Hands of Glory

( 1 )

Editorial Reviews

All Music Guide - James Christopher Monger
Arriving just eight months after the whistling bard's sixth studio album, 2012's Break It Yourself, the eight-track companion piece Hands of Glory forgoes its predecessor's predilection for quirky, albeit homey, slabs of stately, professorial indie folk-pop in favor of a more authentic and rootsy approach. Produced in the same Luddite fashion as Break It Yourself old pals, old barn, Hands of Glory takes that austerity one step further by recording all of the proceedings on a single microphone, resulting in a set that sounds both out of time and incredibly immediate. The immersion lends itself well to new originals like the spooky, hymn-like "Three White ...
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Editorial Reviews

All Music Guide - James Christopher Monger
Arriving just eight months after the whistling bard's sixth studio album, 2012's Break It Yourself, the eight-track companion piece Hands of Glory forgoes its predecessor's predilection for quirky, albeit homey, slabs of stately, professorial indie folk-pop in favor of a more authentic and rootsy approach. Produced in the same Luddite fashion as Break It Yourself old pals, old barn, Hands of Glory takes that austerity one step further by recording all of the proceedings on a single microphone, resulting in a set that sounds both out of time and incredibly immediate. The immersion lends itself well to new originals like the spooky, hymn-like "Three White Horses," the drought-provoked "Something Biblical," and the Carter Family-inspired "Railroad Bill," all three of which swap Bird's more experimental tendencies for a foundation that's firmly rooted in tradition, be it country, folk, or gospel. A bluesy, Morricone-informed rendition of the Handsome Family's "When That Helicopter Comes" introduces a nice Calexico vibe into the mix, while covers of "Spirograph" Alpha Consumer and "If I Needed You" Townes Van Zandt bring with them the warm winds of Laurel Canyon, but it's the headliner's deft, gentle reworking of Break It Yourself's "Orpheo Looks Back," simply called "Orpheo" here, and the expansive, ornate, nearly ten-minute closer "Beyond the Valley of the Three White Horses" that most successfully bear their master's mark, steeped in the dust and cobwebs blown from the glass of an old bay window, yet firmly espoused in modern vernacular.
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Product Details

  • Release Date: 10/30/2012
  • Label: Mom & Pop Music
  • UPC: 858275008623
  • Catalog Number: 86
  • Sales rank: 78,541

Album Credits

Performance Credits
Andrew Bird Primary Artist, Guitar, Violin, Vocals
Jeremy Ylvisaker Guitar, Vocals
Martin Dosh Drums
Dan Dorff Tambourine
Alan Hampton Bass, Vocals
Technical Credits
Townes Van Zandt Composer
Brett Sparks Composer
Ian Schneller Sculpture
Rennie Sparks Composer
Andrew Bird Composer
Jeff Lipton Mastering
Traditional Composer
Kevin Ratterman Engineer
Neal Jensen Engineer
Alpha Consumer Composer
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Customer Reviews

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( 1 )
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Sort by: Showing 1 Customer Reviews
  • Posted January 3, 2013

    Once again, Andrew Bird leads an exceptional group of artists in

    Once again, Andrew Bird leads an exceptional group of artists in the making of this stunningly beautiful arrangement of tracks that are beyond doubt, the best of his inspired works. I recommend this CD to any person who truly appreciates the mastery of musical story telling.

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Sort by: Showing 1 Customer Reviews