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Handling the Undead

Handling the Undead

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by John Ajvide Lindqvist
     
 

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In his new novel, John Ajvide Lindqvist does for zombies what his previous novel, Let the Right One In, did for vampires.

Across Stockholm the power grid has gone crazy. In the morgue and in cemeteries, the recently deceased are waking up. One grandfather is alight with hope that his grandson will be returned, but one husband is aghast at what his

Overview

In his new novel, John Ajvide Lindqvist does for zombies what his previous novel, Let the Right One In, did for vampires.

Across Stockholm the power grid has gone crazy. In the morgue and in cemeteries, the recently deceased are waking up. One grandfather is alight with hope that his grandson will be returned, but one husband is aghast at what his adored wife has become.

A horror novel that transcends its genre by showing what the return of the dead might really mean to those who loved them.

Editorial Reviews

Yvonne Zipp
…Lindqvist is a master philosopher of the horror genre, and in his thoughtful, almost gently written Handling the Dead, the evil doesn't come from the recently deceased, but from the living.
—The Washington Post
Publishers Weekly
Swedish horror author Lindqvist moves from vampires (Let the Right One In) to zombies in this gripping, subtle tale. Stockholm is overtaken by the undead after a period of strange weather, and the uprising has surprising consequences for several people, including David, a comedian whose dead wife comes back to life; self-harming psychic teenagers Flora and Elvy; and journalist Gustav Mahler, whose only hope of saving his daughter and himself from grief lies in exhuming his young grandson and hoping the boy will be reanimated. Lindqvist's character-driven narrative is at times slow and confusing, but pop culture references keep the story relevant and interesting. This intelligent look into the psychological side of the undead will entice longtime zombie fans eager for a subversive examination of some of the horror genre's most recognizable monsters. (Sept.)
From the Publisher

“A unique and humanistic take on the undead that has a place alongside thoughtful horror novels like World War Z.” —Kirkus Reviews (starred)

“The first fresh take on the zombie since [Dawn of the Dead].” —Chud.com

“Shivers the spine and hooks the heart.” —Hellnotes.com

“Lindqvist is giving us new kinds of monsters.” —PopMatters.com

“Sophisticated horror that takes the genre to new and exciting levels.” —Suspense Magazine

“A unique standout.” —Fright.com

“Will entice longtime zombie fans eager for a subversive examination of some of the horror genre's most recognizable monsters.” —Publishers Weekly

Library Journal
In Stockholm, the power grid has gone mad, and in the wake of an odd power surge, the recently dead reawaken. In the confusion, a grandfather waits excitedly to see whether his grandson will return, and a husband is horrified at his beloved wife's reanimation. At turns funny and macabre, this second novel by the best-selling Swedish author of Let the Right One In gives horror readers a new twist on an old trope, asking us how far we might go for love, what happens when those we lose want to come home again, and at what point we let go of our dead. VERDICT Horror fans will love the fresh take on the old zombie story, and paranormal fiction fans will appreciate the psychological thrill of exploring where love and death collide. At the top of his game, Lindqvist gives Stephen King and John Saul at their best a run for the money. [The U.S. remake of the Swedish film adaptation of Let the Right One In will be released this October as Let Me In.—Ed.]—Colleen S. Harris, Univ. of Tennessee at Chattanooga Libs.
Kirkus Reviews

Bright lights in a big city herald the return of the dead in Swedish horrorist Lindqvist's second novel, after Let the Right One In (2007), a vampire tale that was later turned into a movie.

This time the author replaces vampires with zombies, a switch that effectively accents his expressive, unnerving writing. In the process he offers a unique and humanistic take on the undead that has a place alongside thoughtful horror novels like World War Z. The story begins in Stockholm with a subtle natural phenomenon. The country, deep in its winter twilight, experiences a collective headache that threatens to drive its sufferers mad. Next, the city is struck by a massive short circuit, a reverse blackout that powers up every appliance. Then Lindqvist introduces his cast: David, a stand-up comedian and loving husband; Mahler, a suicidal journalist who mourns the untimely death of his grandson Elias; and Elvy and her granddaughter Flora, quietly acknowledging the new telepathy that has emerged between them. When the dead do come back, the book delivers believable terror. The most disquieting scenes come early. David rushes to the hospital, where his beloved wife Eva has died in a car accident. As he cries with despair, his wife suddenly grasps his hand, opens one gruesome dead eye and croaks his name. Anyone who can drop off to sleep after this passage has nerves of steel. After photographing a newly reanimated morgue, Mahler rushes to his grandson's grave, where he disinters the child's body and carries the desiccated corpse home to bathe it. What's interesting about what follows is the way that it's handled—not with Romero-esque sarcasm and blood-spattering gunplay, but with sincere reflection on what would happen if the dead arose. How would the government respond? What does it mean to be human if death is not the end? And perhaps most importantly, how would we feel if those we loved and lost were suddenly returned to us?

