Hansel and Gretel

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Overview

The Brothers Grimm (or Die Gebrüder Grimm), Jacob (1785-1863) and Wilhelm Grimm (1786-1859), were German academics, linguists, cultural researchers, lexicographers and authors who together collected and published folklore. They are among the most well-known storytellers of folk tales, popularizing stories such as "Cinderella" "(Aschenputtel)", "The Frog Prince" ("Der Froschkönig"), "Hansel and Gretel" ("Hänsel und Gretel"), "Rapunzel", "Rumpelstiltskin" " ("Rumpelstilzchen"), and "Snow White" ("Schneewittchen"). ...
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Hansel and Gretel

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Overview

The Brothers Grimm (or Die Gebrüder Grimm), Jacob (1785-1863) and Wilhelm Grimm (1786-1859), were German academics, linguists, cultural researchers, lexicographers and authors who together collected and published folklore. They are among the most well-known storytellers of folk tales, popularizing stories such as "Cinderella" "(Aschenputtel)", "The Frog Prince" ("Der Froschkönig"), "Hansel and Gretel" ("Hänsel und Gretel"), "Rapunzel", "Rumpelstiltskin" " ("Rumpelstilzchen"), and "Snow White" ("Schneewittchen"). Their first collection of folk tales, Children's and Household Tales (Kinder- und Hausmärchen), was published in 1812

Hard by a great forest dwelt a poor wood-cutter with his wife and his two children. The boy was called Hansel and the girl Gretel. He had little to bite and to break, and once when great dearth fell on the land, he could no longer procure even daily bread. Now when he thought over this by night in his bed, and tossed about in his anxiety, he groaned and said to his wife: 'What is to become of us? How are we to feed our poor children, when we no longer have anything even for ourselves?...

