Hannibal Rising (Hannibal Lecter Series #4) [NOOK Book]

Overview

HE IS ONE OF THE MOST HAUNTING CHARACTERS
IN ALL OF LITERATURE.

AT LAST THE EVOLUTION OF HIS EVIL...
See more details below
Hannibal Rising (Hannibal Lecter Series #4)

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Overview

HE IS ONE OF THE MOST HAUNTING CHARACTERS
IN ALL OF LITERATURE.

AT LAST THE EVOLUTION OF HIS EVIL
IS REVEALED.

Hannibal Lecter emerges from the nightmare of the Eastern Front, a boy in the snow, mute, with a chain around his neck.

He seems utterly alone, but he has brought his demons with him.

Hannibal’s uncle, a noted painter, finds him in a Soviet orphanage and brings him to France, where Hannibal will live with his uncle and his uncle’s beautiful and exotic wife, Lady Murasaki.

Lady Murasaki helps Hannibal to heal. With her help he flourishes, becoming the youngest person ever admitted to medical school in France.

But Hannibal’s demons visit him and torment him. When he is old enough, he visits them in turn.

He discovers he has gifts beyond the academic, and in that epiphany, Hannibal Lecter becomes death’s prodigy.

From the Hardcover edition.

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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
Twenty-five years after Thomas Harris introduced the world to one of the most memorable literary villains of all time (in 1981's Red Dragon), he revisits his signature character with a chilling prequel that chronicles the horrific childhood of Hannibal "The Cannibal" Lecter.

As a child growing up in Lithuania, life is blissful for young Hannibal and his little sister, Mischa, living in the majestic Castle Lecter with their loving parents. Hannibal's carefree existence, however, is turned into a living nightmare when Hitler's armies invade the Soviet Union and his family is forced to flee. After more than three years surviving in the wilderness during Hitler's bloody eastern campaign, the horror of war finally finds Hannibal, and he is forced to endure a never-ending barrage of brutality: the destruction of his home, the death of his parents, the gruesome murder of his sister at the hands of starving thugs, etc. But Hannibal's life is spared when his uncle finds him and relocates him to France. Even as he matures into an educated young man, though, the haunting images of his youth compel him to seek some kind of vengeance…

With all the hype surrounding the publication of this book, there's a significant chance that the result will fall short of readers' expectations; but Harris pulls it off with a brilliantly restrained -- and powerfully moving -- story about the transformation of a sensitive, loving, intelligent boy into a cold-blooded monster. Hard-core fans of Harris's Hannibal quartet (Red Dragon, Silence of the Lambs, and Hannibal) will undoubtedly enjoy this read with some fava beans and a nice Chianti… Paul Goat Allen
Douglas E. Winter
Harris's writing is assured, with elegant shifts of tense and point of view; perhaps it is the focused plot or the insistently visual style that acknowledges the inevitable movie adaptation, but simply in terms of craft, Hannibal Rising is arguably the best of his novels.
— The Washington Post
From the Publisher
“There are images of morbid beauty here.... Harris' handling of the wartime violence is also impressive, as swift and vicious as the blitzkrieg itself.”—Los Angeles Times
“Gripping detail.... [Harris] moves the story along at an impressively fast clip.”—Boston Globe
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Product Details

  • ISBN-13: 9780440339250
  • Publisher: Random House Publishing Group
  • Publication date: 6/23/2009
  • Series: Hannibal Lecter Series , #4
  • Sold by: Random House
  • Format: eBook
  • Sales rank: 28,010
  • File size: 3 MB

Meet the Author

Thomas Harris began his writing career covering crime in the United States and Mexico, and was a reporter and editor for the Associated Press in New York City. His first novel, Black Sunday, was published in 1975, followed byRed Dragon in 1981, The Silence of the Lambs in 1988, and Hannibal in 1999.

From the Hardcover edition.