A philosophical story about fears to which no beating heart is immune.

Product Details

ISBN-13:
9781429940696
Publisher:
St. Martin's Press
Publication date:
09/28/2010
Sold by:
Macmillan
Format:
NOOK Book
Pages:
384
Sales rank:
183,365
File size:
499 KB

Read an Excerpt

Handling the Undead


By John Ajvide Lindqvist

St. Martin's Press

Copyright © 2005 John Ajvide
All rights reserved.
ISBN: 978-1-4299-4069-6



CHAPTER 1

13 August

What have I done to deserve this?

Svarvargatan 16.03


Death ...

David lifted his eyes from the desk, looking at the framed photograph of Duane Hanson's plastic sculpture 'Supermarket Lady'.

A woman, obese, in a pink top and turquoise skirt, pushing a loaded shopping trolley. She has curlers in her hair, a fag dangling from the corner of her mouth. Her shoes are worn down, barely covering the swollen, aching feet. Her gaze is empty. On the bare skin of her upper arms you can just make out a violet mark, bruising. Perhaps her husband beats her.

But the trolley is full. Filled to bursting.

Cans, cartons, bags. Food. Microwave meals. Her body is a lump of flesh forced inside her skin, which in turn has been crammed into the tight skirt, the tight top. The gaze is empty, the lips hard around the cigarette, a glimpse of teeth. The hands grip the trolley handle.

And the trolley is full. Filled to bursting.

David drew in air through his nostrils, could almost smell the mixture of cheap perfume and supermarket sweat.

Death ...

Every time his ideas dried up, when he felt hesitant, he looked at this picture. It was Death; the thing you struggle against. All the tendencies in society that point towards this picture are evil, everything that points away from it is ... better.

The door to Magnus' room opened and Magnus emerged with a Pokémon card in his hand. From inside the room you could hear the agitated voice of the cartoon frog, Grodan Boll, 'Noooo, come ooooon!'

Magnus held out the card.

'Daddy, is Dark Golduck an eye or a kind of water?'

'Water. Sweetheart, we'll have to talk about this later ...'

'But he has eye attack.'

'Yes, but ... Magnus. Not now. I'll come when I'm ready. OK?'

Magnus caught sight of the newspaper in front of David.

'What are they doing?'

'Please, Magnus. I'm working. I'll come in a minute.'

'Ab ... so ... lut filth. What does that mean?'

David closed the newspaper and took hold of Magnus' shoulders. Magnus struggled, trying to open the paper.

'Magnus! I'm serious. If you don't let me work now I won't have any time for you later. Go into your room, close the door. I'll be there soon.'

'Why do you have to work all the time!'

David sighed. 'If you only knew how little I work compared to other parents. But please, leave me alone for a little while.'

'Yes, yes, yes.'

Magnus wriggled out of his grasp and went back to his room. The door slammed shut. David walked once around the room, wiped his underarms with a towel and sat back down at the desk. The window to the Kungsholmen shoreline was wide open but there was almost no breeze, and David was sweating even though his upper body was bare.

He opened the newspaper again. Something funny had to come of this.

Absolut filth!

A giveaway promotion featuring adult magazines and liquor; two women from the Swedish Centre Party pouring vodka over an issue of Hustler as a protest. Distressed, read the caption. David studied their faces. Mostly, they looked belligerent, as if they wanted to pulverise the photographer with their eyes. The spirits ran down over the naked woman on the cover.

It was so grotesque it was hard to make something funny out of it. David's gaze scoured the image, tried to find a point of entry.

Photograph: Putte Merkert

There it was.

The photographer. David leaned back in the chair, looked up at the ceiling and started to formulate something. After several minutes he had the bare outline of a script written in longhand. He looked at the women again. Now their accusing gazes were directed at him.

'So; planning to make fun of us and our beliefs are you?' they said. 'What about you?'