When they are left in the woods by their parents, two children find their way home despite an encounter with a wicked witch.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Working from a faithful translation of the original text, Zwerger has created rosy-cheeked, appealing children who look as if they have just descended the Alps. The witch, by contrast, is a shapeless, fiery-eyed ghoul with real scare potential, but the illustrations never take advantage of that; the pictures show passive moments and have an ephemeral quality because there is almost no background for the figures on the page. For example, on one page of text, the stepmother kindles a fire and leaves Hansel and Gretel alone, the birds come and eat the trail of bread crumbs, the children walk for 24 hours without much food, sleep and walk again. Opposite is a picture of the siblings, looking melancholy but not appearing to be in dire straits. The design of the book falters: some of the artwork is horizontal and bleeds, other paintings are vertical, with wide gutters and margins; the text is set in light type without paragraph indentations and so readability suffers. Zwerger's artistic gifts are not wholly in evidenceeven simple details like Hansel's hair color, which varies, are overlooked. For once, her version of a popular story is extraneous, and Hansel and Gretel, so often done and redone, seem lost. Ages 6-up. (June)
Children's Literature
It's only a story...it's only make believe...This re-telling of the classic Grimm tale is not for the very young, and in this day and age of child abuse, neglect and terrorism could be considered just plain frightening. Readers need to carefully explain to their listeners that good ALWAYS triumphs over evil, even if it is uncomfortable, painful and a long process. A woodcutter and his wife are bemoaning their plight of hunger¾there is not enough money to feed a family of four. The woodcutter's wife venomously plans to lose their children in the woods—hopefully to be free of them for good. Reluctantly, the woodcutter agrees, unaware that their children have heard the whole conversation. Hansel and Gretel obligingly follow their parents into the woods. Hansel cleverly drops white pebbles that glisten in the moonlight, ensuring a path home for two lonely, frightened children. Again, their mother insists "We must get rid of the children!" and again, their father gives in. Again, all four obedient children set out for the forest. This time, Hansel drops breadcrumbs to find their way home, but all are eaten by the birds. Now the children are alone. A white bird leads them to a house in the forest made of gingerbread, cakes and clear sugar. Immediately the children begin to eat. Noticing someone nibbling on her home, an old woman invites the children inside, assuring them no harm. However, the next day, she erupts as the evil witch, making plans to eat Hansel and Gretel. Still, the brother and sister keep their wits and manage to outsmart their captor. As the oven is being prepared for baking, Gretel feigns ignorance and asks the witch how to know if it is ready. As the witchdemonstrates, she is pushed into the oven and the door is bolted. Now Hansel and Gretel can once again find their way out of the forest. They return to their father's house, bringing treasure from the gingerbread house. As their mother has died (coincidence?), the children are now safe and sound. While this tale has a happy ending for some, getting there could be quite traumatic for some readers. Well-placed comfort words and Hansel's admonition of "God will not forsake us" are necessary if this story is being read aloud, especially to younger children. The illustrations, though exaggerated at times, help convey the disparity of the family as well as the sense of wilderness in the forest and the tenderness of the children coming home. A nice/unique addition to a fairy tale collection, but certainly not unequaled. 2001, North-South Books, $15.95 and $15.88. Ages 4 to 8. Reviewer: Elizabeth Young AGES: 4 5 6 7 8
Children's Literature - Naomi Williamson
In this translation by Elizabeth D. Crawford, Zwerger's beautifully rendered and powerful illustrations provide the backdrop for the sadness of poverty upon which this tale is based. They also show the wistfulness of two children sent away from their home by their father during hard times, upon their stepmother's insistence that they need not all be forced to starve. Zwerger's full-page ink-and-wash illustrations are amazing in portraying the drama that plagues the lives of the two children. The innocence of Hansel and Gretel mixes with the tragedy of their lives and the dangers of the unknown to make this a true Grimm's fairy tale. The witch is a large, colorless and shadowy figure whose claw-like fingers are very prominent as she goes slyly about her wicked deeds. The drama of the story's "happy ever after" ending will cause children everywhere to listen to this tale over and over. Reviewer: Naomi Williamson
School Library Journal
Gr 1-4-A brooding, surrealistic version of the classic fairy tale. Wallace modernizes the Grimms' story, turning the stepmother into the more ambiguous "the woman"; making Gretel into Hansel's equal partner (eliminating her crying); and omitting all mention of God. Otherwise, the text follows the original pretty faithfully. The illustrations, done in pastel pencils on black paper, have an eerie gloominess and iridescent quality. The witch's face is only shown on the cover, but the pictures inside are scary enough. When the children are alone in the forest, they are tiny figures in an alien, threatening landscape. What looks like a giant, half-submerged face seems to threaten them at one point; a huge hourglass next to Hansel's cage underlines the urgency of his danger; and the siblings' reunion with their father takes place near a graveyard. At the end, the text proclaims the traditional litany of "...they lived in perfect happiness from then on," but a turn of the page reveals an ominous rebirth of the witch. Somewhat surprisingly, there are not many good picture-book versions of this tale in print. James Marshall's (Dial, 1990) is excellent for the very young-the witch is not scary and a sense of humor pervades the text; Susan Jeffers's (Dial, 1980) is traditional and beautiful. Wallace's is unusual and emphasizes the dark side of the tale. It is definitely a distinguished book to savor; independent readers will pore over its pages and scrutinize its details.-Judith Constantinides, East Baton Rouge Parish Main Library, LA
School Library Journal
K-Gr 3-This version of the familiar tale of two clever children who overcome their fears and triumph over evil, while clear and readable, tends toward the lurid. For example, when Gretel pushes the witch into the oven, the text reads: "The old witch burned to death, screaming and howling miserably." Duntze's startlingly imaginative illustrations range from impressionistic to surreal, and vary in size and coloration to match the changing moods of the narrative. The cleverly wrought bread-strewn endpapers set the tone for this stylized picture book. While a few of the images are potentially frightening, most will agree that the illustrations are accomplished and very special, indeed.-Barbara Buckley, Rockville Centre Public Library, NY Copyright 2001 Cahners Business Information.
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Product Details

  • ISBN-13: 9781496130747
  • Publisher: CreateSpace Publishing
  • Publication date: 3/3/2014
  • Pages: 26
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.05 (d)

Meet the Author

Lisbeth Zwerger lives in Vienna, Austria.

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Customer Reviews

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted July 25, 2012

    Hansel and grettle are back

    Hansel and grettle have been replaced by the hunger games and harry potter and such now that you can read them on a nook the story seems more interesting and real ; )

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted May 23, 2014

    Good

    Great book love it just got it good buy

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  • Anonymous

    Posted January 22, 2014

    Hi

    Hello

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