A novel worthy of our utmost approbation.
When she was half-a-dozen years younger, Louisa had been overheard to begin a conversation with her brother one day, by saying, ¿Tom, I wonder¿¿upon which Mr. Gradgrind, who was the person overhearing, stepped forth into the light, and said, ¿Louisa, never wonder!¿ 'pg. 52' It is known, to the force of a single pound weight, what the engine will do. But, not all the calculators of the National Debt can tell me the capacity for good or evil, for love or hatred, for patriotism or discontent, for the decomposition of virtue into vice, or the reverse, at any single moment in the soul of one of these its quiet servants, with the composed faces and the regulated actions. There is no mystery in it. There is an unfathomable mystery in the meanest of them, forever¿ supposing we were to reserve our arithmetic for material objects, and to govern these awful unknown quantities by other means! 'pg. 71' The above excerpts perfectly exemplify the two most prominent themes in Hard Times: the importance of imagination and compassion. In the very first page, we are introduced to Mr. Gradgrind¿s morbid philosophy, which seeks to teach children nothing but facts, to live one¿s life based on reason and exact calculations, and to abstain from anything that approaches Fancy. Mr. Gradgrind¿s name implies his theory, for he veritably grinds the imagination out of his children, turning them into morose machine-like vessels full of facts. It seems Gradgrind can put anything into a tabular statement or answer any question, whether it would be wiser to answer with one¿s heart or not, mathematically. Consequently, his children are taught to do the same. Neither knowing how to navigate life with their heart, they both fall into terrible situations. They cannot feel. They are deadened, lifeless textbooks. However, Louisa¿s soul is under much more constraint than is Tom¿s. She often daydreams and is aware of what her father¿s philosophy destroyed in her infancy. She is compassionate despite her upbringing and cares much for her brother. But the attention and consideration she gives her brother is unrequited. The Gradgrind household is regulated by facts. Coketown is regulated by facts. The workers, called ¿Hands¿, are as apathetic and gloomy as the incessant trails of smoke that emanate from the factory chimneys. Their imaginations have also been stifled. The Coketown magnates are only concerned with monetary gains, and so measure all things with their avarice. The Hands are nearly indistinguishable from the machinery. They are machinery! Each passage pertaining to Coketown adequately and beautifully illustrates how suffocating this industrialized town is, where the inhabitants are only to work and who have no creative outlet or moment of respite. Hard Times states that we cannot govern people with numbers alone. They cannot be regulated by Gradgrind¿s facts, nor are the lower class lazy, ungrateful scum as the self-made man Bounderby would have us believe. People need imaginative stimuli to escape the dreary, monotonous reality of everyday life and their ¿owners¿ need be as concerned about their workers¿ well-being as they are their profits. Yes, Dickens¿ plotting is exact and his characters are exaggerated, but that¿s what I love about his novels. Yes, the villains receive their comeuppance in the end and the heroes and heroines shine as brightly as halos, but this is also something I love about Dickens. I would also like to bring attention to another aspect of Hard Times, and all other Dickens novels, and that is the language. I love the language in this book. It took me twice as long to read this book as it should have and that¿s because I couldn¿t persuade myself to move on from certain passages. I actually read every chapter twice and some paragraphs I cannot count the number of times I read. I loved this book. If you have the faintest interest in classical literature, you¿ll love this book. I could do nothing after reading this book but sig
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