Hard Hats, Rednecks, and Macho Men Class in 1970s American Cinema

Hard Hats, Rednecks, and Macho Men Class in 1970s American Cinema

by Derek Nystrom
     
 

ISBN-10: 0195336763

ISBN-13: 9780195336764

Pub. Date: 08/19/2009

Publisher: Oxford University Press, USA

Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They

…  See more details below

Overview

Everywhere you look in 1970s American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in post-Stonewall homosexuality invite ambiguity that the men ignore.

Hard Hats, Rednecks, and Macho Men argues that the persistent appearance of working-class characters in these and other films of the 1970s reveals the powerful role class played in the key social and political developments of the decade, such as the decline of the New Left and counterculture, the re-emergence of the South as the Sunbelt, and the rise of the women's and gay liberation movements. Examining the "youth cult" film, the neo-Western "southern," and the "new nightlife" film, Nystrom shows how these cinematic renderings of white working-class masculinity actually tell us more about the crises facing the middle class during the 1970s than about working-class experience itself. Hard Hats thus demonstrates how these representations of the working class serve as fantasies about a class Other-fantasies that offer imaginary resolutions to middle-class anxieties provoked by the decade's upheavals.

Drawing on examples of iconic films from the era-Saturday Night Fever, Cruising, Five Easy Pieces, and Walking Tall, among others-Nystrom presents an incisive, evocative study of class and American cinema during one of the nation's most tumultuous decades.

Read More

Product Details

ISBN-13:
9780195336764
Publisher:
Oxford University Press, USA
Publication date:
08/19/2009
Pages:
264
Product dimensions:
6.30(w) x 9.30(h) x 0.80(d)

Table of Contents

Introduction: Making Class Visible in Film and Cultural Studies 3

Part I Hard Hats and Movie Brats

1 Class and the Youth-Cult Cycle 21

Part II Rednecks and Good Ole Boys: The Rise of the Southern

2 Deliverance, An Allegory of the Sunbelt 59

3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy 79

Part III Macho Men and the New Nightlife Film

4 Saturday Night Fever and the Queering of the White, Working-Class Male Body 113

5 Extra Masculinity: Looking for Mr. Goodbar and Cruising 129

Conclusion: Working-Class Solidarity and Its Others 157

Afterword: Hard Hats Revisited: The Labor of 9/11 179

Notes 187

Works Cited 221

Index 241

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >