Hans Richter: Activism, Modernism, and the Avant-Garde

Hans Richter: Activism, Modernism, and the Avant-Garde

by Stephen C. Foster
     
 

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Few artists spanned the movements of early-twentieth-century art as completely as did Hans Richter. Richter was a major force in the developments of expressionism, Dada, de Stijl, constructivism, and surrealism, and the creator, with Viking Eggeling, of the abstract cinema. Along with Theo van Doesburg, László Moholy-Nagy, El Lissitzky,

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Overview


Few artists spanned the movements of early-twentieth-century art as completely as did Hans Richter. Richter was a major force in the developments of expressionism, Dada, de Stijl, constructivism, and surrealism, and the creator, with Viking Eggeling, of the abstract cinema. Along with Theo van Doesburg, László Moholy-Nagy, El Lissitzky, and a few others, he is one of the artists crucial to an understanding of the role of the arts in the reconstruction era following World War I. After his emigration to the United States in 1941, he contributed enormously to modernism in the United States and served as an important conduit between the American and European art communities.

Most American scholars have focused on Richter's film work and have favored a strictly formalist approach that separates art and politics. The contributors to this book rewrite Richter's history to include his pivotal role in the development of the early-twentieth-century avant-garde and his political activism. When Richter's work, particularly that of his earlier, European career, is viewed in its historical and political context, he emerges as an artist committed to the power of art to change the fabric of social, political, and cultural affairs.

The essays in this book, which accompanies a 1998 Richter retrospective held in Valencia, Spain, and at the University of Iowa Art Museum, are organized roughly around the expressionist and Dada years, Richter's short tenure in Munich's postwar revolutionary Second Council Republic, his central involvement in international constructivism and the development of the abstract cinema, and the politicization of film that arose from his anti-Nazi activities of the late twenties and thirties.


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Editorial Reviews

Martin I. Gaughan
This is a truly enhanced portrait of the activist artist as painter and filmmaker, detailed across the chronologically arranged essays. It is a major contribution to a still neglected strand of modernism. -- Martin I. Gaughan

Product Details

ISBN-13:
9780262061964
Publisher:
MIT Press
Publication date:
04/01/1998
Pages:
344
Product dimensions:
8.10(w) x 7.28(h) x 0.06(d)

What People are saying about this

From the Publisher

"The articles in Stephen Foster's skillfully edited anthology put Hans Richter into the context of political and social events which formed the crucible of his work. A valuable work—not just for the study of Richter, but as a model of current scholarship." Johanna
Drucker, Department of Art History, Yale University

The MIT Press

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