'Yes, OK,' David said out loud to the newspaper. 'But at least I know I'm a clown, unlike the two of you.'

He kept writing, with a buzzing headache that he put down to a nagging conscience. After twenty minutes he had a passable routine that might even be amusing if he milked it for all it was worth. He glanced up at Supermarket Lady but received no guidance. Possibly he was walking in her footsteps, sitting in her basket.

It was half past four. Four and a half hours until he was due on stage, and there were already butterflies in his stomach.

He made a cup of coffee, smoked a cigarette and went in to see Magnus, spent half an hour talking about Pokémon, helped Magnus to sort the cards and interpret what they said.

'Dad,' Magnus asked, 'what exactly is your job?'

'You already know that. You were there at Norra Brunn once. I tell stories and people laugh and ... Then I get paid for it.'

'Why do they laugh?'

David looked into Magnus' serious eight-year-old's eyes and burst into laughter himself. He stroked Magnus' head and answered, 'I don't know. I really don't know. Now I'm going to have some coffee.'

'Oh, you're always drinking coffee.'

David got up from the floor where the cards lay spread out. When he reached the door, he turned around to look at his son, whose lips moved as he read one of his cards.

'I think,' David said, 'that people laugh because they want to laugh. They have paid to come and laugh, and so they laugh.'

Magnus shook his head. 'I don't get it.'

'No,' David said, 'I don't either.'

Eva came back from work at half past five and David greeted her in the hall.

'Hi sweetheart,' she said. 'What's up?'

'Death, death, death,' David replied, holding his hands over his stomach. He kissed her. Her upper lip was salt with sweat. 'And you?'

'Fine. A little bit of a headache. Otherwise I'm fine. Have you been able to write?'

'No, it ...' David gestured vaguely at the desk. 'Yes, but it isn't that good.'

Eva nodded. 'No, I know. Will I get to hear it later?'

'If you like.'

Eva left to find Magnus, and David went to the bathroom, let some of the nervousness drain out of him. He remained on the toilet seat for a while, studying the pattern of white fishes on the shower curtain. He wanted to read his script to Eva; in fact, he needed to read it to her. It was funny, but he was ashamed of it and was afraid that Eva would say something about ... the ideas behind it. Of which there were none. He flushed, then rinsed his face with cold water.

I'm an entertainer. Plain and simple.

Yes. Of course. He made a light dinner — a mushroom omelette — while Magnus and Eva laid out the Monopoly board in the living room. David's underarms ran with sweat as he stood at the stove sautéing the mushrooms.

This weather. It isn't natural.

An image suddenly loomed in his mind: the greenhouse effect. Yes. The Earth as a gigantic greenhouse. With us planted here millions of years ago by aliens. Soon they'll be back for the harvest.

He scooped the omelette onto plates and called out that dinner was served. Good image, but was it funny? No. But if you added someone fairly well known, like ... a newspaper columnist, say — Staffan Heimersson — and said he was the leader of the aliens in disguise. So therefore Staffan Heimersson's solely responsible for the greenhouse effect ...

'What are you thinking about?'

'Oh, nothing. That it's Staffan Heimersson's fault it's so warm.'

'OK ...'

Eva waited. David shrugged. 'No, that was it. Basically.'

'Mum?' Magnus was done picking the tomato slices out of his salad. 'Robin said that if the Earth gets warmer the dinosaurs will come back, is that true?'


His headache got worse during the game of Monopoly, and everyone became unnecessarily grumpy when they lost money. After half an hour they took a break for Bolibompa, the children's program, and Eva went to the kitchen and made some espresso. David sat in the sofa and yawned. As always when he was nervous he became drowsy, just wanted to sleep.

Magnus curled up next to him and they watched a documentary about the circus. When the coffee was ready, David got up despite Magnus' protests. Eva was at the stove, fiddling with one of the knobs.

'Strange,' she remarked, 'I can't turn it off.'

The power light wouldn't go off. David turned some knobs at random, but nothing happened. The burner on which the coffee pot sat gurgling was red-hot. They couldn't be bothered doing anything to it for the moment, so David read his piece out while they drank the heavily sugared espresso and smoked. Eva thought it was funny.

'Can I do it?'

'Absolutely.'

'You don't think that it's ...'

'What?'

'Well, going too far. They're right, of course.'

'Well? What does that have to do with it?'

'No, of course. Thanks.'