Biography

Insightful. Cunning. Mysteriously elusive. Wickedly dark. Such descriptions could just as easily apply to novelist Thomas Harris as they could to his most famous creation -- one of the most notorious literary (and cinematic) villains of all time. Hannibal Lecter has left a wake of murder and chaos through a trilogy of horrifically mesmerizing thrillers: Red Dragon, The Silence of the Lambs, and Hannibal. Now, twenty-five years after making his debut, Lecter is back in Harris's fifth novel Hannibal Rising. Biography From within the shadows of a darkened cell lurks a human monster with an intellect as sharp as a straight razor and a conscience as blank as a death shroud. He's Hannibal Lecter, a formerly brilliant psychiatrist turned prisoner after it was discovered that the good doctor had some rather, err... unconventional appetites.

Ever since the release of the film version of The Silence of the Lambs in 1991, Hannibal Lecter has been one of the most famous fictional villains in popular culture, perhaps only rivaled by Dracula and Frankenstein's monster. But what of Lecter's creator? Thomas Harris is quite a bit less accessible than the cannibalistic psychopath he crafted. While Harris is infamously media-shy, it is well known that he was once a crime reporter working for the Waco Tribune-Herald, later becoming a reporter and editor for the Associated Press. Harris would carry his fascination with true crime over to the world of literary fiction when he wrote his debut novel in the mid-70s. Black Sunday, the harrowing, terrifying tale of a terrorist attack plotted to take place during the Super Bowl, was inspired by the real-life assassination of eleven Israeli athletes at the 1972 Munich Olympics. The novel revealed a young author with a gift for building palpable suspense out of a seemingly improbable situation (at least, in 1975 the idea of a mass-scale terrorist attack on U.S. soil was considered to be highly improbable). Two years after the novel's release, it became a major motion picture directed by the late John Frankenheimer (The Manchurian Candidate) and starring Robert Shaw and Bruce Dern. Black Sunday was the first film based on a book by Thomas Harris, but it was by no means the last.

In 1981, Harris finally published his second novel. It was Red Dragon that first introduced the world to Hannibal Lecter as he assists Special Agent William Graham of the FBI in his quest to hunt down a ritualistic killer. Lecter was a villain unlike any other: calm, controlled, insightful, even humorous, but ready to strike like a viper at any given moment. The book became a massive hit, both critically and commercially, paving the way for further adventures featuring the flesh-eating Lecter.

When Hannibal "The Cannibal" returned in a novel that propelled the character into the realm of superstardom, he was once again pitting wits with an FBI agent bent on bringing down a serial killer. However, this time the agent was infinitely more complex, her relationship with Lecter infinitely more provocative. Clarice Starling's battle of wits with Lecter was detailed in The Silence of the Lambs, one of the finest thrillers in print. The critical accolades were astounding: The New York Times, The Washington Post, The San Francisco Examiner, and the Chicago Tribune are just a sampling of the periodicals that praised The Silence of the Lambs. But it was Jonathan Demme's film adaptation of the novel that really sealed Harris's -- and Lecter's -- position in pop culture. With Anthony Hopkins giving a career performance as the doctor, The Silence of the Lambs is widely regarded as one of the greatest horror films in cinema history. In fact, it is the only horror film ever to sweep the Academy Awards, winning trophies for Best Film, Best Director, Best Actor, Best Actress (Jodie Foster as Agent Starling), and Best Screenplay Based on Material Previously Published.

Not surprisingly, expectations were high when Harris published Hannibal in 1999. However, this reunion between Hannibal Lecter and Clarice Starling was deemed too-much-of-a-grisly-thing by many critics who felt that the story had stumbled into the realm of gross self-parody. That didn't stop many from praising the book, though. In his review for the New York Times, fellow horror-master Stephen King said that Harris's fourth novel was "one of the two most frightening popular novels of our time, the other being The Exorcist." Larry King wrote in USA Today that Hannibal was nothing less than "a work of art." Once again, the story found a home on the big screen with Anthony Hopkins returning as Lecter and Julianne Moore taking over the role of Clarice. Much like the book upon which it was based, Hannibal received mixed notices because of its graphic violence despite the fact that the original ending of the book had been softened considerably.

For those hoping that the mixed reaction to Hannibal did not result in an end to Lecter's exploits, Harris's next book should be a bit of gruesome good news. Hannibal Rising is a prequel to the Lecter trilogy, tracking how an abandoned boy in Eastern Europe came to become one of the most diabolical creations in literature. So, settle down with some fava beans and a nice chianti, and hold tight... Hannibal Lecter will be back before you can say, "I'm having an old friend for dinner."

