 13. Images of government; 14. The conflict of public and private interests; 15. Coda: the end of Handel's Israelite oratorios; Appendices; Notes; Index.
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