Ten years they had been married, and hardly a day went by that David did not look at Eva and think, 'How bloody lucky I am.' Naturally there were black days. Weeks, even, without joy or the possibility of it, but even then, at the bottom of all the murk, he knew there was a placard that read bloody good luck. Maybe he couldn't see it at that moment, but it always resurfaced.

She worked as an editor and illustrator of non-fiction books for children at a small publishing company called Hippogriff, and she had written and illustrated two books herself featuring Bruno, a philosophically inclined beaver who liked to build things. No huge successes, but as Eva once said with a grimace, 'The upper middle classes seem to like them. Architects. Whether their children do is less certain.' David thought the books were significantly funnier than his monologues.

'Mum! Dad! I can't turn it off!'

Magnus was standing in front of the television, waving the remote control. David hit the off button on the set but the screen did not go black. It was the same as the stove, but here at least the plug was easy to get at, so he pulled on it just as the newscaster announced the start of the evening current affairs show. For a moment it felt like pulling a piece of metal off a magnet, the wall socket sucking at the plug. There was a crackling sound and a tickle in his fingers, then the newscaster disappeared into the dark.

David held out the plug. 'Did you see that? It was some kind of ... short circuit. Now all the fuses have gone.' He flicked the light switch. The ceiling lamp went on, but he could not switch it off again.

Magnus jumped up in his seat.

'Come on! Let's keep playing.'


They let Magnus win Monopoly, and while he was counting his money. David packed his stage shoes and shirt, along with the newspaper. When he came out into the kitchen, Eva was pulling the stove out from the wall.

'No,' David said. 'Don't do that.'

Eva pinched a finger and swore. 'Damn ... we can't leave it like this. I'm going over to my dad's. Fuck ...' Eva tugged on the stove but it had become wedged between the cabinets.

'Eva,' David said. 'How many times have we forgotten to turn it off and gone to bed without anything happening?'

'Yeah, I know, but to leave the apartment ...' She kicked the oven door. 'We haven't cleaned back there for years. Bloody thing. Damn, my head hurts.'

'Is that what you want to do right now? Clean behind the stove?'

She let her hands fall, shook her head and chuckled.

'No. I got it in my head. It'll have to wait.'

She made a final desperate lunge at the stove and threw up her hands, defeated. Magnus came out into the kitchen with his money.

'Ninety-seven thousand four hundred.' He scrunched up his eyes. 'My head hurts a whole lot. It's stupid.'

They each took an aspirin and a glass of water, said cheers and swallowed. A farewell toast.

Magnus was going to spend the night at David's mother's place, Eva was going to visit her father in Järfälla, but come back in the middle of the night. They picked up Magnus between them, and all three kissed.

'Not too much Cartoon Network at Grandma's,' David said.

'Nah,' Magnus said. 'I don't watch that anymore.'

'That's good,' Eva said. 'It'll be ...'

'I watch the Disney channel. It's much better.'

David and Eva kissed again, their eyes telegraphing something about how it would be later that night when they were alone. Then Eva took Magnus' hand and they walked off, waving one last time. David remained on the sidewalk, watching them.

What if I never saw them again ...

The usual fear gripped him. God had been too good to him, there'd been a mistake, he had got more than he deserved. Now it would all be taken away. Eva and Magnus disappeared around the corner and an impulse told him to run after them, stop them. Say, 'Come on. Let's go home. We'll watch Shrek, we'll play Monopoly, we ... can't let ourselves be separated.'

The usual fears, but worse than usual. He got a grip on himself, turned and walked toward St Eriksgatan while he quietly recited his new routine in order to fix it in his mind:

How does this kind of picture come to be? The two women are upset, so what do they do? They go to the store and buy a case of vodka and then a stack of porn magazines. When they've been standing there, pouring and pouring for two hours, Putte Merkert, photographer at Aftonbladet, just happens to catch sight of them.

'Hi there!' Putte Merkert says. 'What are you doing?'

'We're pouring alcohol on porn magazines,' the women answer.

'Aha,' the photographer thinks. A chance for a scoop.

No, not 'the photographer'. Putte Merkert. All the way through.

Aha, thinks Putte Merkert. A chance for a scoop ...

Halfway across the bridge, David caught sight of something strange and stopped.

Recently he had read in the newspaper that there were millions of rats in Stockholm. He had never seen a single one, but here there were three, right in the middle of St Erik's bridge. A big one and two smaller ones. They were running in circles on the footpath, chasing each other.