Good To Know

Harris is making his screenwriting debut with an adaptation of his Hannibal Rising. Starring the young French actor Gaspard Ulliel as Hannibal Lecter, the film is slated for release in February 2007.

Harris supposedly declined to be involved in the making of The Silence of the Lambs, but when the film wrapped, he sent each member of the cast and crew a bottle of wine.

Hannibal Lecter made his big screen debut as played by Brian Cox in the 1986 Michael Mann film Manhunter, an adaptation of Red Dragon. Sixteen years later, Brett Ratner remade the film with the novel's original title and Anthony Hopkins resuming his role as Lecter.

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Read an Excerpt

Prologue

The door to Dr. Hannibal Lecter's memory palace is in the darkness at the center of his mind and it has a latch that can be found by touch alone. This curious portal opens on immense and well-lit spaces, early baroque, and corridors and chambers rivaling in number those of the Topkapi Museum.

Everywhere there are exhibits, well-spaced and lighted, each keyed to memories that lead to other memories in geometric progression.

Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted Attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.

The palace is a construction begun early in Hannibal’s student life. In his years of confinement he improved and enlarged his palace, and its riches sustained him for long periods while warders denied him his books.

Here in the hot darkness of his mind, let us feel together for the latch. Finding it, let us elect for music in the corridors and, looking neither left nor right, go to the Hall of the Beginning where the displays are most fragmentary.

We will add to them what we have learned elsewhere, in war records and police records, from interviews and forensics and the mute postures of the dead. Robert Lecter’s letters, recently unearthed, may help us establish the vital statistics of Hannibal, who altered dates freely to confound the authorities and his chroniclers. By our efforts we may watch as the beast within turns from the teat and, working upwind, enters the world.



Chapter 6


"Do you know what today is?" Hannibal asked over his breakfast gruel at the lodge. "It's the day the sun reaches Uncle Elgar's window."

"What time will it appear?" Mr. Jakov asked, as though he didn't know.

"It will peep around the tower at ten-thirty," Hannibal said.

"That was in 1941," Mr. Jakov said. "Do you mean to say the moment of arrival will be the same?"

"Yes."

"But the year is more than 365 days long."

"But, Mr. Jakov, this is the year after leap year. So wasl941, the last time we watched."

"Then does the calendar adjust perfectly, or do we live by gross corrections?"

A thorn popped in the fire.

"I think those are separate questions," Hannibal said.

Mr. Jakov was pleased, but his response was just another question: "Will the year 2000 be a leap year?"

"No—yes, yes, it will be a leap year."

"But it is divisible by one hundred," Mr. Jakov said.

"It's also divisible by four hundred," Hannibal said.

"Exactly so," Mr. Jakov said. "It will be the first time the Gregorian rule is applied.

Perhaps, on that day, surviving all gross corrections, you will remember our talk. In this strange place." He raised his cup. "Next year in Lecter Castle."


Lothar heard it first as he drew water, the roar of an engine in low gear and cracking of branches. He left the bucket on the well and in his haste he came into the lodge without wiping his feet.

A Soviet tank, a T-34 in winter camouflage of snow and straw, crashed up the horse trail and into the clearing. Painted on the turret in Russian were AVENGE OUR SOVIET GIRLS and WIPE OUT THE FASCIST VERMIN. Two soldiers in white rode on the back over the radiators. The turret swiveled to point the tank's cannon at the house. A hatch opened and a gunner in hooded winter white stood behind a machine gun. The tank commander stood in the other hatch with a megaphone. He repeated his message in Russian and in German, barking over the diesel clatter of the tank engine.

"We want water, we will not harm you or take your food unless a shot comes from the house. If we are fired on, every one of you will die. Now come outside. Gunner, lock and load. If you do not see faces by the count of ten, fire." A loud clack as the machine gun's bolt went back.

Count Lecter stepped outside, standing straight in the sunshine, his hands visible. "Take the water. We are no harm to you."

The tank commander put his megaphone aside. "Everyone outside where I can see you."

The count and the tank commander looked at each other for a long moment. The tank commander showed his palms.

The count showed his palms. The count turned to the house. "Come."

When the commander saw the family he said, "The children can stay inside where it's warm."

