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Hands on in Between
     

Hands on in Between

2.0 1
by Paul van Dyk
 
Paul van Dyk's celebrated artist album In Between was followed by lots of touring, a situation that lends itself naturally to a follow-up placeholder release built purely out of remixes. A project like this can be either a cynical money move or a genuine artistic exploration that sheds new light on the original versions. In this case

Overview

Paul van Dyk's celebrated artist album In Between was followed by lots of touring, a situation that lends itself naturally to a follow-up placeholder release built purely out of remixes. A project like this can be either a cynical money move or a genuine artistic exploration that sheds new light on the original versions. In this case, it's mostly the latter -- and the budget-line pricing helps dispel the cynical view as well. The album opens powerfully with van Dyk's own remix of "Talk in Grey," a brilliant version on which Ryan Merchant's lush and laid-back vocal is counterposed with an urgent house beat. A Kyau & Albert remix of "Complicated" mines similar territory, though the beat is more complex and Ashley Tomberlin's vocals are even prettier. On the second disc, Tomberlin is back for the Giuseppe Ottaviani remix of "Get Back," on which a nervous and jumpy beat suddenly gives way to a straightforwardly gorgeous song. The Tyler Michaud remix of "Haunted" and Tom Colontonio's take on "Complicated" are equally lovely, and if the Reaves & Ahorn remix of "Détournement" is a bit headache-inducing, well, it's a rare house or trance compilation that can go that long without inducing a headache.

Product Details

Release Date:
11/24/2008
Label:
Mute U.S.
UPC:
0724596939925
catalogNumber:
69399
Rank:
222129

Tracks

Album Credits

Performance Credits

Paul van Dyk   Primary Artist
Austin Leeds   Vocals
Jessica Sutta   Vocals
Ashley Tomberlin   Vocals
Nick Terranova   Vocals
Lo-Fi Sugar   Vocals
Ryan Merchant   Vocals
Willem Faber   Vocals

Technical Credits

Paul van Dyk   Composer,Producer,Engineer,Writer,Remixing,Audio Production
Dave Audé   Producer,Vocal Engineer,Audio Production
Marc Schilkowski   Artwork
Jennifer Karr   Composer,Writer
Ralph Kyau   Producer,Remixing,Audio Production
Martin Accorsi   Producer,Remixing
Austin Leeds   Composer,Producer,Writer,Audio Production
Jonas Zadow   Engineer
Miika Eloranta   Producer,Remixing,Audio Production
Giuseppe Ottaviani   Composer,Producer,Engineer,Writer,Remixing,Audio Production
Greg Downey   Producer,Remixing,Audio Production
Starkillers   Audio Production
Jon O'Bir   Producer,Remixing,Audio Production
Janne Mansnerus   Producer,Remixing,Audio Production
Ashley Tomberlin   Composer,Writer
Danny Reaves   Producer,Remixing
Rob "Just Fine" Stevenson   Producer,Remixing,Audio Production
Nick Terranova   Composer,Writer
Tyler Michaud   Producer,Remixing,Audio Production
Dirk Ever   Composer,Writer
Ryan Merchant   Composer,Writer
Mateo Murphy   Remixing,Audio Production
Alexander Mieling   Composer,Producer,Writer,Audio Production
Tom Colontonio   Producer,Remixing,Audio Production
Jon Rundell   Producer,Remixing,Audio Production
D. Schimonik   Arranger,Remixing,Audio Production
Michael Luechinger   Remixing,Audio Production
Slavko Gregoric   Remixing,Audio Production
Paul Moelands   Remixing,Audio Production
Heather Pollock   Composer
Alexander Rousmaniere   Composer,Lyricist,Writer
Niels Van Ahorn   Remixing,Audio Production
Steven Moebius   Remixing,Audio Production
Alex M.O.R.P.H.   Arranger,Composer,Remixing,Audio Production
Dahnenbach   Composer,Audio Production
Willem Faber   Composer
Marco Green   Composer,Audio Production
Dan Reaves   Remixing,Audio Production

Customer Reviews

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Hands on in Between 2 out of 5 based on 0 ratings. 1 reviews.
Lord_Azriah More than 1 year ago
I'm a huge techno fan, and Paul van Dyk's In Between album is one of my all-time favorites. So when I saw this remix cd I was excited to try it. DON'T BOTHER. Even if you like the original, you probably won't like the remixes at all. As a whole, the tracks are ok, but there's no flow from track to track. Either the compilation needed a DJ to mix each disc together, or if there was one, he/she did a crappy job.