The rats hissed, showing their teeth, and one of the smaller ones bit the bigger one on the back. David backed up a step, looked up. An elderly gentleman was standing a few steps away on the other side of the rats, watching their battle open-mouthed.

The small ones were as big as kittens, the bigger one about the size of a dwarf rabbit. The bare tails whisked over the asphalt and the big rat shrieked as the second small one grabbed hold of its back and a damp, black stain of blood appeared on its fur.

Are they ... its children, its little ones?

David held a hand up to his mouth, suddenly nauseated. The big rat threw itself from side to side spasmodically, trying to shake off the smaller ones. David had never heard rats shriek, had not known they could. But the sound that issued from the big one was horrible, as if from a dying bird.

A couple of people had stopped on the other side. Everyone was following the rat fight and for a moment David had a vision of people gathered to watch some kind of organised event. Rat fighting. He wanted to walk away, but couldn't. In part because the traffic across the bridge was steady, in part because he could not tear his gaze from the rats. He felt compelled to stay and watch, and see what happened.

Suddenly the big one stiffened, its tail pointing straight out from its body. The small ones writhed, scrabbling their claws over its belly and their heads moved jerkily back and forth as they tore at the skin. The big one shuffled forward until it reached the edge of the bridge, crept under the railing with its burden and toppled over.

David had time to peer over the railing in time to see it land. The noise from the traffic masked the splash when the rats landed in the dark water and a plume of drops glittered for an instant in the street lamps. Then it was over.

People continued on their way, talking about it.

'Never seen anything like it ... it's this heat ... my dad once told me that he ... headache ...'

David massaged his temples and kept walking across the bridge. People from the other direction met his gaze and everyone smiled bashfully, as if they had all taken part in something illicit. When the older gentleman who had been standing there from the beginning walked past, David asked, 'Excuse me, but ... have you got a headache too?'

'Yes,' the man answered, and pressed his fist against his head. 'It's terrible.'

'I was just wondering.'

The man pointed at the dirty grey asphalt spotted with rat blood and said, 'Maybe they had one too. Maybe that was why ...' He interrupted himself and looked at David. 'You've been on television, haven't you?'

He continued on his way. A muted panic hovered in the air. Dogs were barking and pedestrians walked more quickly than usual, as if trying to escape whatever was approaching. He hurried down Odengatan, took out his cell phone and dialled Eva's number. When he was level with the subway station, she answered.

'Hi,' David said. 'Where are you?'

'I've just got in the car. David? It was the same thing at your mum's place. She was going to turn the television off when we arrived, but she couldn't.'

'That'll make Magnus happy. Eva? I ... I don't know, but ... do you have to go see your father?'

'Why do you ask?'

'Well ... do you still have a headache?'

'Yes, but not so I can't drive. Don't worry.'

'No. It's just that I have a feeling that ... it's something horrible. Don't you feel it too?'

'No. Not like that.'

A man was standing inside the phone booth at the intersection of Odengatan and Sveavägen, jiggling the hook. David was about to tell Eva about the rats when the line went dead.


(Continues...)

Excerpted from Handling the Undead by John Ajvide Lindqvist. Copyright © 2005 John Ajvide. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

John Ajvide Lindqvist is the author of Let the Right One In and Handling the Undead. Let The Right One In, his debut novel, was an instant bestseller in Sweden and was named Best Novel in Translation 2005 in Norway. The Swedish film adaptation, directed by Tomas Alfredsson, has won top honors at film festivals all over the globe, including Best Narrative Feature at the Tribeca Film Festival. An American remake, Let Me In, written and directed by Cloverfield director Matt Reeves, was released in October 2010 to rave reviews. Lindqvist grew up in Blackeberg, a suburb of Stockholm and the setting for Let the Right One In. Wanting to become something awful and fantastic, he first became a conjurer, and then was a stand-up comedian for twelve years. He has also written for Swedish television. He lives in Sweden.


John Ajvide Lindqvist is the author of Let the Right One In and Handling the Undead. Let The Right One In, his debut novel, was an instant bestseller in Sweden and was named Best Novel in Translation 2005 in Norway. The Swedish film adaptation, directed by Tomas Alfredsson, has won top honors at film festivals all over the globe, including Best Narrative Feature at the Tribeca Film Festival. An American remake, Let Me In, written and directed by Cloverfield director Matt Reeves, was released in October 2010 to rave reviews. Lindqvist grew up in Blackeberg, a suburb of Stockholm and the setting for Let the Right One In. Wanting to become something awful and fantastic, he first became a conjurer, and then was a stand-up comedian for twelve years. He has also written for Swedish television. He lives in Sweden.

