Hard Times

( 46 )

Overview

The 'terrible mistake' was the contemporary utilitarian philosophy, expounded in Hard Times (1854) as the Philosophy of Fact by the hard-headed disciplinarian Thomas Gradgrind. But the novel, Dickens's shortest, is more than a polemical tract for the times; the tragic story of Louisa Gradgrind and her father is one of Dickens's triumphs. When Louisa, trapped in a loveless marriage, falls prey to an idle seducer, the crisis forces her father to reconsider his cherished system. Yet even as the development of the ...
See more details below
Available through our Marketplace sellers.
Other sellers (Hardcover)
  • All (82) from $1.99   
  • New (1) from $35.00   
  • Used (81) from $1.99   
Close
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any BN.com coupons and promotions
$35.00
Seller since 2014

Feedback rating:

(3)

Condition:

New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.

New
We ship worldwide

Ships from: CABA, Argentina

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
Page 1 of 1
Showing All
Close
Sort by
Hard Times (Collins Classics)

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook - ePub edition)
$0.99
BN.com price
This digital version does not exactly match the physical book displayed here.
Marketplace
BN.com

All Available Formats & Editions

Note: This is a bargain book and quantities are limited. Bargain books are new but may have slight markings from the publisher and/or stickers showing their discounted price. More about bargain books

Overview

The 'terrible mistake' was the contemporary utilitarian philosophy, expounded in Hard Times (1854) as the Philosophy of Fact by the hard-headed disciplinarian Thomas Gradgrind. But the novel, Dickens's shortest, is more than a polemical tract for the times; the tragic story of Louisa Gradgrind and her father is one of Dickens's triumphs. When Louisa, trapped in a loveless marriage, falls prey to an idle seducer, the crisis forces her father to reconsider his cherished system. Yet even as the development of the story reflects Dickens's growing pessimism about human nature and society, Hard Times marks his return to the theme which had made his early works so popular: the amusements of the people. Sleary's circus represents Dickens's most considered defence of the necessity of entertainment, and infuses the novel with the good humour which has ensured its appeal to generations of readers.

Hard Times--Dickens's shortest novel and one of his major triumphs--tells the tragic story of Louisa Gradgrind and her father.

Read More Show Less

Editorial Reviews

School Library Journal
Gr 7-12-Dickens' satire on the Victorian family and the philosophies of a society which sought to turn men into machines. Copyright 1999 Cahners Business Information.
From the Publisher
"Charles Dickens offers Simon Prebble every opportunity to show off his talent." —-AudioFile
Barry V. Qualls Rutgers University
"Graham Law's edition of Hard Times is the most useful edition for teaching Dickens that I have seen. Its text is authoritative, and the range of contextual documents included gives readers an opportunity to situate the work in the discussions of industrialization and labor as they took place in nineteenth-century England."
Kate Flint University of Oxford
"This beautifully produced edition combines a freshly written, informative introduction with helpful and well-judged notes. Particularly welcome is the wealth of documentary material and examples carefully chosen from other contemporary fiction, enabling readers to place Hard Times within its full Victorian context. This is an excellent edition—clear, authoritative and stimulating."
Read More Show Less

Product Details

  • ISBN-13: 9780140620443
  • Publisher: Penguin Group (USA)
  • Publication date: 8/1/1994

Meet the Author

Charles Dickens

Charles Way has written over 40 plays, many of them for children and young people. He was commissioned by the National Theatre to write Alice In The News, which children all over Britain have performed. He has also written many plays for radio, and a TV poem for BBC 2, No Borders, set in the Welsh borders, where he lives and has spent most of his creative life.

Biography

Born on February 7, 1812, Charles Dickens was the second of eight children in a family burdened with financial troubles. Despite difficult early years, he became the most successful British writer of the Victorian age.

In 1824, young Charles was withdrawn from school and forced to work at a boot-blacking factory when his improvident father, accompanied by his mother and siblings, was sentenced to three months in a debtor's prison. Once they were released, Charles attended a private school for three years. The young man then became a solicitor's clerk, mastered shorthand, and before long was employed as a Parliamentary reporter. When he was in his early twenties, Dickens began to publish stories and sketches of London life in a variety of periodicals.