And to his gunner and crew, "Cover them. Watch the upstairs windows. Start the pump. You can smoke."

The machine gunner pushed up his goggles and lit a cigarette. He was no more than a boy, the skin of his face paler around his eyes. He saw Mischa peeping around the door facing and smiled at her.

Among the fuel and water drums lashed to the tank was a small petrol-powered pump with a rope starter.

The tank driver snaked a hose with a screen filter down the well and after many pulls on the rope the pump clattered, squealed, and primed itself.

The noise covered the scream of the Stuka dive bomber until it was almost on them, the tank's gunner swiveling his muzzle around, cranking hard to elevate his gun, firing as the airplane's winking cannon stitched the ground. Rounds screamed off the tank, the gunner hit, still firing with his remaining arm.

The Stuka's windscreen starred with fractures, the pilot's goggles filled with blood and the dive bomber, still carrying one of its eggs, hit treetops, plowed into the garden and its fuel exploded, cannon under the wings still firing after the impact. Hannibal, on the floor of the lodge, Mischa partly under him, saw his mother lying in the yard, bloody and her dress on fire.

"Stay here!" to Mischa and he ran to his mother, ammunition in the airplane cooking off now, slow and then faster, casings flying backward striking the snow, flames licking around the remaining bomb beneath the wing. The pilot sat in the cockpit, dead, his face burned to a death's head in flaming scarf and helmet, his gunner dead behind him.

Lothar alone survived in the yard and he raised a bloody arm to the boy. Then Mischa ran to her mother, out into the yard and Lothar tried to reach her and pull her down as she passed, but a cannon round from the flaming plane slammed through him, blood spattering the baby and Mischa raised her arms and screamed into the sky. Hannibal heaped snow onto the fire in his mother's clothes, stood up and ran to Mischa amid the random shots and carried her into the lodge, into the cellar. The shots outside slowed and stopped as bullets melted in the breeches of the cannon. The sky darkened and snow came again, hissing on the hot metal.

Darkness, and snow again. Hannibal among the corpses, how much later he did not know, snow drifting down to dust his mother's eyelashes and her hair. She was the only corpse not blackened and crisped. Hannibal tugged at her, but her body was frozen to the ground. He pressed his face against her. Her bosom was frozen hard, her heart silent. He put a napkin over her face and piled snow on her. Dark shapes moved at the edge of the woods. His torch reflected on wolves' eyes. He shouted at them and waved a shovel. Mischa was determined to come out to her mother—he had to choose. He took Mischa back inside and left the dead to the dark.

Mr. Jakov's book was undamaged beside his blackened hand until a wolf ate the leather cover and amid the scattered pages of Huyghens' Treatise on Light licked Mr. Jakov's brains off the snow. Hannibal and Mischa heard snuffling and growling outside. Hannibal built up the fire. To cover the noise he tried to get Mischa to sing; he sang to her. She clutched his coat in her fists.

"Ein Mannlein . . ."

Snowflakes on the windows. In the corner of a pane, a dark circle appeared, made by the tip of a glove. In the dark circle a pale blue eye.

From the Hardcover edition.

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Customer Reviews

Average Rating 3.5
( 142 )
Rating Distribution

5 Star

(49)

4 Star

(30)

3 Star

(29)

2 Star

(19)

1 Star

(15)

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See All Sort by: Showing 1 – 20 of 142 Customer Reviews
  • Posted May 1, 2011

    A revelation.

    For quite some time, i have been incredibly fascinated with the character Hannibal Lecter. This sacred literature has proven to be a chilling revelation to his past and i enjoyed every sentence. i recommend it for anyone who enjoys the mystery of a murderer's reasoning.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 8, 2007

    Facts missing

    Did anyone notice Thomas Harris did not mention Hannibal's six-fingered hand in Hannibal Rising? I would think growing up with such a weird disfigurement would have been mentioned?

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 4, 2014

    Aboslutly MUST READ AGAIN!!

    Hannibal Lecter is my favorite killer of all time...From watching the movie, to reading the book, just makes me love him that much more! To me Hannibal is just this character that moves me. His sophistication and high education, yet the way he looks into your soul, make you think..Whats going on in his head? This book explains that very question...Hannibal Lecter is my personal hero! MUST READ. THEN MUST READ AGAIN!!!

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  • Anonymous

    Posted May 20, 2013

    Great read

    Tied up the loose ends

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  • Anonymous

    Posted June 5, 2010

    Stupid

    This book was a waste of time. I really want my money back. The author needs to hang it up. I will never read another of his books. What a ripoff!!

    0 out of 2 people found this review helpful.

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  • Posted September 3, 2009

    more from this reviewer

    Hannibal Drowning

    Reading this book made me feel like this book didn't want to be written. It didn't have the same feel as Red Dragon, and especially Silence of the Lambs. It actually felt like a made up story. You know sometimes when reading a good book, you forget it's a story, you care about what happens? Not so with this book. It felt like the author didn't care what happened, like he was making it up as he went along. I only read it to complete the "series". I just started reading Hannibal, and it's like it was written by someone else entirely. So anyways, read it if you want, but it's really not very good.

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  • Posted May 3, 2009

    more from this reviewer

    Not his best

    This was not Harris's best work, he should have quit while he was ahead with "Hannibal". I did want to see what happened to Dr. Lecter but not what his child hood was like! The director should not have forced Harris to write another book. Instead of raking in the cash and redefining the Hannibal series he basically insured new people that Harris could not write a decent book. Harris should have just let this director to land flat on his face with a terrible movie. But the director just had to drag Harris down into the muck with him. This book should never have been made.

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  • Anonymous

    Posted October 29, 2007

    Hannibal the Unforgivably Dull Cannibal

    This fourth entry into the 'Hannibal Lecter' series (even though he is just a supporting character in the first two entries, 'Red Dragon' and 'The Silence of the Lambs') tells the story of Lecter's childhood and the events that transpired to turn him into a notorious serial killer. Good idea, bad execution. The biggest problem is the boring story, which takes far too long to get started and never really pays off. Hannibal as a young man is subjected to various atrocities during the WWII Nazi occupation of his home country of Lithuania, and he spends the rest of the story exacting his revenge. At the end, we still aren't sure why Hannibal will eventually become a violent, dangerous serial killer, although we do feel sorry for him. Pity, unfortunately, is a far cry from terror, which is what we really want. Hannibal is the villian we love to fear, and the last two books have too much defanged the 'Hannibal the Cannibal' mythos that served the series so well. Author Thomas Harris seems bored with the characters and the story -- it is said that Harris was forced to write this book (and the screenplay for the movie) at the demands of producer Dino De Laurentis, who owns the movie rights to Hannibal Lector and claims that he would have made a movie about Lector's origin with or without Harris' help. the world of Hannibal is losing its luster -- it might be time for Harris to move on.

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  • Anonymous

    Posted September 29, 2007

    Best Hannibal Book

    I loved this book and I think he should write one more about the younger Hannibal. I'd like to know the other things he did.

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  • Anonymous

    Posted May 28, 2007

    A reviewer

    I consider myself a big Hannibal fan. Read all the books, seen all the movies. Although I found how Hannibal came to be quite interesting, this book disappointed me. After reading the first 3 books, this one just couldnt hold up. Its OK at best. It just made me ask, what happened when TH wrote this one?

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  • Posted February 2, 2009

    more from this reviewer

    Great book...

    This book was excellent. I don't understand why people are rating it so low. The book answers questions as to why Hannibal is the way he is. The interesting part about this book is that Hannibal plays the role of the hero, avenging the death of his sister. Read this book...it is worth your time.

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  • Anonymous

    Posted May 25, 2007

    A reviewer

    The only thing worse than meeting Hannibal Lecter in a dark alley is the mind numbing torture of reading this edition of the Thomas Harris series. Lacking the gritty suspense of the precursors, Hannibal is at best meandering and pointless, and at worst, horridly dull. Hannibal is evidence of what happens when a writer gets an advance that serves as his only inspiration. Not even qualified for a good summer pool read, the only accomplishment of Hannibal is that fans of Thomas Harris and his evil anti-hero will cry 'no more!'

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  • Anonymous

    Posted June 22, 2007

    awesome!

    i think its awesome! it shows saddness, grossness,happiness,and anger or revenge. it makes you think whats going to happen next!