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Handling the Undead 3.8 out of 5 based on 0 ratings. 81 reviews.
Michael_Sean_McGowan More than 1 year ago
John "Horror with a Heart" Lindqvist's "Handling the Undead" is probably the most touchy-feely zombie novel you're likely to read. An electrical storm hits Stockholm and suddenly the city's recently deceased begin to wake up. The drama of the story doesn't come from a monster-movie ethos, but rather how loved ones would be impacted by having to see the shell of the ones they loved before. "Handling the Undead" is not for gore-hounds. In fact, nothing even remotely "scary" happens until the last third of the book. And, unfortunately, I've never seen an author write a book that was this solid most of the way through, and completely flub everything up in the last fifteen pages.
Professor_Zombie More than 1 year ago
This novel is as psychologically real and emotionally honest as fiction can get. Yes, it's about zombies in a fashion, but not Romero-esque shambling killers... mostly. Tightly paced and never varying its intense, lugubrious, "Let the Right One In" tone, "Handling the Undead" is unique in it's seriousness and it's imaginativeness. I don't want to say much about the plot, since how events unfold is part of the amazing control Lindqvist has over the reader. I will say that the conclusion is as satisfying as it is unexpected. Emotions run high through this entire book, and the catharsis at the end is completely earned and absolutely effective. A MUST-READ.
Anonymous More than 1 year ago
This book has a distinct style in and about itself. It took a couple of chapters to get used to the writing style. The book is very creative, and Lindqvist's take on "zombies" is interesting. This was an interesting read where I kept getting drawn back to the book, however I do feel as though the last few chapters are a little lacking.
Savvy More than 1 year ago
I can't even find the words to describe the beauty of "Handling the Undead." Like the joy and miracle that somehow mask the frightening process of birth, Lindqvist finds an elegance and poise in the repulsion of death decay. So much more than a horror novel. John Ajvide Lindqvist, I love you.
harstan More than 1 year ago
The odd weather in Stockholm has had a strange effect on the city's power grid especially an abrupt significant surge. Soon after the surge, the recently departed return to life. Many of the living are euphoric to see their loved ones. Others are not pleased. Some pray for a reanimation as they wait with hope. David the comedian has mixed feelings when his beloved wife returns from the dead. ; Elderly reporter Gustav Mahler worries about him and his daughter not moving on passed the death of his grandson; he hopes for a return so he disinters the body from the lad's grave. This is a brilliant psychological horror thriller that looks at love and death by analyzing the return of the undead from the perspective of family members and the reanimated corpse. Readers will appreciate the actions and reactions of those living when those dead come back from the grave. Although the story line slows down under the weight of the profound psychological analysis of love and death, fans will relish the reflective story line; wondering of the essence of a person's soul when they were alive the first time would return as them from the grave. Harriet Klausner
Anonymous More than 1 year ago
Anonymous More than 1 year ago
If you are looking for your A-typical zombie book this is not it! But if you are sick of the same old "Braaiins" plot behind most zombie novels then this book is one you should read! I enjoyed every minute of this read down to the last page John Ajvide Lindqvist is a literary genius at bringing new twists to an old subject. I will definitely be reading more of his work as it comes out and I hope you all enjoy this book as much as I did.
Anonymous More than 1 year ago
If you are expecting zombies like WWZ or Resident Evil, you'll not find them here. For some unexplained reason, the dead are reanimating and retaining some memory, returning home. They are not necessarily violent, not until violence is comitted in their presence which agitates them. They are almost childlike, what is disturbing is the goverment's handling of the situation as well as how quickly the dead become just another minority group upon which to heap abuse upon. While showing a miracle, it also shows us that dark, ugly side of human nature that is scarier than any horror novel.
Anonymous More than 1 year ago
Not as good as his novel "Let the Right One In", but just ok.
jenneyrae More than 1 year ago
loved it
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This was one of the better horror novels that I've read in a while. The ending was kind of ambiguous, though.
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Yes, his books are a little slow paced which I love because he keeps you in suspence making you jump from time to time
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Not bad, albeit seemingly preachy it's way more syfy then I expected.
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