It was the publication of Pickwick Papers (1836-1837) that catapulted the twenty-five-year-old author to national renown. Dickens wrote with unequaled speed and often worked on several novels at a time, publishing them first in monthly installments and then as books. His early novels Oliver Twist (1837-1838), Nicholas Nickleby (1838-1839), The Old Curiosity Shop (1840-1841), and A Christmas Carol (1843) solidified his enormous, ongoing popularity. As Dickens matured, his social criticism became increasingly biting, his humor dark, and his view of poverty darker still. David Copperfield (1849-1850), Bleak House (1852-1853), Hard Times (1854), A Tale of Two Cities (1859), Great Expectations (1860-1861), and Our Mutual Friend (1864-1865) are the great works of his masterful and prolific period.

In 1858 Dickens's twenty-three-year marriage to Catherine Hogarth dissolved when he fell in love with Ellen Ternan, a young actress. The last years of his life were filled with intense activity: writing, managing amateur theatricals, and undertaking several reading tours that reinforced the public's favorable view of his work but took an enormous toll on his health. Working feverishly to the last, Dickens collapsed and died on June 8, 1870, leaving The Mystery of Edwin Drood uncompleted.

Author biography from the Barnes & Noble Classics edition of David Copperfield.

Read More Show Less
    1. Also Known As:
      Charles John Huffam Dickens (full name) "Boz" (pen name)
    1. Date of Birth:
      February 7, 1812
    2. Place of Birth:
      Portsmouth, England
    1. Date of Death:
      June 18, 1870
    2. Place of Death:
      Gad's Hill, Kent, England

Read an Excerpt

CHAPTER I
The One Thing Needful

“Now, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, Sir!”

The scene was a plain, bare, monotonous vault of a schoolroom, and the speaker’s square forefinger emphasized his observations by underscoring every sentence with a line on the schoolmaster’s sleeve. The emphasis was helped by the speaker’s square wall of a forehead, which had his eyebrows for its base, while his eyes found commodious cellerage in two dark caves, overshadowed by the wall. The emphasis was helped by the speaker’s mouth, which was wide, thin, and hard set. The emphasis was helped by the speaker’s voice, which was inflexible, dry, and dictatorial. The emphasis was helped by the speaker’s hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside. The speaker’s obstinate carriage, square coat, square legs, square shoulders,—nay, his very neckcloth, trained to take him by the throat with an unaccommodating grasp, like a stubborn fact, as it was,—all helped the emphasis.

“In this life, we want nothing but Facts, Sir; nothing but Facts!”

The speaker,and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim.

CHAPTER II
Murdering the Innocents

Thomas Gradgrind, Sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, Sir—peremptorily Thomas—Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, Sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind—no, Sir!

In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words “boys and girls,” for “Sir,” Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts.

Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away.

“Girl number twenty,” said Mr. Gradgrind, squarely pointing with his square forefinger, “I don’t know that girl. Who is that girl?”

“Sissy Jupe, sir,” explained number twenty, blushing, standing up, and curtseying.

“Sissy is not a name,” said Mr. Gradgrind. “Don’t call yourself Sissy. Call yourself Cecilia.”

“It’s father as calls me Sissy, sir,” returned the young girl in a trembling voice, and with another curtsey.

“Then he has no business to do it,” said Mr. Gradgrind. “Tell him he mustn’t. Cecilia Jupe. Let me see. What is your father?”

“He belongs to the horse-riding, if you please, sir.”

Mr. Gradgrind frowned, and waved off the objectionable calling with his hand.

“We don’t want to know anything about that, here. You mustn’t tell us about that, here. Your father breaks horses, don’t he?”

“If you please, sir, when they can get any to break, they do break horses in the ring, sir.”

“You mustn’t tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?”

“Oh yes, sir.”

“Very well, then. He is a veterinary surgeon, a farrier and horsebreaker. Give me your definition of a horse.”

(Sissy Jupe thrown into the greatest alarm by this demand.)

“Girl number twenty unable to define a horse!” said Mr. Gradgrind, for the general behoof of all the little pitchers. “Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy’s definition of a horse. Bitzer, yours.”

The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely whitewashed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white.

“Bitzer,” said Thomas Gradgrind. “Your definition of a horse.”

“Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.” Thus (and much more) Bitzer.