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  • Anonymous

    Posted April 6, 2007

    Recommended Junk Food Reading

    Fun, fast read. Enjoy, don't worry so much about the others and comparisons. This is a fun book period.

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  • Anonymous

    Posted March 19, 2007

    Bon appétit

    I consider HANNIBAL RISING to be an exquisite piece of literature, perfect for those who search passionately for the ever illusive answer to the riddle that plagues us about the actions of our fellow man: why? This novel tells the story of Hannibal Lecter¿s early existence and attempts to explain the creation of the man behind the cannibal. It provides a glimpse into the mind of a genius and delves deep into the soul of a monster not born but fashioned by the evils that surround him in his early life and engulf him in his later years. Though no amount of writing could truly quench the thirst for knowledge concerning the enigma of one tormented mind¿s actions, I feel HANNIBAL RISING does well by providing the reader passage through the intricacies of a heart plagued by demons. I highly recommend this intriguing novel and hope it will satisfy your taste for elegance and excitement.

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  • Anonymous

    Posted January 17, 2007

    Answers a lot of questions

    I was interested in Hannibals' young life. What happened to his family answered a lot of questions for me as to Hannibals' mental makeup. I thought the book lost some credibility as Mr. Harris got lost in a wild goose chase of Hannibal looking for his families murderers. I found the scenario quite unrealistic. I think that Hannibal should have been apprehended by the Inspector, instead of the (all understanding) Inspector leaving Hannibal free to murder at will. The Inspector has a crush on Lady Murasaki and some sick identification with Hannibal. I give the book passing grades only because Mr. Harris answered my questions in this book.

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  • Anonymous

    Posted March 5, 2007

    one of the best books iv read in such a long time this book reads like true crime

    i read this book is a mer 2 days very good read i saw the movie first before i read the book the movie did justice to the book i say the actor they choose to play hannibal lecter this time was following actor anthony hopkins thats what makes this book/movie sooo good and soo a very good book to read plus if you are just getting into the hannibal lecter series i suggest you get into these 3 books hannibal,silence of the lambs, or red dragon all by thomas harris

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  • Anonymous

    Posted March 4, 2007

    I love Hannibal Lecter even more.

    Hannibal Lecter has always interested me in many different ways. This book has captured my interest in him more. I don't know why people think Red Dragon is better it doesn't talk about Hannibal that much. Hannibal Rising had exactly what I expected. I disagree with the person who said it was too detailed, because in a prequel it's supposed to explain the cause of why something happened. I have a feeling Thomas Harris may come out with another book.

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  • Anonymous

    Posted March 12, 2007

    Couldn't put it down!

    This is a great book, I too can't wait for the next. I think I had this entire book read in about 1 day. My only problem with it was that it ended!

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  • Anonymous

    Posted March 12, 2007

    An Appropriate Prequel

    I've heard a lot of people complain that this book reduces Dr. Lecter to nothing more than a psychological case. What they don't understand is that the events in the book do not shape him into his madness, as he is truly born with hereditary sociopathic tendencies ('Our family, we are somewhat unusual people' Dr. Lecter's uncle tells him). What this tragic childhood does instead is provide him with the perspective to mold his superego in the way he pleases, which offers an exercise in his brilliance, establishing his modus operandi of preying on the rude. The book explains quite a bit about Hannibal's personality and peculiarities: His genius, the construction and refinement of his memory palace, aristocratic tastes, possibly his tolerance to sodium pentothal (mentioned in Red Dragon), knowledge of human anatomy, artistic talent, symbolic practice in cannibalism, attraction to assertive, intelligent women (A la Clarice). It also diagnoses him as a true sociopath, but seperates him from a reckless antisocial personality because of his immense self-control: lawless, impulsive, aggressive, lacking remorse, deceitful, with rabid temper- But never unstable. The book has a profound historical framing and mostly nostalgic, sensory shaping of Hannibal's character, so I wouldn't recommend it to anyone who has just seen the movies. If you're a Hannibal fan and enjoy the books as I do, then you'll find this a quick and haunting read. If you haven't read the other books, try them before you pick this one up. The extra context will make it more enjoyable. Harris does take a different approach to this title, and at times (but not too often) it reads like a history textbook, but anybody interested in Dr. Lecter's background and development will most likely be satisfied.

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