“Now girl number twenty,” said Mr. Gradgrind. “You know what a horse is.”

She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antennæ of busy insects, put his knuckles to his freckled forehead, and sat down again.

The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people’s too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch,2 wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England)3 to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public- office Millennium, when Commissioners should reign upon earth.

“Very well,” said this gentleman, briskly smiling, and folding his arms. “That’s a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?”

After a pause, one half of the children cried in chorus, “Yes, Sir!” Upon which the other half, seeing in the gentleman’s face that Yes was wrong, cried out in chorus, “No, Sir!”—as the custom is, in these examinations.

“Of course, No. Why wouldn’t you?”

A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn’t paper a room at all, but would paint it.

“You must paper it,” said the gentleman, rather warmly.

“You must paper it,” said Thomas Gradgrind, “whether you like it or not. Don’t tell us you wouldn’t paper it. What do you mean, boy?”


From the Audio Cassette edition.

Copyright 2001 by Charles Dickens
Read More Show Less

Table of Contents

Acknowledgments
Introduction
Charles Dickens: A Brief Chronology
A Note on the Text
Hard Times: For These Times
Appendix A: The Composition of the Novel
1. Household Words Partners' Agreement
2. Announcements in Household Words
3. Dickens's Working Memoranda
4. Mentions in Dickens's Letters
Appendix B: Contemporary Reviews of the Novel
1. Athanaeum (12 August 1854)
2. Examiner (9 September 1854)
3. Gentleman's Magazine (September 1854)
4. British Quarterly Review (October 1854)
5. Rambler (October 1854)
6. South London Athanaeum and Institution Magazine (October 1854)
7. Westminster Review (October 1854)
8. Blackwood's Edinburgh Magazine (April 1855)
Appendix C: On Industrialization - Commentary
1a. Thomas Carlyle, "Signs of the Times," Edinburgh Review (June 1829)
1b. Thomas Carlyle, Chartism (1839)
1c. Thomas Carlyle, Past and Present (1843)
2. Andrew Ure, The Philosophy of Manufactures (1836)
3. P. Gaskell, Artisans and Machinery (1836)
4a. J.S. Mill, "Bentham," London and Westminster Reveiw (August 1838)
4b. J.S. Mill, Principles of Political Economy (1848)
5. Arthur Helps, The Claims of Labour (1844)
6. Friedrich Engels, The Condition of the Working Class in England in 1844 (1845)
7. Charles Dickens, "On Strike," Household Words (11 February 1854)
8. Henry Morley, "Ground in the Mill," Household Words (22 April 1854)
9. Harriet Martineau, The Factory Controversy: A Warning Against Meddling Legislation (1855)
10. W.B. Hodgson, "On the Importance of the Study of Economic Science as a Branch of Education for all Classes," Lectures in Education Delivered at the Royal Institution of Great Britain (1855)
11. John Ruskin, "Unto This Last," Cornhill Magazine (August 1860)
Appendix D: On Industrialization - Fiction
1. Harriet Martineau, A Manchester Strike (Illustrations of Political Economy No. 7) (1832)
2. Frances Trollope, Life and Adventures of Michael Armstrong (1840)
3. "Charlotte Elizabeth," Helen Fleetwood (1841)
4. Elizabeth Stone, William Langshawe, the Cotton Lord (1842)
5a. Benjamin Disraeli, Coningsby (1844) (i)
5b. Benjamin Disraeli, Coningsby (1844) (ii)
5c. Benjamin Disraeli, Sybil (1845)
6a. Elizabeth Gaskell, Mary Barton (1848) (i)
6b. Elizabeth Gaskell, Mary Barton (1848) (ii)
6c. Elizabeth Gaskell, North and South (1855)
7. Charlotte Bronte, Shirley (1849)
8a. Charles Kingsley, Yeast (1850)
8b. Charles Kingsley, Alton Locke (1850)
9. Fanny Mayne, Jane Rutherford, or The Miners' Strike (1854)
Explanatory Notes
Select Bibliography

Read More Show Less

Reading Group Guide

1. Did Dickens have a clear purpose in writing Hard Times? Was Hard Times primarily an exhortation to solve the problems faced by
nineteenth-century England, or was his subject matter merely a vehicle that allowed him to write a humorous story using the familiar character types of his day? Do you consider Dickens primarily to be an activist? A social critic? A humor writer?

2. Describe the relationship of Mr. and Mrs. Gradgrind. Why is Mr. Gradgrind's philosophy lost on Mrs. Gradgrind? What accounts for her total lack of understanding?

3. In the first few words of Hard Times, in the title to the first book, "Sowing, " there is a biblical allusion. Hard Times ends with another biblical allusion in the penultimate paragraph, where Dickens refers to the "Writing on the Wall." Biblical references are made throughout the novel, and Christian sentiment is appealed to constantly. How important are Christian underpinnings to Dickens's moral message? Do Dickens's criticisms and appeals go beyond the religious? If so, what other moral ideals are put forth in Hard Times, and what are their implications?

4. Coketown is, of course, a wholly fictitious city. However, it is a microcosm of England during the time of the Industrial Revolution and is modeled on cities that existed at the time. What are the problems of Coketown, and what are the causes of these problems? As a community, does Coketown accurately or inaccurately portray the ills of nineteenth-century English industrial cities? Does the creation of this fictitious town make Dickens's satire more effective than if he were to situate it in a real city? Why?

5. Since theconditions of life in English factory towns have changed, and many years have passed since the writing of Hard Times, what can be said to be the book's lasting value? Is it primarily historical, painting a picture of the way life was at one time? Is it moral or philosophical? Are the aspects of the novel that were important at the time of its publication still the ones that are valued today?

6. Are Rachael and Stephen realistic characters, even in the context of a satirical novel? What purpose do they serve to the novel as a whole, and which characters are they most starkly contrasted with? How does the scene of Stephen's death stand out in the novel? How is it important to the overarching themes Dickens is trying to convey?

Read More Show Less

Customer Reviews

Average Rating 3.5
( 46 )
Rating Distribution

5 Star

(19)

4 Star

(6)

3 Star

(8)

2 Star

(2)

1 Star

(11)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
See All Sort by: Showing 1 – 20 of 46 Customer Reviews
  • Anonymous

    Posted March 7, 2014

    thick with subplots

    This is typical Dickens where many subplots are interwoven into an overall main plot. Many subtle moral implications are made about the characters and subject matter.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 23, 2014

    A bad copy

    Bad copy

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 18, 2014

    Sigh nevermind. v.v

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 5, 2014

    Also

    Im<p>
    Also<p>
    Grub<p>
    Ish<p>

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 16, 2014

    KENNY

    THEY'RE AT ANOTHER BOOK, FIND IT!!!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 16, 2014

    Benny

    I did

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 11, 2014

    Raw

    x R R<BR>R RR RR<br>r Rr Rr

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 19, 2013

    Hard times for these times

    This is really a good book, even from the description I knew it would be great and so it is. This is the most best books I've ever read :)

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 24, 2013

    Luna

    Luna looked at Winter. Are you alright she asked softly. Concern laced her words. I made a promise to Blaze Winter you arnt dying yet. Wheres Kyro.....you two are like joind at the hip?

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 24, 2013

    Luna

    LOATHE STOP!

    0 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 6, 2013

    Wolverine

    He nodded. Shes been out if it ever since blaze died.

    0 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 23, 2013

    Hooded figure

    Laughs grinng. Without yer liitle monkey boy yer ours to kill as we please.

    0 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 17, 2012

    Bloodshot

    Coookie!!!!

    0 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 17, 2012

    Hammerhand

    *shoves sunstreaker off a cliff* the weak and stupid are weeded out of society.

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 17, 2012

    Copycat

    Everyone say goodnight. BYE

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 17, 2012

    Arcee

    No nite. Stay up ALLLLL NITE!

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 24, 2013

    Winter

    Ill be fine she muttered. Thank you both for helping me.. Kyro has thing to deal with. She looked away she winced when she tryed to move her wings. Great no flying for me she mumblesd sadly.

    0 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 17, 2012

    Hammerhand

    Yeah. Thanks. Leave all the dirty work to me. *he bashes sunstreaker's head in with his hammer*

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 17, 2012

    Sonicfeet

    T.T uneeded

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 3, 2013

    Jamie

    Whatever Bowling. The girls all now you are.

    0 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
See All Sort by: Showing 1 – 20 of 46 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)